光的

The speed of light is considered as one of the universal constants.

光的速度被认为是一个宇宙的常数。

The speed of light in free space is one of the fundamental constants of nature.

真空中光的速率是自然界的基本常数之一。

A special image-processing algorithm was used to suppress the starlight bleeding around the coronagraph to the point where the planet was detectable.

使用一个专门的图像算法，用来在行星可能存在区域中，抑制恒星光的衍射散射光芒。

A special image-processing algorithm was used to suppress the starlight bleeding around the coronagraph to the point where the planetwas detectable.

使用一个专门的图像算法，用来在行星可能存在区域中，抑制恒星光的衍射散射光芒（这就不是简单使用Photoshop来实现了——译注）。

In optics we have to decide in favour of the wave theory against the corpuscular theory of light.

在光学中我们赞成光的波动说，而反对光的微粒说。

We have seen that the corpuscular theory explains many of the observed facts. Is the wave theory also able to do this?

我们已经知道微粒说解释了许多已观察到的现象，光的波动说也能做到这一点吗？

We must again ask the questions which have already been answered by the corpuscular theory, to see whether the wave theory can do the answering just as well.

我们必须把微粒说已经回答了的问题再问一遍，看光的波动说是否也能回答得同样好。

The melting is done by raising the frequencies of light to the level of Solar Aqualene Light energy, Cosmic Energy and Star Dust Energy.

熔化是通过提高频率的光的水平太阳能Aqualene光能，宇宙能量和星除尘能量。

True Masters of the Light 圣光真正的主人 Lady Liadrin in Silvermoon City wants you to bring her 1 Arcane Catalyst, 1 Crepuscular Powder, 1 Azerothian Diamond, and 1 Pristine Black Diamond.

银月城的莉雅德琳女士要你带给她一个奥术催化剂，一个微光之力，一个艾泽拉斯钻石，一个原始黑钻石。

This model also allows for cross-talk simulation and cross-talk suppression effects as a result of different blocking materials.

除此之外，本论文亦模拟像素之间交叉干扰的情形，并对於不同介质阻隔斜射光的效果作探讨。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。