像样子的

New bought a one likes to books, paper-based is kind of the Special is important to keep them lightly pico yellowed's original health certificate is the disguise of dictionary on a leash, and the light-blue hardware binders, is a share greatly windows the bedroom, blue-the floret shrug it off on a wooden the old on the floor,, streak 兰 masked whip up kicks exposed below a pure-white bed-linen, Pan Hu Hu the two big pillows rely on together, on one of the walls arbitrarily hung simple Photo Frame, the visibility of window, to clean the weather, the bluer sky and white-yun, the Green tree, there in sight for the garbageman Rope 松松, scattered and, scattered and Da Zhe the clothing, a pair of Silver SHOES IN, slender shoelace Shuan-in Rope, Feng Er Qingbai......

前一阵子，新买了一个喜欢的本本，纸质是那种特别轻巧微微泛黄的原生纸，包装成字典的样子，淡蓝色的硬封皮上，是一间有着大大窗户的卧室，浅兰的小花洒落在木制的老旧的地板上，条纹兰的被罩掀起一脚露出下面洁白的床单，胖乎乎的两个大枕头靠在一起，一面墙上随意挂着简单的像框，望向窗外，干净的天气，蓝的天，白的云，绿的树，还有近在眼前的纤细绳上松松散散搭着的衣物，一双银色的舞鞋，细长的鞋带拴在绳上，风儿轻摆。。。。。。

This ain't a love song 歌手:bon jovi this ain't a love song bon jovi i should have seen it coming when roses died should have seen the end of summer in your eyes i should have listened when you said good night you really meant good bye baby, ain't it funny, how you never ever learn to fall you're really on your knees, when you think you're standing tall but only fools are "know-it-alls" and i played that fool for you i cried and i cried there were nights that died for you baby i tried and i tried to deny that your love drove me crazy, baby if the love that i got for you is gone if the river i cried ain't that long then i'm wrong, yeah i'm wrong, this ain't a love song baby, i thought you and me would stand the test of time like we got away with the perfect crime but we were just a legend in my mind i guess that i was blind remember those nights dancing at the masquerade the clowns wore smiles that wouldn't fade you and i were the renegades, some things never change it made me so mad 'cause i wanted it bad for us baby now it's so sad that whatever we had, ain't worth saving if the love that i got for you is gone if the river i've cried ain't that long then i'm wrong, yes i'm wrong, this ain't a love song if the pain that i'm feeling so strong is the reason that i'm holding on then i'm wrong, yeah i'm wrong - this ain't a love song i cried and i cried there were nights that i died for you baby i tried and i tried to deny that your love drove me crazy baby if the love that i got for you is gone if the river i cried ain't that long then i'm wrong, yeah i'm wrong - this ain't no love song if the pain that i'm feeling so strong is the reason that i'm holding on then i'm wrong, yeah i'm wrong - this ain't a love song by lune the end JTL 很长时间Love Is A Pain (I don't cry)(I don't cry)(I don't cry)(I don't say) As time gose by

你身边的那个人看起来会比我做得更好放你离开的那个冬天，痛苦了好久，但是都没有用了开始我小心地走向你，你用阳光般的微笑接受了我的心那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，现在不再是我的你有的时候给我的问候的电话我说现在过得很好这样的话，但舌头无法像以前看到了我变瘦的样子，你也会吃惊放你离开的那个冬天，痛苦了好久，但是都没有用了开始我小心地走向你，你用阳光般的微笑接受了我的心那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，但现在不再是我的你如果对我说你回来吧我会再次抱着你如果只想看我一次，我会把空位子留给你说不定那个时候是我们两个再一次没有办法地擦肩而过的命运我这样疼痛，你也会非常疼痛的，那个时候你也说没有办法我的没有用的自尊心非常非常的后悔没有你，度过了很长时间，只一个人没有你，我忍受着，得生活下去，我没有自信那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，我想再见到你，但现在好象一切都结束了希望好久以来积攒的记忆，到什么时候都不会在时间里被埋没祝你幸福

And now I began to think sedately; and, upon debate withmyself, I concluded that this island (which was so exceedinglypleasant, fruitful, and no farther from the mainland than as I hadseen) was not so entirely abandoned as I might imagine; thatalthough there were no stated inhabitants who lived on the spot,yet that there might sometimes come boats off from the shore, who,either with design, or perhaps never but when they were driven bycross winds, might come to this place; that I had lived therefifteen years now and had not met with the least shadow or figureof any people yet; and that, if at any time they should be drivenhere, it was probable they went away again as soon as ever theycould, seeing they had never thought fit to fix here upon anyoccasion; that the most I could suggest any danger from was fromany casual accidental landing of straggling people from the main,who, as it was likely, if they were driven hither, were hereagainst their wills, so they made no stay here, but went off againwith all possible speed; seldom staying one night on shore, lestthey should not have the help of the tides and daylight back again;and that, therefore, I had nothing to do but to consider of somesafe retreat, in case I should see any savages land upon the spot.

后来的事实也证明，他既是一位虔诚的基督徒，又是一位知恩图报的朋友。他的这种品质实在使我非常满意。可是，在我对他的疑惧没有消除之前，我每天都要试探他，希望他无意中会暴露出自己的思想，以证实我对他的怀疑。可是我却发现，他说的每一句话都那么诚实无瑕，实在找不出任何可以让我疑心的东西。因此，尽管我心里很不踏实，他还是赢得了我的信任。在此期间，他一点也没有看出我对他的怀疑，我也没有根据疑心他是在装假。有一天，我们又走上了那座小山。但这一次海上雾蒙蒙的，根本看不见大陆。我对星期五说："星期五，你不想回到自己的家乡，回到自己的部族去吗？"他说："是的，我很想回到自己的部族去。"我说："你回去打算做什么呢？你要重新过野蛮生活，再吃人肉，像从前那样做个食人生番吗？"他脸上马上显出郑重其事的样子，拼命摇着头说："不，不，星期五要告诉他们做好人，告诉他们要祈祷上帝，告诉他们要吃谷物面包，吃牛羊肉，喝牛羊奶，不要再吃人肉。"我说："那他们就会杀死你。"

I soon found a way to convince him that I would do him no harm, and taking him up by the Hand laugh'd at him, and pointed to the Kid which I had kill'd, beckoned to him to run and fetch it, which he did; and while he was wondering and looking to see how the Creature was kill'd, I loaded my Gun again, and by and by I saw a great Fowl like a Hawk sit upon a Tree within Shot; so to let Friday understand a little what I would do, I call'd him to me again, pointed at the Fowl which was indeed a Parrot, tho' I thought it had been a Hawk, I say pointing to the Parrot, and to my Gun, and to the Ground under the Parrot, to let him see I would make it fall, I made him understand that I would shoot and kill that Bird; accordingly I fir'd and bad him look, and immediately he saw the Parrot fall, he stood like one frighted again, notwithstanding all I had said to him; and I found he was the more amaz'd, because he did not see me put any Thing into the Gun; but thought that there must be some wonderful Fund of Death and Destruction in that Thing, able to kill Man, Beast, Bird, or any Thing near, or far off; and the Astonishment this created in him was such, as could not wear off for a long Time; and I believe, if I would have let him, he would have worshipp'd me and my Gun: As for the Gun it self, he would not so much as touch it for several Days after; but would speak to it, and talk to it, as if it had answer'd him, when he was by himself; which, as I afterwards learn'd of him, was to desire it not to kill him.

可怜的星期五上次曾看到我用枪打死了他的敌人，但当时他站在远处，弄不清是怎么回事，也想象不出我是怎样把他的敌人打死的。可这一次他看到我开枪，着实吃惊不少；他浑身颤抖，简直吓呆了，差一点瘫倒在地上。他既没有去看我开枪射击的那只小羊，也没有看到我已把小羊打死了，只顾扯开他自己的背心，在身上摸来摸去，看看自己有没有受伤。原来他以为我要杀死他。他跑到我跟前，扑通一声跪下来抱住我的双腿，嘴里叽哩咕噜说了不少话，我都不懂。但我不难明白他的意思，那就是求我不要杀他。我马上想出办法使他相信，我决不会伤害他。我一面用手把他从地上扶起来，一面哈哈大笑，并用手指着那打死的小羊，叫他跑过去把它带回来。他马上跑过去了。他在那里查看小山羊是怎样被打死的，并感到百思不得其解。这时我趁此机会重新把枪装上了子弹。不久，我看见一只大鸟，样子像一只苍鹰，正落在我射程内的一棵树上。为了让星期五稍稍明白我是怎样开枪的，就叫他来到我跟前。我用手指了指那只鸟--现在我看清了，其实那是一只鹦鹉，而我原先把它当作苍鹰了。我刚才说了，我用手指了指那只鹦鹉，又指了指自己的枪和鹦鹉身子底下的地方，意思是说，我要开枪把那只鸟打下来。

His subject matter is not that kind of direct description of the society, and his picture is no willful publicizing of symbols, but rather like a picture of something immersed rising slowly from the bottom of a pool and finally emerging from the surface——slow, vague and drifty……, which corresponds to a certain of emotional struggle in the dim recess of human mind——variable, conscious and subconscious …….

从表面上看彭建忠的画与他的性格一样是内向而腼腆的，他的题材不是那种对社会t性的直接描述，他的画面也不是对符号性的肆意张扬，他的画更像是沉浸于池底而后慢慢浮现出来的那种样子——缓慢的，而隐约的，而飘移的……，对应的也是某种人们内心深处的情绪挣扎——多变的，而有意识的，而潜意识的……。

The trees had a light delicate foliage, the structure of which was different from that of the trees in Europe; it did not grow in bows or cupolas, but in horizontal layers, and the formation gave to the tall solitary trees a likeness to the palms, or a heroic and romantic air like fullrigged ships with their sails clewed up, and to the edge of a wood a strange appearance as if the whole wood were faintly vibrating.

树上只有轻轻薄薄纤细的树叶，树冠的结构不同于欧洲的树，既非弓形也不似穹顶，而是水平的层层分布的，这个形状让高且孤的树有点像棕榈树，也赋予了它好似收拢风帆的全帆缆船般的英雄色彩和浪漫气息，树的边缘的样子有些奇怪，好像整棵树都在微微颤动。

His body is misshaped badly, throat reaching navel, shoulders over head, neck exposing askew to sky, buttock level with rib, guts upside down.

有一位姓疏的驼背，他整个身体都扭曲变形不成样子，他的咽喉抵到他的肚脐，他的肩比他的头高，他的脖子歪插出去朝向天际，他的屁股与其肋骨同高，连他的内脏都是倒置的，你看这还像人吗？

The Human World (5)人间世 1 Shu is a humpback. His body is misshaped badly, throat reaching navel, shoulders over head, neck exposing askew to sky, buttock level with rib, guts upside down.

有一位姓疏的驼背，他整个身体都扭曲变形不成样子，他的咽喉抵到他的肚脐，他的肩比他的头高，他的脖子歪插出去朝向天际，他的屁股与其肋骨同高，连他的内脏都是倒置的，你看这还像人吗？

We took turns with the mirror as we ate mulberries, pelted each other with them, giggling, laughing; I can still see Hassan up on that tree, sunlight flickering through the leaves on his almost perfectly round face, a face like a Chinese doll chiseled from hardwood: his flat, broad nose and slanting, narrow eyes bamboo leaves, eyes that looked, depending on the light, gold, green, even sapphire I can still see his tiny low-set ears and that pointed stub of a chin, a meaty appendage that looked like it was added as a mere afterthought.

我现在还能想象出哈桑坐在树上的样子，那是一张几近正圆的脸上，罩在树缝间支离破碎的太阳光下，像一张硬木雕出的中国娃娃的脸：扁平的鼻子，细长的眼睛斜斜的，宛如一片竹叶，随着光线的变化时而泛金、时而泛绿，甚至泛成蔚蓝色。哈桑的耳朵生得很低，下巴上粘着一粒尖尖的肉球，肉乎乎的，仿佛工匠深思熟虑之后添加的妙笔。

In some cases we may have to wait for better technology: early aircraft designers were mistaken to design aircraft that looked like birds, because they didn't have materials or power sources light enough the Wrights' engine weighed 152 lbs. and generated only 12 hp.

在有些情况下，我们不得不等待更好的技术出现：早期飞行器的设计者把飞行器设计成鸟儿的样子失败了，是因为他们没有足够轻巧的材料和足够强大的动力（莱特兄弟的引擎重达 153 磅，却只有 12 马力的输出），也没有精密的控制系统，能够让飞行器像鸟一样飞翔。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。