其主义

Based on a universalist mode of thinking, the new-liberalists, who John Bordley Bawls is their representative, believe that their theory of justice is universal and can transcend all regions, histories, cultures and traditions, thus, they would face an inevitable dilemma.

基于一种普遍主义的思维模式，以罗尔斯为代表的新自由主义者认为其构建的正义理论是普遍适用，能够超越一切地域、历史、文化和传统的，因而必将面临不可实现的困境。

In a bemusing decision on Friday, designed to encourage initiatives to reduce nuclear arms, ease tensions with the Muslim world and stress diplomacy and cooperation rather than unilateralism, the Norwegian Nobel Committee awarded the peace prize to Obama.

挪威的诺贝尔委员会于周五公布了这项令人乍舌的决定，他们把诺贝尔和平奖授予奥巴马，旨在肯定其在防止核扩散，向穆斯林世界伸出橄榄枝，和在处理国际问题上强调外交和合作，而不是奉行前任的单边主义等方面的主张。

And new classic macroeconomics and economics of new Keynesia creed, it is same big setting --, sluggish bilges two kinds of doctrine below, this decided two school necessarily in its at issue ceaseless trend agrees.

而新古典宏观经济学和新凯恩斯主义经济学，是同一大背景———滞胀下的两种学说，这必然决定了两学派在其争论中不断趋向一致。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

Corporatism eviscerated the institution and it withered – no one had enough of a stake any more to care.

社团主义抽去了该机构的精华，使它枯萎——再也没有人有足够对其在意的权益。

Marxian Inculcation Theory is full of scientific connotation .Its spirit lies in the impossibility that working class form social consciousness spontaneously. On the contrary, in order to be exteriorized into spiritual force, this kind of consciousness must be inculcated externally into the working class by means of infects.

马克思主义灌输论具有科学而丰富的内涵，其实质是工人阶级不可能自发形成社会主义意识，必须由工人阶级队伍中有觉悟的知识分子从外面灌输，以内化为无产阶级争取解放斗争的精神力量。

We found that in Transformations Sexton were trying to start a new way of self-exploration. Though Transformations dose not change the plot and the structure of the stories, it has the sophisticated form. Without the fabulous camouflage of the fair tales the truth which exposed to the Sexton is the fragmentized American dream. Transformations not only responds the intrapersonal struggle of the author but also reflects the culture trait of the modern America under the consumerism.

通过对诗集的互文性解读，笔者发现塞克斯顿在《变形》中开始尝试一种新的探索自我的方式，她的改写绝不是对《格林童话》的简单重复，诗集不只响应了诗人内心的挣扎，也透视出整个美国社会的文化精神；诗人不仅在消费主义语境下赋予了格林童话崭新的意义，更在某种程度上还原了其在流传过程中被改编者试图抹去的残酷真相。

Based on the analysis of the city-state system in ancient Greece, the church system in middle-ages and the social contact theory in the period of the Bourgeois Revolution, comes up a conclusion that the concept of civil society immerges with different forms and structures and also displays certain characteristics over the long human history.

后经西塞罗于公元1 2005—09—16 姚楠(1981一)。女。山西大同人，中国矿业是学文法学院马克思主义研究和思想政治教育研充生。研究方向为岔民社会世纪将其转译为拉丁文'socitas civilis'，不仅意指单一国家，而且也指业已发达到出现城市的文明政治共同体的生活状况&？1。之后就是我们通用的&civil society的用法。

On reflection of new trends in art, the artist retains a vigilant stance, while appreciative of new initiatives; he espouses a philosophical opinion which laments, if not refute, the crass materialism which now inundates the sphere of contemporary art.

在艺术新趋势的沉思上，艺术家保留了其警惕的立场，同时，对艺术新的主动精神具有一定的鉴赏力。他对自己拒绝接受而如今在当代艺术领域内四处泛滥的愚蠢的物质主义持有痛惜这一哲学观点。

The offerings of other cultures are subject to their own brand of authoritarianism, and seem, at best, merely to be marshaling a defense against western values.

其他文化的贡献则屈从于以其自身为主的权利主义，似乎充其量只是为了集结待发，防御西方价值观。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。