八出的

In the study of the performance of the song, the paper makes a review of the pronunciation of vowels and consonants in German, introduces some frequent problems in singing the song and proposes my own opinions on how to deal with them. In the exactness and rhythm of the divertimento, based on my experience of performance, I sum up what should be paid more attention to in the work, emphasizing the creative rhythm and the value of notes in each stanza. It also analyzes the syntax and breath, the control and performance of shade, the pace and tempo. From different perspectives, the importance of the emotion in the divertimento Frauenlieb und leben op.42 is exactly explained. There is a detailed explanation of the eight sections in the paper.

更多己的处理方法；在声乐套曲演唱中音准与节奏的分析方面，结合自己的演唱体会，总结出演唱这部作品时音准方面要注意的地方，突出了舒曼作品最具独创性的节奏，强调了音符在每小节中的价值；并从乐句与呼吸、音色的控制与表现、速度与力度等方面分析了本声乐套曲演唱的音色与力度；从多个方面阐述声乐套曲《妇女的爱情与生活》中情感的重要性，以及怎样把握、运用和表现作品的情感；着重对本套曲八首分曲的演唱处理进行了系统分析；通过听赏不同大师对此套曲的演唱版本，以期在声音的运用、乐句的划分、速度的安排、旋律的演唱、歌曲的处理方法等方面得到有益的借鉴，扩大我们的艺术视野，在演唱实践中给予启发和熏陶。

Abigor, Abyssos, Aeternus, Alastis,All Shall Perish, Amon Amarth, Amorphis, Anathema,Ancient, Angelcorpse, Antichrisis, Apostasy,Arcturus, Ashes You Leave, Atheist, At The Gates,Bal-Sagoth, Borknagar, Burzum, Caliban,Cannibal Corpse, Carcass, Carnal Forge, Cemetary,Children of Bodom, Cradle Of Filth, Criminal, Cryptopsy,Darkseed, Dark Tranquillity, Darkthrone, Death,Deicide, Destroyer 666, Dimmu Borgir, Dismal Euphony,Dismember, Dissection, Dreams of Damnation, Einherjer,Emperor, Enslaved, Enthroned, Entombed,Evereve, the Gathering, Graveworm, Hypocrisy,Immolation, In Flames, Internal Suffering, Kamelot,Katatonia, Krabathor, Labyrinth,Lamb of God,Marduk, Mayhem, Moonspell, Morbid Angel,My Dying Bride,Napalm Death, Nasum, Nile,Obituary, Old Man's Child, Opeth, Otep,Paradise Lost, Penumbra, Samael, Saturnus,Sentenced, Sepultura, Shadows Fall, Siebenburgen,Sigh, the Sins Of Thy Beloved, Six Feet Under, Skinless,Suffocation, Summoning, Therion, Thyrfing,Tiamat, Tristania, Ulver, Venom,Vintersorg, Virgin Black, Windir, Witchery,Within Temptation.

以邪恶、异教崇拜以及撒旦思想为其主要诉求，通常在歌词含有反基督、反宗教的倾向即被归为黑金属，除了传统重金属固定乐器之外，经常会使用其他乐器如钢琴、小提琴，或歌剧的女高音，在歌曲中营造出一股诡异又吓人的恐怖气氛。&黑金属&以来自北欧的重金属团体最具代表性。1、启蒙黑金属：在八十年代初，英国的地下重金属乐队Venom，在音乐中明确宣扬了对撒旦的崇拜、对战争的渴望，并且是由他们第一次将&Black Metal&这个名词带到金属圈内，为日后的黑金属乐队指明了音乐方向；瑞典同样出现了两支启蒙型的黑金属乐队，Bathory和Celtic Frost，他们的音乐已经基本上具备了原始黑金属的特点：粗糙、暴虐、邪恶！而Bathory的第一张专辑也被誉为是第一张黑金属唱片。不能不提的是丹麦的Mercyful Fate，他们虽然对日后的原始黑金属没有什么过多的影响，但是却对歌特黑金属、交响黑金属、歌特金属有着榜样的作用。

In chapter Ⅰ, a historial review of structure control is given; In chapter Ⅱ, A discussion of the controllability and observablity of flexible structures is given, Two kinds of controllability and observablity index are defined, and applied to actuator allocation; chapter Ⅲ considers the reduction of high order flexible structure mode; the content of chapter Ⅳ is about the basic problem of distributed parameter control system design. It is proved that a stable controllor in mode space may be unstable in real use in distributed paramater systems, also, by closed loop mode concept, a pole assignment method of flexible structure controllor design is given; chapter Ⅴ is about the low-authority controllor design, it is pointed out by use of high order eigenvalue/eigenvector perturbation, a better controllor can be designed; chapter Ⅳ considers flexible structure reduced order control; chapter Ⅶ disscusses the basic problem of flexible structure computer control, analyses discreate controllablity and observablity and its computing, the sample period and coefficient wordlength; chapter Ⅷ is on the problem of low flexibility compensation; chapter Ⅸ is a design example.

在第一章简要回顾了挠性结构控制的历史，并且指出控制中的一些问题；第二章讨论了挠性结构的能控性与能观性，定义了两类能控性程度和能观性程度指标，还将能控性程度概念应用于执行器位置的确定；第三章论述了高阶模型的降价问题，比较了适于挠性结构模型降阶的方法，指出其适用范围；第四章内容是分布参数系统设计的基本问题，首先证明在模态空间中设计的稳定的控制器在实际分布系统上可能是不稳定的，进而根据闭环模态的概念，获得挠性结构控制器设计的极点配置方法；第五章的内容是关于低权控制器的设计问题，指出利用特征值高价摄动和特征向量的摄动，可以设计出更加完善的低权控制器；第六章讨论挠性结构降阶控制问题；第七章讨论挠性结构计算机控制的基本问题，分析了时间离散化模型的能控性和能观性及其计算问题，讨论了采样周期选择和系数字长问题；第八章讨论低挠性结构的补偿问题；第九章的设计例子用来说明第二章和第四章的结果。

The fourth chapter talks about the weft carrier, in this part, we mostly introduce the big gripper shuttle in the comparative way and not only analyze the structure but also analyze the stress of the fatigable parts. In the fifth chapter, the shuttle box is our research emphasis, we start with the design principle and analyze its structure and the logic of the action of the parts. The sixth chapter discusses the shoot mechanism, builds its theory model and analyzes its law of motion from the view of kinematics and kinetics during the wefting. And then, we can consider the hydraulically shoot mechanism and comprehend its principle and some special parts. Subsequently, the content is about the flying of a shuttle, because the course of the flying of a shuttle is very complex, it is necessary to study the shuttle according to mechanics and to analyze its course of motion and its change of speed from the view of energy.

第五章谈的是梭箱，这部分从梭箱的设计原理入手，从结构的角度对梭箱进行分析，考虑到梭箱上各执行件间的动作存在一定的逻辑关系，还对执行件动作时间与控制作出论述，从中可以看出重型宽幅织机所独有的特性；第六章论述投梭机构，先构造出投梭机＿重型宽幅织机引纬机构与梭箱的设计＿构的弹性理论模型，从动力学的角度剖析投梭规律，随后分析液压式投梭的工作原－－理和一些特型元器件；第七章论述梭子的飞行运动，考虑到梭子飞行运动的复杂性，我们把梭子飞行运动划分为三个阶段，然后分阶段介绍其运动规律，在对梭子进行＿运动分析的同时还详细分析它的受力情况，在这一章的最后，我们对影响梭子飞行＿的因素也作出了讨论；顺沿这一过程，即是第八章对制梭机构的论述，在这一部分，、主要研究制梭过程与制梭力的情况，同梭子飞行过程一样，制梭过程也分为三个阶段，就每个阶段而言，我们都对其进行受力与运动方面分析，同时也就一些容易出现的问题作出讨论；最后两章是对纬纱交接机构和纬纱的退绕与张力控制作出讨＿论，鉴于这两部分不存在复杂的动力学方面的问题，论述重点便放在结构与原理的分析上面，包括分解纬纱交接机构，解析其动作过程，介绍储纬与纬纱张力的一些情况。

Birth and death are always the cause of suffering and there are no Eternal, Bliss, Self, and the Pure, 8 it is not possible to segregate oneself from the eight inopportune situations, 9 one is always pursued by enmity, 10 there is not one dharma that can shake off all things that exist, 11 one is not emancipated from the three unfortunate realms, 12 various twisted views accompany one, 13 no boat is on hand to pass one across the waters of the five deadly sins, 14 birth and death go on endlessly and no limit to this is gained, 15 when no karma is performed, there is no result to follow, 16 no fruition comes about to others for what one has oneself done, 17 without the cause of bliss, there cannot be the result of bliss, 18 once the seed of karma is sown, the result will not be lost, 19 ignorance calls forth life and by it one dies, 20 what one has over the three times of past, present and future is indolence.

出生和死亡始终是痛苦的原因这里没有永恒，极乐，自我，以及纯净，8）要想把一个人从八个不合时宜的情景之中分离出来是不可能的，9 ，一个人总是追求敌意，10），没有佛法能摆脱一切事物的存在，11），人不能从三恶道解脱，12）一个人有着各种扭曲的观念，13）没有船能让人通过五个致命的罪恶，14 ）生与死不断的存在，没有积累的限制，15）没有业的产生就没有业的结果， 16）一个人自己造的业果不会出现在别人身上17），没有幸福的原因，就没有幸福的结果，18）业一旦播种，业果也不会丢失，19）愚昧引导的生命会使人死亡，20）懒惰的人占有了他过去，现在，未来的时间。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。