兰代洛

Dutch still life painters: Hyda, Claesz and Kalff, the scenery painters of Salomon van Ruysdael and his nephew Jacob van Ruysdael, Going, Berchem, Hayden and CapelleToday, Jan Hagemann, the son of Hans Hagemann, has brought partial works collected by the family to China to share these lovely art pieces with a broader audience.

汉斯·哈格曼的收藏包括了佛兰德斯画家鲁本斯、凡·代克、斯奈德斯、扬·勃鲁盖尔、布劳威尔、西格斯、菲特、荷兰静物画家海达、克拉斯、卡尔夫、风景画家萨洛蒙·范·雷斯达尔及其侄子雅各布·范·雷斯达尔、戈英、贝尔赫姆、海登以及卡佩勒等许多西洋绘画史上的显赫名字。

By means of core observation and log analysis of reservoir, it is recognized that widely distributed Tazhong uplift is formed from the late of Middle Ordovician to the early of Late Ordovician (from Llandeilo in Early Caradoc). The buried hill paleo-karst reservoir developed in the carbonate rocks of the mid-upper section of Yingshan formation of Lower Ordovician and covered by Lianglitag formation of Upper Ordovician is dominated by lithology of granular limestone, micritic limestone and algal elastic limestone interlayered with dolomite of open to semi-restricted platform fades.

通过岩心观察、测井储集层分析等手段，识别出塔中凸起区广泛分布形成于中奥陶世晚期－晚奥陶世早期（兰代洛世－卡拉道克世早期）、发育于下奥陶统鹰山组中上部碳酸盐岩中且被上奥陶统良里塔格组覆盖的古潜山岩溶储集层，其原岩主要为开阔－半局限台地相颗粒灰岩、泥晶灰岩、藻灰岩夹白云岩。

The chief controlling factors to available reservoir are paleo-karst morphology in Llandeilo to Early Caradoc and multi-stage faulting and karstificatio. Its evolution of reservoir chiefly suffered the reconstruction of diagenesis such as epidiagenetic karstifiration uncovered for over 10 Ma in Llandeilo to Early Caradoc and 3-stage burial karstification since Late Ordovician to Devonian, Permian to Triassic and Tertiary.

有效储集层主控因素是兰代洛世－卡拉道克世早期的岩溶古地貌及多期断裂岩溶作用，其储集空间演化主要经历了兰代洛世－卡拉道克世早期长达10×10^6a以上的暴露淡水岩溶及3期（晚奥陶世－泥盆纪、二叠纪－三叠纪、古近－新近纪以来）埋藏岩溶等建设性成岩作用的改造。

This series of victories began in Daytona and continued in Brands Hatch, Monza, Spa, on the N?rburgring racetrack, at the Targa Florio, in Le Mans, Watkins Glen and the ?sterreichring.

这一连串的胜利，并开始在代托纳继续在布兰兹哈奇，蒙扎，温泉，对Nrburgring赛道，在塔尔加弗洛里奥，在勒芒，华肯斯格兰和sterreichring 。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。