光线的明暗

In the landscape paintings of Hippolyte Adolphe Taine, especially the ocean landscape paintings, vivid 3D light and shadow style was replaced by brightness relationship full of emotion, directly inspiring the impressionist to catch solid and clear light in illusory and loose color strokes.

在泰纳Hippolyte Adolphe Taine的风景画特别是海景画中，鲜明的立体光影造型为充满情绪气氛的明暗关系所取代，直接启发了印象派在缥缈而松动的色彩笔触中把握坚实而清晰的光线。

But in the repeated curve of her thigh and calf he saw shapes like sea shells, with the luminescence and faint muscular rays of the great chambered nautilus.

在大腿小腿不断抓拍到的曲线让他想到了海贝的形状，腿部肌肉明暗交接的光线就像大鹦鹉螺。

He employs mechanisms more commonly associated with lavish "motion picture" productions for cinema: notably his trompe l'oeil cinematographic vision, manifested in elaborate chiaroscuro combinations of light and half-light; tight control of changes in perspective and arrangement of the cast in majestic tableaux vivants; and a miniaturist's hypersensitivity in committing human emotions to film, his precise handling of the camera capturing the subtleties of sadness, melancholy, and grief as well as of prolonged expressionlessness and impassivity.

他使用了奢华的"电影"更普遍采用的影院制作机制：精心设计出明暗对照的光线组合所产生的电影错视画面；严格控制视角的变化和场面宏伟的活动画面中演员走位的安排；正如一个微图画家般的超敏性，将人类情感赋予电影，通过他对摄影的准确把握，捕捉悲伤、忧郁和哀痛，长时间的沉默和平静的细微差异。

And after once framed works, color change, light shading, the level of distance, the spirit gesture will be immediately apparent, painting and calligraphy and framed art interdependent and mutually against the background,珠联璧合, it can be said, without mounting technology, Chinese painting it is hard to become a perfect piece of art, but not of Chinese Painting and Calligraphy can not have framed the development of the arts.

而一经装裱后的作品，墨色变化、光线明暗、层次远近、气韵笔势便立刻显现出来，书画创作与装裱技艺相互依存，相互映衬，珠联璧合，可以说，没有装裱工艺，中国书画就很难成为一件完美的艺术品，而没有中国书画也不可能有装裱艺术的发展。

PRT considers all incident lighting from the upper hemisphere on each point of the surface resulting in smooth shadow. In this method, by considering the way light source is blocked by other objects and how it reflect on object surfaces, one can create self-shadowing and self-interreflection effects.

PRT因为考虑物体每一个表面点单独受到四面八方光线的影响，因此所呈现的明暗效果非常平滑，同时此光照技术也能够考虑每一个表面点光源被物件其他部分遮住的情形以及受到其他物件反射光线之影响，因此能够表现从来无法以及时运算呈现的自身阴影与反射光。

He employs mechanisms more commonly associated with lavish "motion picture" productions for cinema: notably his trompe l'oeil cinematographic vision, manifested in elaborate chiaroscuro combinations of light and half-light; tight control of changes in perspective and arrangement of the cast in majestic tableaux vivants; and a miniaturist's hypersensitivity in committing human emotions to film, his precise handling of the camera capturing the subtleties of sadness, melancholy, and grief as well as of prolonged expressionlessness and impassivity.

他使用了奢华的&电影&更普遍采用的影院制作机制：精心设计出明暗对照的光线组合所产生的电影错视画面；严格控制视角的变化和场面宏伟的活动画面中演员走位的安排；正如一个微图画家般的超敏性，将人类情感赋予电影，通过他对摄影的准确把握，捕捉悲伤、忧郁和哀痛，长时间的沉默和平静的细微差异。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。