八的

Torre partially threw up the white flag when he put Miguel Cairo in leftfield in the eighth inning (he also wanted to give Johnny Damon's sore calves a few innings off). The sight of Cairo fighting the sun and trying to run down Mark Teixeira's long drive to left-center in the eighth -- it didn't seem like a fair fight for the career infielder -- kind of summed up the afternoon. The ball fell for a double, one of three on the day for Teixeira (4-for-5, three RBIs, three runs).王建民加油站 D0 f' u7 a- N

当Torre在八局时派Miguel Cairo去守左外野时，已经算是某种程度的举白旗投降了〔他也想让Johnny Damon疼痛的小腿能少用个几局〕，Cairo在八局时试著挡住阳光去追Mark Teixeira打到中左外野之飞球的画面〔当时看起来，对这位当了一辈子内野手的Cairo来说，实在不是一个公平的对决…〕，也算是为今天下午做了个总结，那个球最后落地形成二垒安打，也是Teixeira在这场比赛中打出的三发二垒打的最后一发，他今天五打数、四安打、打回三分、得三分。

I think up until the early 80s it wasn't an expensive place, it wasn't a greatly sort after location, and so even in the 1980s the west part of Brunswick, you know your school had a microcosm of the different lower socio-economic groups in the wider society.

我想直到八十年代早期，那里还都算不上是富人区，也不是人们纷纷涌入的地段。所以，甚至在二十世纪八十年代，不伦瑞克西部的学校，你知道，就是各种不同类型的较底层的社会经济群体的缩影。

What both interested and puzzled me was how a small band of guerrillas, isolated in one of the poorer sections of China, without any outside help, could not only fight an eight-year war behind the Japanese lines, and survive, but come out of that war so strong that they could challenge American-trained and equipped armies of Chiang Kai-shek for control of China.

使我感兴趣而又迷惑不解的是，孤处穷山僻野之中的小股游击队，在毫无外来援助的情况下，怎样能在敌后坚持八年的抗日战争并得以生存，而且经过八年抗战之后，更加壮大起来，以致能够与美国训练和装备的蒋介石军队争夺天下。

Like the seventeenth-century Classicism,the eighteenth-century enlightening period blazoned forth the logos, but their essence is quite different: the seventeenth century is the worship time under the logos, while the eighteenth century is the break time between the logos and the faith."The seventeenth century is the century of Louis Fourteenth, while the eighteenth century is the century of Voltaire".

十八世纪启蒙时期与十七世纪古典主义时期同样宣扬理性，但二者理性内核的实质却是相差迥异，十七世纪是理性荫蔽下的膜拜时代，十八世纪是理性与信仰决断的时代，&17世纪是路易十四的世纪，18世纪是伏尔泰的世纪&。

The "eight-tiger-on-four-side" embroidery pattern has at least three meanings: showing that all the Yi people are the "descendants" of the tiger; showing that tiger is their totem; impetrating protections from tiger.

云南武定651600刺绣；；彝族；；图腾；；四方八虎；；雌雄观崇虎，敬虎又惧虎，虎成为某种象征而不是一般意义的动物，嫁家送《四方八虎图》至少可以表明这样几点意义：一是告诉子孙别忘了我们是虎的子孙，虎是我们彝族的&族徽&标识；二是祈求虎———祖先驱邪避祸，保佑子孙成长壮大，这又是一种祖先崇拜的的曲折反映。

There was a period actually in my life, where I was lost about what to do and I think that's when, modeling came about, which was something that I always said "no" to because I thought it's, uh, objectifying women, I don't want to be part of it, but I was 28, I didn't know what to do so I start modeling, never thinking that it was going to be, maybe, the most successful of the career that I've had.

我感到很遗憾，因为我二十八岁才开始当模特，我应该十六岁就去做，这样我就可以多干十二年了。过了某个年龄，你知道，出现在镜头前的机会就会减少。他们不会为五十多岁的女人写剧本，而我四十八了。因而，我没有抱怨适合我的戏份太少，我想，你知道，人生中还有其它我喜欢的东西，其中一样就是化妆品。日渐衰老的一个好处就是，我是说可能我失去了美貌，但人变得大胆了，拥有了大胆尝试的勇气并且能够开始创业。

The frigid Alaskan backcountry will echo with the yips and yowls of sled dogs for two weeks as 82 mushers race their teams across 1,800km of desolate tundra, jagged mountains and wind-swept sea ice.

当八十二名狗雪橇选手领著他们的队伍穿越一千八百公里的荒芜冻原、崎岖山脉和寒风呼啸的海冰，雪橇狗的叫声将回荡在冰天冻地的阿拉斯加荒野长达两周。

From the enchanted charm of the embroidered Cheong Sam dress in the 1920s' to the liberated tenderness of the bell-bottomed pants in the 1980s', now to today's hundred kinds flowers compete together, the Jie'bai Group had passed its journey of more than 80 years' cultural ablution.

从上个世纪二十年代镂花旗袍的妖娆妩媚，到八十年代喇叭裤的放肆温情，到今天的百花齐放，&解百&在静静走过了八十余年时尚的文化洗礼之后，再次萌动出某种吸引这个时代注意力的灿烂气息。

As well as the kindhearted child at the charity bazaar, other young people who are doing their part for charity are students at the Philippine Buddhacare Academy.

唤起爱心的还有在义卖现场的这群孩子，做善事的还有这群普济学院的学生，他们自动的在校园发起募款活动来援助八八水灾，在他们身上看到，良善的启发是不需要藉助外力，因为人性本善。

THE glamorised world portrayed on the nightly telenovelas on Brazilian television is, superficially at least, about as representative of the country as a whole as Marie Antoinette and her shepherdesses were of 1780s' France.

巴西晚间电视连续剧里所展现的歌舞升平的世界与巴西的现实差距甚远，毫无代表性，就像十八世纪八十年代法国的绝代艳后玛利·安唐妮[1]和她的牧羊女们不能代表当时的法国一样。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。