元音化

In an assimilative process, successive sound is made identical, or more similar, to one another in terms of place or manner of articulation, or of haplology- the loss of one of two phonetically similar syllables in sequence.

语音同化过程使一个音受其毗邻的音的影响而发生音变，使其发音变得与其毗邻的音相近。语音同化的结果可以导致元音或辅音的丢失，可以导致元音的鼻音化，也可以导致语音形态的变化。

We have now achieved dialectal features as follows: the changing trend of diphthong's monopht...

本方言音系的主要特征有：分尖团音、复元音韵母有单元音化倾向、古清声母入声字绝大多数今读上声，声调趋向简化。

We have now achieved dialectal features as follows: the changing trend of diphthong's monophthongiz...

本方言音系的主要特征有：分尖团音、复元音韵母有单元音化倾向、古清声母入声字绝大多数今读上声，声调趋向简化。

Another example of sound assimilation involves vowel nasalization.

语音同化的结果可以导致元音或辅音的丢失，可以导致元音的鼻音化，也可以导致语音形态的变化。

The nasalization distinguishes itself in four aspects, including the nasal spreading can be bi-directional, the nasal spreading exhibits different situations between open and close syllables, vowels preceding nasal codas can not be nasalized, and postvocalic glottal stops and glides must agree with nasal onsets. The literature background is based on seven proposals, including Lin's (1992) proposal, Li's (1992) right-spreading theory, Wang's (1995) bi-directional spreading theory, Ang's (1996) downward-spreading theory, Chung's (1996) domain percolation, Ang's (2001) and Chou's (2002) OT analysis.

闽南语鼻音主要有四个特徵：闽南语鼻音扩散可以是双向的；闽南语鼻音在开音节与闭音节里呈现不同的扩散现象；鼻音化子音前的母音无法受到鼻音化；元音后喉音及滑音必须与韵首子音行形成鼻音上的和谐。

An orinasal speech sound ,such as a French nasal vowel.

一种鼻音化元音语音，比如法国鼻元音

The change, especially an umlaut, that is caused in a sound by its assimilation to another sound .

元音变化，变音由于一个音被另一个音词化而导致的变化，尤其是元音的变化

This vowel diphthongized in Germanic.

在德语中这个元音双重元音化了。

One who is entirely ignorant of the modes of Art in its revolution or the moods of thought in its progress, of the pomp of the Latin line or the richer music of the vowelled Greek, of Tuscan sculpture or Elizabethan song may yet be full of the very sweetest wisdom.

艺术 变革的种种方式或思想演进的种种状态、拉丁诗的华彩或元音化的希腊语那更丰富的抑扬顿挫、意大利托斯卡纳式的雕塑、伊丽莎白时代的歌调，对这些一个人可以全然不知，但却仍然充满最美妙的智慧。

One who is entirely ignorant of the modes of Art in its revolution or the moods of thought in its progress, of the pomp of the Latin line or the richer music of the vowelled Greek, of Tuscan sculpture or Elizabethan song may yet be full of the very sweetest wisdom.

就算一个人不懂艺术变化的方式，不懂其间思维的变化，不知道华丽的拉丁诗行，不明白希腊语元音化带来的丰富的音韵美，不理解托斯卡纳风格的雕塑，不知晓伊丽莎白时代的歌曲，他仍可以使充满智慧的圣哲。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失