关在门外

Ahjian's mother threw his gifts out the gate which were three kilograms candy, two kilograms red jujube and a electric torch, saying with a ferocious and ruthless by " I would rather close my daughter in the cattle pen and let her trampled by cattle than get married with your son."

阿建妈把他们提来的作为礼品的三斤冰糖一把手电筒四斤红枣扔出门外老远，狠声道："我女儿就是关在牛栏里，水牛踩死，也不会嫁给他李老俵！"

When they had shut him out of the theater and the concert hall, Paul knew he had to leave.

当他们把他关在剧院和音乐厅的大门外时， PAUL 就知道他该离开了。

If you shut yourself off from love, you'll miss out on that women, and the happiest times og your life.

如果你把自己关在爱的门外，你就会错过这个女子，和你生命中最快乐的时光。

The two women shut themselves in a parlour and I took up my position.

两个女人关在一间小客厅里，我就在门外听。

If you shut yourself off from love, you'll miss out on that woman, and the happiest times of your life.

如果你把自己关在爱的门外，你就会错过这个女子，和你生命中最快乐的时光。

If you shut yourself off from love, you'll miss out on that man, and the happiest times of your life.

如果你把自己关在爱的门外，你就会错过这个人，和你生命中最快乐的时光。

But there were plenty of people who were shut out.

但很多人被关在了门外。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。