像男子的

Positive if I walk into his studio, signing a horse is soaked through inside by him of delicate with tie up to impress with, his big man of in the layer wrap up one small show female, all in his scenery of of realistic trace, those city walls and village give up;The countryside and mountain;BE all wiped a daubery by his hard iterative wrinkle, he is like a worker's similar dozen to whet this scenery painting.

正如我走进他的画室，立马被他骨子里浸透的细腻与缠绵深深打动，他的大男子的里层包裹着一小秀女，他的风景中所有的的现实痕迹，那些城郭与村舍；田野和山峦；都被他认真反复的皴擦涂抹，他像工人一样打磨这一张张的风景画。

Even men of such Calvinistic leanings as Philpot (he was burned under Mary in 1555), and John Foxe the martyrologist, not to speak of churchmen like Newel and Fulke, insisted on the right of the Reformers to call themselves Catholics and professed to regard their own as the only true Catholic Church.

即使是男子的倾向，例如加尔文作为Philpot （他被烧毁根据玛丽在1555年）和约翰福克斯的martyrologist ，更不用说像牧师和Fulke墩，坚持正确的改革者把自己称为天主教徒和宣称把他们的自己作为唯一的真正的天主教教会。

The sixth age shiftsInto the lean and slipper'd pantaloon,With spectacles on nose and pouch on side,His youthful hose, well saved, a world too wideFor his shrunk shank; and his big manly voice,Turning again toward childish treble, pipesAnd whistles in his sound. Last scene of all

第六个时期变成了精瘦的趿着拖鞋的龙钟老叟，鼻子上架着眼镜，腰边悬着钱袋；他那年轻时候节省下来的长袜子套在他皱瘪的小腿上显得宽大异常；他那朗朗的男子的口音又变成了孩子似的尖声，像是吹着风笛和哨子。

Into the lean And slipper'd pantaloon,With spectacles on nose And pouch on side,His youthful hose, well saved, a world too wideFor his shrunk shank; And his big manly voice,Turning again toward childish treble, pipesAnd whistles in his sound. Last scene of all

第六个时期变成了精瘦的拖着拖鞋的龙钟老叟，鼻子上架着眼镜，要变悬着钱袋；她那小小心心省下来的年轻时候的长袜子套在他皱瘪的小腿上宽大异常；他那朗朗的男子的口音又变成了孩子似的尖声，像是吹着风笛和哨子。

The sixth age shiftsinto the lean and slipper'd pantaloon,with spectacles on nose and pouch on side,his youthful hose, well saved, a world too widefor his shrunk shank; and his big manly voice,turing again toward childish treble, pipesand whistles in his sound. lastscene of all

第六个时期变成了精瘦的穿着拖鞋的龙鍾老叟，鼻子上架着眼睛，腰边悬着钱袋；他那年轻时候节省下来的长袜子套在他皱瘪的小腿上显得宽大异常；他那朗朗的男子的口音又变成了孩子似的尖声，像是吹着风笛和哨子。

The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose well sav'd a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.

第六个时期变成了精瘦的趿着拖鞋的龙锺老叟，鼻子上架着眼镜，腰边悬着钱袋；他那年轻时候节省下来的长袜子套在他皱瘪的小腿上显得宽大异常；他那朗朗的男子的口音又变成了孩子似的尖声，像是吹着风笛和哨子。

Which is not to say that nothing broke into this strict and somber way of life. When a new farmhouse was built, friends assembled to "raise the roof," and there would be special foods cooked and probably some potent cider passed around. There was a good supply of ne'er-do-wells in Salem, who dallied at the shovelboard in Bridget Bishop's tavern. Probably more than the creed, hard work kept the morals of the place from spoiling, for the people were forced to fight the land like heroes for every grain of corn, and no man had very much time for fooling around.

这不是说没有什么破门进入这个严格和低沉的生活方式，当一个新的农舍建，朋友们组装，以"提高屋顶"，将有特别的食物煮熟，也许有些烈性苹果酒传来传去，有一个良好的供应ne'er -做井在塞勒姆，谁dallied在shovelboard在布里奇主教的酒馆，大概比信条，辛勤工作，保持了道德的地方破坏，为人们不得不扑灭土地像英雄的每一粒玉米，并没有这名男子十分的时候，愚弄左右。

There was, for example, the turn-of-the-century trainman who replaced a faulty coupling with a pair of jeans; the Wyoming man who used his jeans as a towrope to haul his car out of a ditch; the Californian who found several pairs in an abandoned mine, wore them, then discovered they were sixty-three years old and still as good as new and turned them over to the Smithsonian as a tribute to their toughness.

馆中的展品例如：19世纪、20世纪之交的时候，一位列车员用一条牛仔裤代替失灵的列车挂钩；怀俄明州的一个男子用牛仔裤把汽车从沟里拖出来：一个加利福尼亚人在一个废弃的矿井里捡到几条牛仔裤，穿上后发现这些裤子已经有63年的历史，还依然像新的一样，便将其捐给史密斯学会，以表彰它的结实耐用。

Then, in 1996, a man named Chris Nystrom took that code, and ported it to Standard C. However, it was a very literal port (much like Mr. Birken's C# version): virtually all variables are global, maintaining their cryptic one or two letter names, and nearly all functions pass their parameters and return values using global variables.

然后，在1996年，名为克里斯尼斯特伦1名男子的代码，并把它移植到标准长不过，这是一个非常字面端口（很像比尔肯先生的C＃版）：几乎所有的变量是全局，保持其神秘的一个或两个字母的名字，几乎所有的功能，通过其参数和返回值使用全局变量。

And shaq'n from the look to the as i say hover man with more heart than hallmark on valentine's day i'm the one that you've been raven about, like ray lewis i think it hard to go and change your route cause you don't know if i'm blitzin or if i'm sittin and readin waitin for you to go and trip, drop back and throw up a brick, man ain't no way they can - blow, ain't no way they can - blow ain't no way they can - blow, ain't no way they can - blow ain't no way they can stop me now nelly cause i'm on my way, i can feel my ring comin it's the blood of a champion, pumpin deep inside my veins, too much pride to be runnin i'ma get what i can and more, even if my blood, my sweat, and my tears don't mean nothin it's the heart of a champion (it's the heart of me)(it's the heart of a..) in me it's like a big time decision made on how i can twurk it if hard work pays off then easy work is worthless my work habit ain't no habit man, i do it on purpose i push myself to the limit so my talent'll surface so now it's, curtains and drapes, on anybody who hates dislikin what i'm recitin, bitin wh

和shaq'n 从外观到，正如我所说悬停男子更多的心比标志，在情人节那天我就是您一直在乌鸦约，像射线刘易斯我觉得很难去改变您的路线原因你不知道如果我blitzin或如果我sittin和readin waitin为您去访问，下拉回，并投掷了一个砖，男子是不是没有出路，他们可以-打击，是不是没有出路，他们可以-打击是不是没有出路，他们可以-打击，是不是没有出路，他们可以-打击是不是没有出路，他们可以阻止我现在娜丽事业，我对我的方式，我可以感受到我的戒指comin 它的血液中的一个冠军， pumpin 我内心深处，我的静脉，太多的骄傲要runnin 我得到什么，我可以和更多的，即使我的血，我的汗水，和我的眼泪，并不意味着nothin 它的心脏，一个冠军在我它就像一个大的时间作出的决定，关于如何，我可以twurk它如果辛勤工作，付出过那么容易的工作是毫无价值我的工作习惯，是不是没有习惯男子，我这样做的目的 i推自己到了极限，所以我talent'll表面所以现在它的，窗帘和窗帘，对任何人谁不喜欢 dislikin什么我recitin ， bitin褔利

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。