儒家的

Deontological doctrine for the relationship between virtue and intelligence.

在人才培养的模式上，既有以儒家道义论为代表的，以德性为起点和归宿的德智统一论的传统，又有以墨家功利论为代表的以智为起点和归宿的德智统一论的传统。

In Chapter Five, I evaluate Feng Menglong"s view on education based on emotion. First, Feng Menglong emphasized "emotion" in his view on education influenced by philosophic idea -"Emotion is center" in late Ming Dynasty. Therefore his view was of distinct character of the time. Second, the purpose of Feng Menglong"s emphasizing emotion was not only to release natural desires of human beings but to find a new theoretical background for "Loyalty, Filiality, Morality and Justice" of Confucianism.

在前四章分析的基础上，我们应首先看到，冯梦龙&情教观&对&情&的肯定，深受晚明&主情论&哲学思潮的影响，因而呈现出鲜明的时代性；其次，我们还应当看到，冯梦龙肯定&情&的最终目的，在于为&忠孝节义&的儒家人伦寻找新的理论支点，而不仅仅为了张扬人的自然欲望，冯梦龙&情教观&标志着晚明时期&情&学思潮发展的转向，标志着&情&、&理&关系由对立渐趋融合。

The aesthetics is the guide of art teaching art, there are a lot of aesthetics genres both in ancient and modern, China and foreign. Some of them have the most direct influence on art teaching, such as Confucian aesthetics, Taoist aesthetics and Zen aesthetics, heteronomous aesthetics, autonomy aesthetics, hermeneutic aesthetics and art sign aesthetics. We can get help from these theories to scan art teaching art, how to obey the character of appreciation beauty, how to follow the nature of the art, how to unseal the students taste mentality skillfully, how to show the artistic charm properly and all rounds.

艺术教学艺术需要美学的引领，古今中外有着许多的美学流派，其中中国的儒家美学、道家美学和禅宗美学，国外的他律美学与自律美学、解释学美学与接收美学以及艺术符号美学对艺术教学的影响最直接，从它们那里获得的启迪，都帮助本文审视艺术教学艺术，如何遵从了艺术的审美品格，如何尊重了艺术的本质，如何巧妙地开启学生的审美心理，恰当地全面地为学生展示艺术的魅力。

Cheng explains the Chinese philosophy and, thereby, hasput forward the cosmic ontologism in which the nature and man are combinedin integrity, the intentionalism in which knowledge and value are integrated,the dialecticism of the confucianist mores, and mor...

本文从五个方面解析了成中英的新儒学思想，认为他的本体诠释学从多方面沟通了中西哲学，他对中国哲学进行解构，并提出天人合德的宇宙本体论、知识与价值合一的心性论和儒家道德的辩证观及管理哲学的伦理工程，努力达到对中国哲学的&重建&和&创新&，使之现代化，进而走向世界。

However,this kind of human feeling without objectivenecessity can not guarantee that human's behavior accords with the principle of"moral".So the dominators and thinkers,who use theConfucianism to dominate country,have to objectify and logicize the subjectivefeelings,that is to say,to restrict the individual sensual feature and freedom.

但这种无客观必然性作框架依托的人的主观情感，无法保证人的行为必然符合&善&的原则，采用儒家思想作为治国方略的统治者及其思想家必须致力于把主观心理情感认可的信念及主张外在化、对象化与知性化，也就是说，限制个体的感性特征与自由。

While giving a careful study to the texts, this paper dig deep into the cultural connotation of the skit of marital conversion in the two dynasties, holding the belief that the fundamental cultural connotation of it was to maintain the holiness of legitimate marriage, while the model of husband"s conversion reflected common people"s dream of nabobism. The Story of the Lute, the finial work of the skit of this type, embodied Gao Mings ethic reconsideration of the marital conversion phenomenon, and displayed his obscure bewilderment over the value system of Confucianism.

本文挖掘宋元婚变戏文的文化内涵：认为其最基本的文化内涵是维护合法婚姻的神圣性；而作为婚变戏文主体的丈夫变易型婚变则寄托了市民对荣华富贵的白日梦；《琵琶记》是宋元婚变戏文的巅峰之作，体现了高明对婚变现象的伦理反思，表达作者对儒家伦理价值系统的朦胧困惑。

Chapter two gives a deep analysis on sex selection and attributes its root to the influence of the Confucian culture. Sex discrimination is the social origin of sex selection, and its economic reason is due to the backward of agriculture economy and the unsounded social security system. The conflict between the "birth control" policy and people's partiality of boys is the direct cause of sex selection. And the current science development provides the possibility of technology for sex selection.

第二章主要对生育性别选择的深层次原因作了进一步讨论，提出传统儒家文化的影响是性别选择的文化根源，性别歧视是性别选择的社会根源，农业经济的落后和社会保障体系的不健全是其经济根源，计划生育基本国策和强烈的男孩偏好之间的矛盾是性别选择的直接原因，而当代科学技术的发展为实现生育性别选择提供了技术可能。

But,what merits our specialattention is the fact that on a very important position,it brings out the dis-crepancy between the Confucian utopianist political ideal and modern demo-cratic political idea,so it also becomes a prominent origin of modern Chineseproblem consciousness in history.

然而，应该强调指出的是，在极为重要的立场上，它也全面地显示了儒家乌托邦主义的政治理想与现代民主政治理念的岐义，因此，它也成为了现代中国历史性的问题意识的一个显著的由来。

It is the spirit of mission of creating an earthly"new man and newworld"through the passion of ultimate moral goodness expressed in Confucianmatrix of"interior saintliness and resultant exterior kingship"that constitutesthe most important content of Chinese utopianist spirit.

正是儒家&内圣外王&的思想母题所显示的以道德至善论的激情创造世俗的&新人与新世界&的使命精神，构成了中国乌托邦主义精神的最主要的内容。

He inquires the connotation and spirit power of culture, and seeks for the main spirit of Chinese culture and the modern significance of it. He apperceives artistic existence in life experience, while illuminates existence by literature and art. All of these reveal his vivid soul which based on Confucianism.

钱穆追问文化的内涵及其精神力量，寻求中国文化的主要精神及其现代意义，在人生体验中感悟艺术化生存，在文学艺术中照彻人生的存在，这一切追问的背后呈出的是一颗以儒家思想为命脉的活泼泼的心灵。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。