关在门外

When the husband tried to get into his own house, he found he had been bolted out.

当丈夫想进入自家的房屋时，发现自己被关在门外。

The late comers we rer shut out.

晚到的人都被关在门外。

If you shut your door to all errors truth will be shut out.

如果你把所有的错误都关在门外时。

We got back very late and found that we had been shut out .

我们回来得很晚，结果被关在门外了。

Why not keep the dirty pig out of the door.

为什么不把这只脏猫关在门外？

But it was from one little window, with its blind drawn down, a mere blank transparency on the night, that the sense of home and the little curtained world within walls—the larger stressful world of outside Nature shut out and forgotten—most pulsated.

只有在这里，家的感觉，斗室内帷帘低垂的小天地的感觉，把外面的自然界那个紧张的大世界关在门外并且遗忘掉的感觉，才最为强烈、紧靠白色的窗帘，挂着一只鸟笼，映出一个清晰的剪影。

What's the worst that can happen? She slams the door on you?

那么最坏的结果会怎样她把你关在门外？

I broken the botel want ed to pick up glass and kill myself when i realized you did not love me.how could you left me out of the door?.

我把酒瓶打碎，是因为我认识到你不再爱我的时候想用玻璃片自杀。你怎么忍心把我关在门外？你不知道我有多愚蠢。

Outside, there was the shouting of porters and vendors and, near the carriage door, a highpitched female voice that must have belonged to the girl's aunt.

门口一片人声噪杂，一个男人边嗑嗑吧吧地道着歉边走进车厢，然后车门咣的一声关上，世界又一次被关在门外。

"This is turning into a crucial moment for the financial industry in China," says the head of a foreign bank in Beijing."But we are very worried that foreigners and other skilled Chinese are being shut out by a string of princelings and other very well-connected people trying to dominate market."

&现在是中国金融业的关键时刻，&北京一家外资银行的主管说道，&但我们非常担心，外国人及其他有才能的中国人，正在被太子党和其他背景深厚、试图主宰市场的人关在门外。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。