光线的

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成"戏剧之光"、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

He needed clouds, trees and net curtains veiling the light, softening it and making it move.

他需要云层、森林和网状的窗帘遮住光线，柔化光线，让光线动起来。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

The ray from the plasma lamp will go through into the light pipe with little incident angle after reflection by the reflector, and then the total reflection of the ray will occur among the prismatic reflecting films. Some ray may come to the end mirror and will be reflected back, and only a little of rays pass through the prismatic reflecting films, most of the rays will go forward by the action of the bottom light extracting surface and go out to be lighting.

等离子灯球发出的光线经过反射器反射后，以很小的入射角进入到导光管，光线在棱镜反光膜管子内进行全反射，到达丙烯酸树脂管端底镜面的光线，再反射回到管子内部，只有少量的光线透过棱镜反光膜出来，最终大部分光线通过管子底部的光线提取面引出管外，传送到所需要照明的宽广区域（见图7）。

It may be that some of the terms thus related have no special name of their own, but for all that they will be metaphorically described in just the same way. Thus to cast forth seed-corn is called 'sowing'; but to cast forth its flame, as said of the sun, has no special name. This nameless act, however, stands in just the same relation to its object, sunlight, as sowing to the seed-corn. Hence the expression in the poet,'sowing around a god-created _flame_'.

还有这样一种可能，有一些有如此关联的事物却没有自身独特的名称，它们也可以以同样的方式通过隐喻被描述，比如播撒谷物的种子被称为&播种&，但太阳散发光辉并没有特别的词汇，但这一无名称的行为与其对象光线的关系与播种与其对象谷物种子的关系类似，因此在诗中可作如下表达：&四下播撒神创造的光辉&。

We took turns with the mirror as we ate mulberries, pelted each other with them, giggling, laughing; I can still see Hassan up on that tree, sunlight flickering through the leaves on his almost perfectly round face, a face like a Chinese doll chiseled from hardwood: his flat, broad nose and slanting, narrow eyes bamboo leaves, eyes that looked, depending on the light, gold, green, even sapphire I can still see his tiny low-set ears and that pointed stub of a chin, a meaty appendage that looked like it was added as a mere afterthought.

我们一边轮流地玩着镜子，一边吃着桑葚，一边用它们砸着对方，一边咯咯哈哈地笑。我现在还能想象出哈桑坐在树上的样子，阳光透过树叶闪烁在他那张几近正圆的脸上。他的脸像一张硬木凿刻出来的中国娃娃的脸：扁平而宽厚的鼻子，细长的眼睛斜斜的，宛如一片竹叶，眼球因为光线的不同而呈现出金色、绿色，甚至是蔚蓝色。我还记得他那生得很低的小耳朵，还有下巴上粘着的那个明显的肉球，肉乎乎的，仿佛是事后再加上去的一笔。

We took turns with the mirror as we ate mulberries, pelted each other with them, giggling, laughing; I can still see Hassan up on that tree, sunlight flickering through the leaves on his almost perfectly round face, a face like a Chinese doll chiseled from hardwood: his flat, broad nose and slanting, narrow eyes bamboo leaves, eyes that looked, depending on the light, gold, green, even sapphire I can still see his tiny low-set ears and that pointed stub of a chin, a meaty appendage that looked like it was added as a mere afterthought.

我现在还能想象出哈桑坐在树上的样子，那是一张几近正圆的脸上，罩在树缝间支离破碎的太阳光下，像一张硬木雕出的中国娃娃的脸：扁平的鼻子，细长的眼睛斜斜的，宛如一片竹叶，随着光线的变化时而泛金、时而泛绿，甚至泛成蔚蓝色。哈桑的耳朵生得很低，下巴上粘着一粒尖尖的肉球，肉乎乎的，仿佛工匠深思熟虑之后添加的妙笔。

Upon this Occasion of removing my Ammunition, I took occasion to open the Barrel of Powder which I took up out of the Sea, and which had been wet; and I found that the Water had penetrated about three or four Inches into the Powder, on every Side, which caking and growing hard, had preserv'd the inside like a Kernel in a Shell; so that I had near sixty Pound of very good Powder in the Center of the Cask, and this was an agreeable Discovery to me at that Time; so I carry'd all away thither, never keeping above two or three Pound of Powder with me in my Castle, for fear of a Surprize of any kind: I also carry'd thither all the Lead I had Belt for Bullets.

烧木炭的事顺便就谈到这里。再说有一天，我正在那里砍柴，忽然发现，在一片浓密的矮丛林后面，好像有一个深坑。我怀着好奇心想进去看看。我费力地走进洞口，发现里面相当大。我在里面站直了还绰绰有余，甚至还能再站一个人。可是说实在的，我一进去就赶快逃出来，因为我朝地穴深处一看，只见里面一片漆黑，在黑暗中，忽然看见有两只发亮的大眼睛，也不知道是魔鬼的眼睛，还是人的眼睛，在洞口射进去的微弱光线的反射下，那对眼睛像两颗星星闪闪发光。

A method for carrying out terminal management based on EPON includes connecting unit management system on optical line terminal based on EPON and setting up network management channel between them and between optical line terminal and each network terminal, carrying out analysis on message by optical line terminal when network management protocol message is sent to optical line terminal by unit management system, retransmitting message to network terminal by set up operation-maintenance channel when network protocol message is aimed at network terminal and retransmitting message reported from network terminal to unit management system by optical line terminal.

一种对基于EPON进行终端管理的方法，在基于EPON的光线路终端上连接设备管理系统，在它们之间建立网络管理通道，并在光线路终端和各网络终端之间建立承载在操作管理维护协议层上的网络管理通道；设备管理系统向光线路终端发送网络管理协议报文时，光线路终端对该报文进行解析，如果是针对网络终端的网络管理协议报文，则将该报文通过所建立的操作维护通道转发给该网络终端；网络终端向设备管理系统上报的消息，由光线路终端转发给设备管理系统。

To create the atmosphere of the whole bar is bound to the bar to work on the space division, different spatial segmentation give people a different style and atmosphere. Symbol form factor while also creating the right atmosphere has a direct impact lighting design and color match will be more abundant throughout the environment, will create the atmosphere and the special effects, coupled with the selection of materials, and more space, more space for beauty.

要营造出整个酒吧的氛围必然要在酒吧空间划分上下工夫，不同的空间分割会给人不同的风格和气氛，同时形态符号要素也对氛围的营造有着直接的影响，光线的设计和色彩的搭配会更加丰富整个环境，会创造出特殊的气氛和效果，再加上材料的选用，更充实了空间，使空间更具有美感。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。