克什米尔的

Certainly, in the eyes of an artist, the exact and strict costume of Teresa had a very different character from that of Carmela and her companions; and Teresa was frivolous and coquettish, and thus the embroidery and muslins, the cashmere waist-girdles, all dazzled her, and the reflection of sapphires and diamonds almost turned her giddy brain.

当然罗，在艺术家的眼里，德丽莎那种古板严谨的服装，与卡美拉和她同伴的比较起来，的确风格很不相同。但德丽莎原是生性轻佻而好卖弄风骚的，所以那些刺绣呀，花纱呀，克什米尔呢子的腰带呀什么的，都使她目迷心醉，而那蓝宝石和金刚钻的反光几乎使她的脑子晕眩起来。

Progress in the talks had slowed sharply, but the four-year effort had nonetheless yielded outlines to the solutions for many of the countries' disputes, including the thorniest, the status of the divided region of Kashmir.

对话中取得的进展显著放缓，但是4年的努力还是在许多两国的分歧上取得了一些框架性的方案，包括最棘手的分裂的克什米尔地区的地位问题。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。