兴

In the making of Nixing pottery.

韩佳： 也就是制作坭兴陶啊才有这道工序。

Characteristics of Nixing pottery

了解了坭兴陶的两大特点之后

Build up a Positive Competition Mechanism, Develop the Nixing Pottery Industry of QinZhou

CEPS 思博网--文章书目；-1页数：4 需求点数：16 电子全文：请登入。篇名建立良性竞争机制，振兴钦州坭兴陶产业

Nixing pottery is never glazed.

韩佳： 这坭兴陶是不上釉的。

His mood oscillates between euphoria and depression.

他的心情在幸福感兴沮丧的两极端间游移。

The narration idiosyncrasies of Chinese classical poesy differing from the West poesies are mostly behave in pay ing attention to express in indicate based on Fu,Bi,X ing ;giv ing prominence to sensibilities and life thoughts by emphasiz ing speech ideal and affection as narration motivation;form ing the narration style of blend ing the affection,opinion and affair by unionizing the space-time,the actual condition and the words-intention.

中国古典诗歌具有不同于西方诗歌的叙述特质，主要表现在：以赋、比、兴作为叙述基础，注重主观表达与客观效应统一；强调言志和缘情的叙述动机，突出作者情感体验和人生思考在叙述中的地位；追求时空、虚实、言意的统一，形成了情、理、事交融的叙述风格。

The more or less 2000-year history of the xing controversy reveals that xing is not only about excavating things to be known, but also about postulating the unknown.

在某些诗句中，「兴」確实是些需要被解读的符码，但它也是不同时代的人们一些重塑解码过程的尝试一些只能用X 去代表的不確定性和可能性。

With the example of replacement for the bow "HUI XING",this paper introduces how to shorten repair period and raise efficiency by precasting large parts of projection and section al hoisting.

文中以&汇兴&轮的整个船艏换新为例，介绍通过预制大型分段进行吊装来缩短修复周期，提高修船效率。

Li-lei get the understanding of the mysteries of the "Tao", the profundities of the "Dhyana", and knew well the mystery of the theory of One painting. By the spirit of being above worldly considerations, he upgraded his artistic conception, looked the "painting trace" as the record of the "heart trace", integrated the painting meaning with the poet meaning, as well as improved the rational "Tao" and the Dhyana to the stage of poet. All these could be regard as the "mixture of emotion and rationality" in Li-lei's abstract art creation.

李磊参悟了&道&的玄妙、&禅&的高深，也读懂了石涛&一画经&物我两忘、离形取智的奥秘，以超然物外的&本我&抒写寄兴的精神，提升自我境界，把&画迹&只是作为&心迹&的记录，并且把画境与诗境融为一体，所营造的形而上达到是一种境界形态的形而上，也即是将理性的&道&和&禅&上升到诗的境界，这也可视作是李磊抽象艺术创作中的另一种&情理交汇&。

Chapter four rationalizes the consciousness of their literature and their role in the history.

本文首先由第一章前导出论文的写作发想及研究范围与方法；於第二章切入「后遗民」之「遗」的所兴所由，藉此梳理出「后遗民」的个人、家族、历史、爱欲、经验及体悟；第三章则指出书写与成就自传性文本之关连；而第四章的重心置於文学的发声与「后遗民」自历史淡出的末裔意识；在第五章说明「后遗民书写」非仅是哀祭，而是通往自我重建的途径；第六章统整上述篇章，视「离散」为出入多元文化之旋钮。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。