克米特

Shoket dropped one place this year, but she didn't fare as poorly as Teen Vogue's Amy Astley, who was displaced from the list altogether.

今年肖克特在排行榜中下滑了一位，但没有完全跌出榜单的《少女时尚》杂志主编埃米·阿斯特利的境遇糟糕。

The distress of the people, the laborers without bread, the last Prince de Conde engulfed in the shadows, Brussels expelling the Nassaus as Paris did the Bourbons, Belgium offering herself to a French Prince and giving herself to an English Prince, the Russian hatred of Nicolas, behind us the demons of the South, Ferdinand in Spain, Miguel in Portugal, the earth quaking in Italy, Metternich extending his hand over Bologna, France treating Austria sharply at Ancona, at the North no one knew what sinister sound of the hammer nailing up Poland in her coffin, irritated glances watching France narrowly all over Europe, England, a suspected ally, ready to give a push to that which was tottering and to hurl herself on that which should fall, the peerage sheltering itself behind Beccaria to refuse four heads to the law, the fleurs -de -lys erased from the King's carriage, the cross torn from Notre Dame, Lafayette lessened, Laffitte ruined, Benjamin Constant dead in indigence, Casimir Perier dead in the exhaustion of his power; political and social malady breaking out simultaneously in the two capitals of the kingdom, the one in the city of thought, the other in the city of toil; at Paris civil war, at Lyons servile war; in the two cities, the same glare of the furnace; a crater-like crimson on the brow of the people; the South rendered fanatic, the West troubled, the Duchesse de Berry in la Vendee, plots, conspiracies, risings, cholera, added the sombre roar of tumult of events to the sombre roar of ideas.

人民的疾苦，没有面包的劳动人民，最后一个孔代亲王的横死②，仿效驱逐波旁家族的巴黎而驱逐纳索家族的布鲁塞尔，自愿归附一个法兰西亲王而终被交给一个英格兰亲王的比利时，尼古拉的俄罗斯仇恨，站在我们背后的两个南方魔鬼西班牙的斐迪南和葡萄牙的米格尔，意大利的地震，把手伸向博洛尼亚的梅特涅，在安科纳以强硬手段对付奥地利的法兰西，从北方传来把波兰钉进棺材的那阵无限悲凉的锤子声音，整个欧洲瞪眼望着法国的那种愤激目光，随时准备趁火打劫、落井下石的不可靠的盟国英格兰，躲在贝卡里亚背后拒绝向法律交出四颗人头的贵族院，从国王车子上刮掉的百合花，从圣母院拔去的十字架，物化了的拉斐德，破产了的拉菲特，死于贫困的班加曼·贡斯当，死于力竭的卡齐米尔·佩里埃，在这王国的两个都市中棗一个思想的城市，一个劳动的城市棗同时发生的政治病和社会病，巴黎的民权战争，里昂的奴役战争，两个城市中的同一种烈焰，出现在人民额头上的那种类似火山爆发的紫光，狂烈的南方，动荡的西方，待在旺代的德·贝里公爵夫人，阴谋，颠覆活动，暴乱，霍乱，这些都在种种思潮的纷争之上增添了种种事变的纷起。①在法国一八三○年革命中，拉斐德是自由保王派，波林尼雅克是被推翻的查理十世王朝的内阁大臣。②孔代，波旁家族的一个支系，一八三○年孔代亲王被人吊死在野外，未破案。

Other artists who worked for Metal Hurlant include Alejandro Jodorowsky, Enki Bilal, Caza, Serge Clerc, Alain Voss, Berni Wrightson, Milo Manara, Frank Margerin and many others.

谁金属Hurlant工作的其他艺术家包括亚历杭Jodorowsky，恩基比拉，卡扎，塞尔日克莱尔，阿兰沃斯，贝尔尼赖特森，米洛马纳拉，弗兰克马尔热兰等等。

Cast ::, Mike Myers as Shrek , Eddie Murphy as Dickey , Cameron Diaz as Princess Fiona , John Lithgow as Duke Farquaad , Vincent Cassel as Monsieur Hood ..

演员：：，米克迈亚斯为史瑞克，埃迪墨菲作为迪基，卡梅隆迪亚兹为公主菲奥娜，约翰利特为公爵Farquaad，文森特卡塞尔作为大人遮光罩。。。

Like the Energizer Bunny, Rudolph the Red-Nosed Reindeer got his start as an advertising gimmick. A copywriter named Robert L. May first created the merry misfit in 1939 to lure shoppers into the Montgomery Ward department store. Frosty the Snowman and his famous corncob pipe couldn't escape the clutches of the advertising industry either; a whiskey maker in 1890 used Frosty's likeness to showcase an entirely different kind of holiday cheer. Once Prohibition ended, the chain-smoking snowman quickly became the go-to guy for alcohol ads, appearing in posters for Miller Beer, Jack Daniel's, Ballantine Ale, Rheingold Beer, Schlitz, Schenley, Oretel's Lager Beer, Chivas Regal Scotch, Fort Pitt Pale Ale, Mount Whitney Beer and Four Roses.

和劲量那只著名的兔子一样，红鼻驯鹿鲁道夫这一形象也是作为广告推广开来的是一名叫做罗伯特·L的广告文案，在1939年为帮助蒙哥马利·沃德百货公司促销时最先创造这个有趣的形象而玉米芯烟斗和雪人同样是广告业的产品1890年，一名威士忌酒老板用雪人形象作为一种与众不同的圣诞餐代表在禁酒令结束后米勒啤酒，杰克丹尼，百龄坛，莱茵黄金啤酒，施利茨啤酒，Schenley，Oretel熟啤酒，芝华士，皮特堡淡啤酒，惠特尼山啤酒和四玫瑰酒都使用过它的形象

His works are not only the products of a long and rich England's great poets. The dreaminess of Spenser, the majesty of Milton, the natural simplicity of Wordsworth, the fantasy of Blake and Coleridge, the melody of Keats and Shelley, and the narrative vigor of Scott and Byron,---- all these striking qualities are evident on successive pages of Tennyson's poetry.

丁尼生的创作不仅体现了他自身的天才，还体现了英国灿烂的诗歌传统，从斯宾塞的梦幻到米尔顿的壮丽，从华兹华斯的自然简洁到布莱克与克勒律制的奇异诡异，从雪莱与济慈的旋律美到司各特与拜伦的叙事天才，这一切丰富多彩的品质都在丁尼生笔下有所体现。

But others bill Gilbert as a latter-day Emmeline Pankhurst of women's souls, praising her emotional bravery.

但是其他一部分人却将吉尔伯特宣传为近代女性灵魂的艾米琳·潘克赫斯特夫人，赞扬她勇于表达自已的情感。

The primary members were Hermarchus, the financier Idomeneus, Leonteus and his wife Themista, the satirist Colotes, the mathematician Polyaenus of Lampsacus, and Metrodorus of Lampsacus, the most famous popularizer of Epicureanism.

主要成员是赫尔马库斯、金融家伊多梅纽斯、里昂特斯及夫人希米斯、讽刺作家克洛蒂斯、数学家拉姆普撒科斯的波利尼斯、拉姆普撒科斯的美特洛多罗司--最著名的享乐主义普及者。

Six minutes later there was a shock to digest for the capital city side as Sofian Chahed turned over on his right ankle and had to go off to be replaced by Andreas Schmidt,who failed to thwart the next Galatasaraz chance on 38 minutes as Ates forced a good save from the Hertha keeper Christian Fiedler with a fine shot from 20 metres.

六分钟后，首都球队受到了难以接受的重创——索菲安·查赫德右脚踝扭伤而不得不由安德烈·施密特替换下场，后者没能阻止加拉塔萨雷在第38分钟由阿特斯的突破，致使赫塔守门员克里斯蒂安·菲德勒不得不对这记20米开外的极具威胁的射门做出一个精彩的扑救。

Reinhardts shot from only five metres out was thwarted by Christian Fiedler. Sanogo himself missed a good chance five minutes later after good approach work by van der Vaart.

赖因哈特5米开外的射门被克里斯蒂安·菲德勒挡了出来。5分钟后萨格诺自己在接到范德法特的漂亮做球后也错过了一个好机会。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。