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ABSTRACT: This article introduced the bibliophile Zhang Yuanji to made best effort maintains the continuous nature of the Chinese Culture in the process of fall and wither away in the Chinese's Ancient, enabled the ancient books about the Chinese's Ancient Civilization to be saved, and built the Han Fen Lou Public library, caused the innumerable readers to profit directly, and made the Chinese's Ancient Books to display its proper culture communication function in the modern society.

论文关键词:古籍张元济涵芬楼论文摘要:本文介绍了藏书家张元济在旧籍沦亡过程中尽最大努力保持中国文化的延续性,使中国。。。论文摘要:本文介绍了藏书家张元济在旧籍沦亡过程中尽最大努力保持中国文化的延续性,使中国古代文化典籍得以岌归,建立了涵芬楼公共图书馆,使无数的读者直接受益,让旧籍在现代社会中发挥它应有的文化沟通功能。

This paper aims to sort out the choroid of development and logical of the Chinese anti-inflation thinking from pre-qin dynasty to yuan dynasty.

本文旨在梳理中国古代从先秦到元的反通货膨胀思想的发展脉络和思维逻辑。

Ancient Ancient games often have themes or storylines set in the Old World, between 3000 BC (the beginning of the Egyptian dynasties) and 476 AD (the fall of the Western Roman Empire).

古代 古代类游戏通常的主题或故事线是在西元前3000年到西元476年的旧世界为主。

Based on the field work among the Azande and the analysis of ancient Chinese logic and the logic of Buddhism, this paper attempts to provide factual information for the argument for the "culture-based relativity of logic" in a descriptive way. Taking the deductive method as the classical research method, this paper argues for the existence of the culture-based relativity of logic in modern culture and other cultures. The validity of this argument is based on the findings of ethnographic as well as historical studies. This paper also seeks to prove by studying the interactions between different languages and ways of life that the classical research method was also built on cultural relativity.

对阿赞得人的田野考察报告,以及中国古代逻辑和佛教逻辑的研究成果,从描述的角度为&逻辑相对于文化&这一命题提供事实根据;采用演绎论证作为元方法说明现代文化中的逻辑和其他文化的逻辑在现代文化中的译本具有文化相对性;借助民族志和历史学研究成果说明其他文化的逻辑本身也具有的文化相对性;通过语言博弈和生活形式概念说明作为元方法的演绎论证同样具有文化相对性。

The metal elements of the volcanic-hosted massive sulfide deposit have two sources, the copper and zinc are derived from rhyolitic magmas whereas the lead are probably related to old sediments overlying the rhyolites.(4) It is suggested here that the volcanic rocks hosting massive sulfide deposit in the north Qilian orogen, which are previously considered as a bimodal suite of Neo-proterozoic to middle Cambrian age in a continental rift, are virtually related to subduction magmatism in Ordovician age, and there might have no continental rift magmatism of Neo-proterozoic to middle Cambrian in the north Qilian.

Th/Ta比高(5.0~11.7),εNd为较大的负值(-2.6~-8.4),流纹岩的形成可能是两个端元组分混合的过程、或是上地壳混染的结果,形成在活动陆缘环境;(3)北祁连块状硫化物矿床成矿金属物质具有两种来源,Cu、Zn等来源于流纹岩,而Pb的来源可能与古老沉积物有关;(4)本文认为,前人厘定的北祁连新元古代-中寒武纪赋存块状硫化物矿床的大陆裂谷双峰式火山岩应是与俯冲作用有关的奥陶纪火山岩,说明北祁连可能不存在新元古代-中寒武纪的大陆裂谷活动。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花,突破了五大官窑单色釉的局限,具有传统水墨画的艺术效果,把中国的传统绘画、书法技艺与陶瓷工艺结合起来,创造了新的综合艺术,开拓了古代陶瓷美学的新境界,并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩,别具一格,画师们采用极其潇洒的手法和高超精湛的画技,将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上,保留了大量古代民间绘画、书法及反映民俗民风的实物资料,形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色,对国内及世界陶瓷产生了深远而巨大的影响,成为声震古今、享誉中外的一代名窑。

The sixth chapter studies the relationship between MMs and stylistic feature, taking a dynamic perspective to study style, with the second section of this chapter analyzing the usages of MMs in report text and comment text of news style, the third comparing the different usage of three Chinese translations of Uncle Toms Cabin, the fourth analyzing the usage of MMs in three kinds of modern Chinese text , the fifth comparing the usage of MMs in three disciplines academic text and The sixth discussing the interactional rehtorical model, including the establishment of self-identity of speaker/writer, the expectation to reader/hearer, and the intertextuality interaction.

第六章讨论元话语和各语体语篇语体特征的关系,认为从元话语的角度来分析语体是从动态的角度来探讨言语行为和语体类型之间的关系,第二节讨论了报道体和时评体语篇中元话语使用情况,第三节比较了Uncle Tom's Cabin的文言文、古代白话和现代汉语三个译本中元话语标记使用的差异,第四节比较现代汉语三种语体文本中元话语标记使用情况,第五节讨论三个专业的学术论文中元话语标记的使用差异;第六节讨论元话语与语篇的互动修辞,讨论了语篇中表达者自我身份的确立、语篇对接受者的期待和呼吁和语篇的互动模式,说明元话语研究对探讨语篇的修辞互动模式和结构具有重要的意义。

China the landscape painting in Song, the Yuan time development was ancient times most considerable, the Qing Dynasty lagged, on the whole China ancient times landscape painting style when Sui "simple and artless, immortal"; When Tang "high ancient, magnificent and expensive"; When Song "sinks male, great"; When Yuan "wild leisurely, desolate"; Bright when "beautiful, enrichment"; Peaceful and orderly times "oldfashioned, remembers past times".since the modern times, near modern age, the contemporary landscape painting has been in approximately with during Western art culture wearing.

中国古代山水画在宋,元时期发展最为可观,清代滞后,大体上中国古代山水画的风格在隋时&稚拙,不朽&;唐时&高古,华贵&;宋时&沉雄,博大&;元时&野逸,萧疏&;明时&绮丽,充实&;清时&泥古,怀旧&。近代,近现代,当代以来的山水画大致处于与西方艺术文化的磨合之中。

So it is very necessary to use carbon isotope to study formation of the Precambrian Era especially Palaeoproterozoic.

因此采用碳同位素等稳定同位素进行前寒武尤其是古元古代及以前的研究非常必要。

Of, belonging to, or being the later of two divisions of Precambrian time, during which sponges, sea worms, and other forms of sea life appeared.

原生代的,元古代的前寒武纪两个时期中的后一个时期的,属于这个时期的,在这个时期的在这个时期海绵、海洋蠕虫和其它形式的海洋生命出现

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The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

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