克吕尼

Polunices fled to Adrastus, king of Argos, and became the king's son－in－law.

波吕尼克斯逃到阿尔戈斯国王亚得拉斯托斯那里去，并成为亚得拉斯托斯的女婿。

Adrastus promised to help restore his country and prepared the war. Thus arose the celebrated war of " the Seven Against Thebes ".

亚得拉斯托斯答应帮助波吕尼克斯恢复王位，这就引起了著名的"七雄大战忒拜"的战争。

The seven heroes were: Adrastus, the king of Argos; Polynices himself; Amphiarnus, who was a brother of Adrastus; Tydeus, another son－in－law of Adrastus; Hippomedon, a nephew of Adrastus; Capaneus, son of Poseidon, the god of the sea; Parthenopaeus, son of Ares and Atalanta.

远征忒拜的七位英雄是；亚得拉斯托斯国王、波吕尼克斯、国王的弟弟安菲亚洛斯、国王的另一个女婿提丢斯、国王的侄子希波墨冬、海神波塞冬的儿子卡帕纽斯、战神阿瑞斯的儿子帕尔忒洛帕俄斯。

In his long absence Aegisthus had moved into the palace of Mycenae and took over from him not only his kingdom but his adulterous wife Clytemnestra as well.

趁阿伽门农长期不在家，埃癸斯托斯便移居迈锡尼王宫，夺取了王权，并且与王后克吕泰涅斯特拉私通。

Father of Orestes, Electra, and Iphigenia;His wife Clytemnestra killed him upon his return from

琴尼亚的父亲。他刚从特洛伊返回就被其妻克吕泰尼丝特拉杀害

His wife Clytemnestra and his lovely daughter Iphigenia made a pathetic appeal for mercy, but they found agamemnon cold and unsympathetic

妻子克吕泰涅斯特拉和自己可爱的女儿伊菲革尼亚苦苦哀求，可是阿伽门农态度冷漠，不为所动。

His wife Clytemnestra and his lovely daughter Iphigenia made a pathetic appeal for mercy, but they found agamemnon cold and unsym pathetic

妻子克吕泰涅斯特拉和自己可爱的女儿伊菲革尼亚苦苦哀求，可是阿伽门农态度冷漠，不为所动。

On approaching Thebes, they sent Tydeus to the city to demand from Eteocles the severeignty for Polynices.

快要到忒拜的时候，他们派了提丢斯前去叫阵，要求厄忒俄勒将王位还给波吕尼克斯。

But disputes having arisen between the two brothers, Eteocles did not want to give powers to Polunices, but instead, he drove his brother out of Thebes.

但是，兄弟之间后来发生了一次争执，厄忒俄克斯不愿意将权力交给波吕尼克斯，还将他赶出了忒拜。

When Oedipus had fled from Thebes (see " the tragedy of Oedipus "), his two sons, Eteocles and Polunices, agreed to undertake the government by turns.

当俄狄浦斯逃出忒拜以后，他的两个儿子厄忒俄克勒斯与波吕尼克斯开始轮流执政。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。