六便士

Placing a silver sixpence in the bride's left shoe is a symbol of wealth.

在新娘左脚的鞋子里，人们还通常放上一枚六便士的银币，这是财富的象征。

This is sixpenny," he says,"If you are disrelished little, you can call in the brush.

这是六便士，"他说，"要是你嫌少，你可以把刷子收回去。

Penny' is a combining form in such expressions as 'sixpenny cakes'.

在诸如'六便士的蛋糕'的表达中，'penny'是一个构词成分。

I could not find any sixpenny entrance and, fearing that the bazaar would be closed, I passed in quickly through a turnstile, handing a shilling to a weary-looking man

我找不到只化六便士就可以进去的入口，心里担扰着集市就要打烊了，于是向一个面带倦意的守门人交了一先令，很快穿过一个旋转式的栅门。

Who could have ever expected that a dragoon would drink sixpenny ale, smoke horrid bird's-eye tobacco, and let his wife wear a shabby bonnet?

谁能料到一个龙骑兵会喝六便士一瓶的啤酒，抽蹩脚得可怕的鸟眼牌烟草，会让他的妻子戴一顶破破烂烂的帽子啊？

He found a crooked sixpence against a crooked stile

他在扭曲的门框边找到扭曲的六便士。

I confess that when first I made acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary.

句中 Charles Strickland 是《月亮和六便士》中的画家。我们在阅读的时候，可能会遇到几个障碍

Subsequently being not quite so down in the mouth after the two and six he got he informed Stephen about a fellow by the name of Bags Comisky that he said Stephen knew well out of Fullam's, the shipchandler's, bookkeeper there that used to be often round in Nagle's back with O'Mara and a little chap with a stutter the name of Tighe.

21这样，两先令六便士既然到了手，他也就没那么沮丧了。于是他告诉斯蒂芬，在富拉姆船具店当帐房的那个叫作巴格斯。科米斯基的--他说是斯蒂芬的一个熟人，这家伙和奥马拉以及名叫泰伊的小个儿结巴颏子，是内格尔酒吧单间儿里的常客。

This is sixpenny," he says,"If you are disrelished little, you can call in the brush.

这是六便士，&他说，&要是你嫌少，你可以把刷子收回去。

Lizzie Borden Took An Axe Lizzie Borden took an axe, and gave her mother forty whacks.

手拿扭曲的六便士，踏上扭曲的台阶，买一只歪歪扭扭的猫儿，猫儿抓着歪歪扭扭的老鼠。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。