全知的

For exploiting and making use of rhizobium species resources of planting leguminous trees in south China,the full_length 16S rDNA sequences of representative strains HJ06 and JJ06 of two rhizobia,isolated from Acacia crassicapa and A.cincinnata in south China,were determined.These sequences were compared with all known rhizobia and related bacteria and an unrooted phylogenetic tree was produced.

为了开发利用我国人工林豆科树种根瘤菌的种质资源，该研究对华南地区两个人工林豆科树种厚荚相思和卷荚相思的根瘤菌两个代表菌株HJ06和JJ06进行了16S rDNA全序列测定，将此全序列与根瘤菌各已知种及相关种的16S rDNA全序列进行了比较及聚类分析，得到系统发育树状图。

We organized and identified the specimens which collected in the insects specimens laboratory of life science and technology department of Xinjiang university, from almost everywhere of Xinjiang with combination of the conventional methods and the electroscopic scanning technique.

本文采用常规鉴定方法与雄性外生殖器解剖相结合，辅以扫描电镜观察，对收藏于新疆大学生命科学与技术学院昆虫室20年来积累的标本及三年在校期间系统地采集于全疆各地的拟步甲类标本进行了整理与鉴定，结合野外考察及重要类群的生物学研究，研究其区系成份，并对其区系特征及地理分布状况进行了系统的分析，主要研究成果如下：1）初步查明新疆拟步甲科昆虫共计266种，分隶于23族72属，其中35种为中国新记录种，3种为拟步甲类新种，作新种记述，并附图片；在研究过程中初步探讨了拟步甲的中文命名问题； 2）新疆拟步甲种类繁多，其区系成分分析显示，除12种为广布种以外，共有6种区系成分，其中中亚细亚种为最多，有87种，占已种的32.7﹪；其次依次为中央亚细亚种和特有种，分别为81种和65种，各占已知种类的30.5﹪和24.4﹪；泛古北种12种，占4.5﹪；欧洲西伯利亚种7种，占2.6﹪；欧洲中亚种最少，仅有2种，占0.75﹪，并根据新疆拟步甲科昆虫区系成分分析了其起源问题； 3）新疆拟步甲科昆虫的地理分布表明，分布于准噶尔盆地的种类最为丰富，计161种，占新疆已知种的60.5﹪；其次是塔里木盆地92种，占已知种的34.6﹪；东疆诸盆地63种，占23.7﹪；伊犁谷地56种，占21.1﹪；在三大山系中，天山山系的拟步甲种类最多，为54种，占20.3﹪；阿尔泰山山系28种，占10.5﹪；昆仑山山系13种，占4.9﹪。

They manifest spontaneously and effortlessly, when things are left to themselves, are not interfered with, not shunned, or wanted, or conceptualised, but just experienced in full awareness, such awareness itself is sattva.

它们怡然率性的表现，当无为而治、事情不受干扰、逃避、欲求或概念化，而只是全心全神地体验，这觉知本身就是悦性的体现。

Perspective, in all its variations and permutations (e.g., external / internal, divine / human, objective / subjective, impersonal / personal, public / private, singular / multiple, sincere / ironic, omniscient / solipsistic, totalizing / partial), operates as one of the central framing techniques for orienting narrative, inasmuch as it limits what information is available and possible to know at any particular moment as well as how information gets divulged over time.

各种变换的视角（例如：外在／内在，神圣／人类，客观／主观，非个人的／个人的，公开／私有，单一／多数，真诚／讽刺，全知／唯我，整体／部分），为重要的主导叙事的架构技巧之一，在其可限的范围内，讯息的取得、得知的特定契机以及在时间递演下，讯息是如何传播的。

Perspective, in all its variations and permutations (e.g., external / internal, divine / human, objective / subjective, impersonal / personal, public / private, singular / multiple, sincere / ironic, omniscient / solipsistic, totalizing / partial), operates as one of the central framing techniques for orienting narrative, inasmuch as it limits what information is available and possible to know at any particular moment as well as how information gets divulged over time.

各种变换的视角（例如：外在内在，神圣人类，客观主观，非个人的个人的，公开私有，单一多数，真诚讽刺，全知唯我，整体部分），为重要的主导叙事的架构技巧之一，在其可限的范围内，讯息的取得、得知的特定契机以及在时间递演下，讯息是如何传播的。

I believe in an all-wise and all-loving God, named by whatever name, and that the individuals highest fulfillment, greatest happiness and widest usefulness are to be found in living in harmony with His will.

我相信全能全知、大慈大悲的上帝--不管怎样称呼上帝；而个人最大的成就、最大的幸福、最大的作为，都必须在和上帝的意志和谐一致的生活中找到。

I believe in an all-wise and all-loving god, named by whatever name, and that the individual's highest fulfillment, greatest happiness and widest usefulness are to be found in living in harmony with his will.

我相信全能全知、大慈大悲的上帝--不管怎样称呼上帝；而个人最大的成就、最大的幸福、最大的作为，都必须在和上帝的意志和谐一致的生活中找到。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映，一般带有明确的时空概念，严密的情节，常用的叙事角度为全知视角，人物塑造上以外部描写为主；现代主义小说多表现人物内在心理的变化，关注人的意识及潜意识，神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法；后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则，但其作品强调后工业社会的荒诞性、游戏性及表征危机，有意识地混淆了高雅文学与通俗文学的界限，拼贴画、戏仿在后现代作品中应用广泛。

In the Appendix, the third-person restricted omniscient narrator does not define the depravity of Caddy, on the contrary,"he"adopts a satirical tone against those pursuing Caddys total depravity. In the narration of the fourth section and the Appendix, our emotional and ethical worlds are mixed together, towards a blurring one.

在附录部分，第三人称有限全知叙述并没有肯定凯蒂的堕落，相反，叙述者不乏讽刺的笔调揶揄那些穷追凯蒂堕落的人，在这一叙述中，我们的情感和伦理的界限则是模糊的，叙述者体现了&他&对女性的烂漫化情感。

Leavis thinksthat the great tradition of English literature lies in the strong consciousnessto the human nature and morality, and James has the honor to be listed inthe list of great novelists embody this great tradition , because he has akind of pious attitude and a serious heart when he faces the life.

审美取向和题材取向的&内向化&必然需要新的叙事模式与之相适应，詹姆斯一改传统的&全知视角&和&第一人称有限视角&，创造性地提出了&意识中心&理论，即作家选择小说中感受最深的某个人物充当叙述者，一切描述都从这个角色的&意识中心&出发，通过他的观察认识与感受来反映生活，从而增强作品的真实感，这一叙事理论对英美现代小说的发展产生了极为深远的影响。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。