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The figures, I think, will do an about-face .

我想这些数字会有一百八十度的转变。

A 68-year-old Briton landed his light aircraft on a road after mistaking it for a runway — and realized his error only when he hit a speed bump, an air accident investigation report said last Thursday.

上周四一份飞安调查报告指出,一名六十八岁的英国老翁误把马路当作飞机跑道,让轻型飞机降落,直到撞上减速丘才知道自己搞错了。

With a number of series production of more than 80 kinds of specifications air compressor capacity.

具备生产多个系列八十多种规格空压机的能力。

Article 84 Necessary navigation, communication, meteorological and ground monitoring equipments shall be installed on the air route.

第八十四条航路上应当设置必要的导航、通信、气象和地面监视设备。

Article 85 The natural obstacles that affect flight safety on air route shall be marked on aeronautical charts

第八十五条航路上影响飞行安全的自然障碍物体,应当在航图上标明

If I had half a brain, I would have waited 10 years, called it Sim Lemonade and made a bazillion, Allard jokes.

如果当时我有一点点儿脑子,就会等上 10 年,给它取名"Sim Lemonade ",赚上个十亿八亿的,阿拉德开玩笑说。

Faulty system of the ship on international already was built old, our country is in 7, 80 time had made allowance for depreciation to state-owned fishery shipping, steel qualitative fisher is annual allowance for depreciation 5, the depreciation of woodiness fisher slaughters the Ruan that it is m .

国际上船舶报废制度已建立多年,我国在七、八十年代对国有渔业船舶制定过折旧率,钢质渔船每年折旧率5呢,木质渔船的折旧宰为m阮。

For those who were born in the late 1970s, electronic devices were something exciting and inspiring back then. In the integrated installation "Goodbye Semiconductor", there are dozens of semiconductor radiogram, television, electronic organ, and synthesizer. They are all Peng Lei's personal collection. He enjoys the simple carnival feeling and the sense of security embedded in the design style. These products made in a transitional period are displaced on the floor of a separate room. When all these devices were turned on, the noises from the old days mixed up together and integrated into an "individual happiness", while the revolving color light and mirror-like wall created a chaotic visual effect for the noises.

对于出生于70年代末的人而言,电器机械在当时是让人兴奋和充满想象力的物质,在综合装置作品"再见半导体"中,十几件八十年代出产的半导体收音机、电视、电子琴、合成器都是彭磊的收藏,他喜欢它们简朴的狂欢气息和设计形式下的安全感;这些过渡时期的产品摆放在一个独立的小屋地上,当它们同时打开,来自旧时代的混音彼此嘈杂着组合而成了一件"私人乐事",彩色旋转灯球和镜反射般的墙面增加了声场的视觉混乱效果。

Summertime, oh summertime, pattern of life indelible, the fade proof lake, the woods unshatterable, the pasture with the sweet fern and the juniper forever and ever, summer without end; this was the background, and the life along the shore was the design, the cottages with their innocent and tranquil design, their tiny docks with the flagpole and the American flag floating against the white clouds in the blue sky, the little paths over the roots of the trees leading from camp to camp and the paths leading back to the outhouses and the can of lime for sprinkling, and at the souvenir counters at the store the miniature birch-bark canoes and the post cards that showed things looking a little better than they looked.

我一个劲儿地回忆着这往昔的一切。那些岁月,那些夏日,对于我是无限的珍贵,值得永远珍藏心底。那是充满欢乐、宁静和美好的时光。八月初的到达本身就是桩了不得的事儿。农场的马车在火车站刚停下,你就闻到了空气中厚重的松树味儿;你第一次瞥见了笑容满面的庄稼人。车上的行李箱是那么重要,是少不得的。父亲在所有这些事儿上有着绝对的权威。马车在你身底下颠颠晃晃十几英里的感受,是多么令人激动!在最后一座长长的山脊上,你一眼望见了离别十一个月的湖,望见了你梦牵魂绕的那泓湖水。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章,第一章是对&中国文学中的历史叙事传统&的追溯:探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系,传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理:第二章是对&当代红色叙事中的历史观&的分析:探讨了其&红色历史编纂学&的由来,红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等,还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘:第三章是对&启蒙历史叙事的重现与转型&的梳理:分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想,还以稍后的扎西达娃的《西藏,隐秘岁月》和莫言的《红高粱家族》为例,探讨了其由启蒙历史主义向新历史主义过渡的特点:第四章是对&新历史主义叙事的现象与特征&的分析,先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹,而后分析了各种类型的新历史主义叙事的特征,其基本尺度、还有&新&与&旧&的关系等等;此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

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