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偶然发现的

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A Little Boy How I never could be tired with roaming about that huge mansion, with its vast empty rooms, with their worn-out hangings, fluttering tapestry, and carved oaken panels, with the gilding almost rubbed out---sometimes in the spacious old-fashioned gardens, which I had almost to myself, unless when now and then a solitary gardening man would cross me---and how the nectarines and peaches hung upon the walls, without my ever offering to pluck them, because they were forbidden fruit, unless now and then,---and because I had more pleasure in strolling about among the old melancholy-looking yew-trees, or the firs, and picking up the red berries, and the fir-apples, which were good for nothing but to look at ---or in lying about upon the fresh grass, with all the fine garden smells around me---or basking in the orangery, till I could almost fancy myself ripening too along with the oranges and the limes in that grateful warmth-or in watching the dace that darted to and Fro in the fish-pond, at the bottom of the garden, with here and there a great sulky pike hanging midway down the water in silent state, as if it mocked at their impertinent friskiness,---I had more pleasure in these busy-idle diversions than in all the sweet flavors of peaches, nectarines, oranges, and such like common baits of children.

tapestry绣帷;挂毯 nectarine油桃 gilding镀金 pluck 采,摘,拔 fir-apples:枞树的一种圆锥形果实 dace鲦鱼 dart猛冲,飞奔 impertinent不切题的一个小男孩查尔斯·兰姆我在那所很大很大的宅院里满世界地跑,从来不知什么是疲倦:那里有许许多多又大又空的房间和破破烂烂的帷帐,墙上的幔子还随风飘动,橡木雕花嵌板上的金粉却已剥落了——我常常到那座古老的大花园里去玩,那花园简直叫我一个人独占了,偶尔才碰上一个孤零零的老园丁——那园子里,油桃和桃子垂在墙头上,我根本不去碰它,因为那是禁果,除非偶然一回两回——因为,我更高兴在那些带着忧郁神情的老水松树或者枞树之间跑来跑去,从地上捡那么几颗红浆果,几只枞果,而那些枞果只能看,不能吃——有时候,我随便躺在嫩草地上,让自己完全沉浸在满园子的芳香之中——要不然,我就在桔子园里晒太阳,晒得暖洋洋的,一边想象自己跟那些桔子、好些菩提树一同成熟起来——再不然,我就到花园深处,看那些鲦鱼在鱼池里穿梭般游来游去,不定在哪里还会发现一条很大的梭子鱼冷冷落落地停在深水之间,一动不动,好象对于那些小鱼们的轻狂样儿暗中表示鄙夷,——我喜欢的是诸如此类无事忙的消遣,而对于象桃子呀,油桃呀,桔子呀等等这些普通的小孩子们的诱饵,碰也不去碰它。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态,尽管他不断地用细节去强调时间概念,像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气,但他讲述的这些故事并没有特别的时间背景,它们可能每天都会发生在这个城市的角落里,它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》,你就会发现两个故事的某些细节其实是互相交错的,王家卫用这种捉迷藏式的游戏来造成一种共时性的效果,既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序,从而形成了一种存在主义式的精神意蕴,而王家卫在空间上的运用更是与其时间相得益彰,如果你看了王家卫的作品而感动的话,那绝不是由于整体世界的印象所引发的,而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Chapter 2 centres around the spiritual contents of her works. It penetrates through the skin to their core, that is, the tragic sense. Her works take the most ordinary people as characters. Unexpectable elements befall on these people, change their fate considerably. The helplessness of being fooled by destiny overshadows most of her works, leaving readers sign in vain. Then, her portrayal of characters bears a tinge of rootlessness, unsteadiness loneliness, filling the works with deep pensive mood. And finally, she exposes the ugliness of man from this covering of brilliance. Man dares not face his true being. What he shows and sees of himself tends to be his bright side. But his ugly side steels out, which gives himself a deadly blow.

第二章围绕作品的精神内蕴展开论述,侧重于由表及里的层层挖掘,悲剧意识构成王安忆作品精神内蕴的核心,其作品多写芸芸众生,在展现这些人的人生际遇时,难以预料的偶然因素总是改变着他们的命运,宿命感使作品笼罩在虚无的阴影之中,令人怅然;其次作家在写人物时,那种无根的漂泊感、孤独感,使作品有着深深的悲凉意蕴;再次就是对隐藏在绚烂表象之下的人的丑陋本质的发现,人总是无法面对自己真实的存在,看到的或表现出的总是冠冕堂皇的一面,但是那丑陋的一面总会在不经意中呈现出来,给人以毁灭的打击。

The principles of definition, the law of contradiction, the fallacy of arguing in a circle, the distinction between the essence and accidents of a thing or notion, between means and ends, between causes and conditions; also the division of the mind into the rational, concupiscent, and irascible elements, or of pleasures and desires into necessary and unnecessary-- these and other great forms of thought are all of them to be found in the Republic, and were probably first invented by Plato.

解释事物的准则,处理冲突的法律,循环论证的谬误,事物或观念中的平均与偶然、目的与结果、动机与状态之间的差别,将人的意识进一步划分为理性、性欲和易怒因素等不同领域,将愉快和期望区别为必要部分和非必要部分——所有这些及其其它相关的伟大思想发现,都可以在《理想国》中找到,而且很有可能都是柏拉图的首创。

The A Xiang after abdication is faineant, an accidental opportunity vended empty glove through the classmate's relation, managed a bit fund, begin to immerse oneself in the Internet item that makes him then, his discovery is aimed at market of Yang Ling this locality, especially recreation lives kind, the website that is aimed at undergraduate of Yang Ling place especially is returned, then, he prepared to construct Yang Ling city connects a network, a collect hits communication of the member that fold news peace conference to live at the recreation of an organic whole kind of website, he still made a city know member card, oneself a person begins to begin to sell in ave lane of Yang Ling, with the businessman the negotiation cooperates, although initial stage is very much,the person does not approbate this his website, but, a Xiang relies on him hold to and try hard, technology of collect of a person, beauty is made up, sale, business affairs cooperates at a suit, the operation that makes Yang Ling city connects a network eventually was on the right path, yang Ling city connects a network the member of this website also expands with each passing day, become build Yang Ling between local businessman and consumer a ligament, a Xiang also carries businessman ad eventually, the member collects fees the road that waited for mode to be on gain, from a first month hundreds of yuan, go to thousands of yuan again, the scale that reachs ten yuan one year of present again, be less than time of two years, in the small town that A Xiang is not worth 100 thousand population this in Yang Ling, enter a when went out to belong to oneself poineering grade.

辞职之后的阿祥无所事事,偶然的一个机会通过同学的关系倒腾了一次空手套,弄出了一点资金,于是开始埋头做他的互联网项目,他发现针对杨凌本地市场,尤其是娱乐生活类的,特别是针对杨凌当地大学生的网站还没有,于是,他筹建了杨凌城市通网,一个集打折信息和会员交流于一体的娱乐生活类网站,他还制作了城市通会员卡,自己一个人开始在杨凌的大街小巷开始销售,与商家谈判合作,尽管初期很多人并不认可他的这个网站,但是,阿祥依靠自己的坚持和努力,一个人集技术、美编、销售、商务合作于一身,终于使杨凌城市通网的运营走上了正轨,杨凌城市通网这个网站的会员也日渐壮大,成为搭建杨凌当地商家和消费者之间一根纽带,阿祥也终于通过商家广告,会员收费等模式走上了盈利之路,从最初的一个月几百元,再到几千元,再到现在的一年十几万元的规模,不到两年的时间,阿祥在杨凌这个不足十万人口的小城里,闯出了属于自己的一条创业之路。

In 2003, fate brought Jukai and Don together. The two were able to interact and interchange ideas and works, through the help of Coolmack Net. Not only were the two of them admiring each other's work, but they also discovered that they shared much similarity in the usage and creativity of the Adobe Illustrator. That was where it all started. In order for them to communicate and share their ideas much effectively, they discussed the possibility of setting up a website together. Then came the creation of their VI – Djebala. In the very beginning, Djebala was only meant to use for identifying the creation of Jukai and Don. However, it stormed the virtual design community with awes over a very short period of time and created itself a band of the vivid followers. Through these unexpected success and events, as well as all the interactions and support, Djebala grew stronger and gradually evolved into a complete "Graphic Design and Creativity Workgroup." Now, Djebala is not just aiming to create a website, it has grown much larger and greater goals.

秉持著这样的想法,2003年底某个偶然的机会,Jukai与小董两人在台湾一个著名的网路设计论坛「舞动影像」上进行了交流,其中除了彼此欣赏对方的作品外,发现在使用Adobe Illustrator软体绘制向量插图上,两人也有许多共同的理念,为了进一步提高两人作品在网路上提供浏览的方便性,於是逐步思考架设一个「联合个人作品网站」的可能,进而共同设计开发出一个VI─「djebala 激芭乐」,来作为此网站的整体视觉规划识别,真可谓无心插柳柳成阴,一路走来,受到了各种刺激与支持、有志之士的加入与合作,激芭乐渐渐演变成为一个完整的「图像设计创作团队」,凭藉著网路上连结起的同伴合作与交流,持续精进成长,朝向了一个远远比架设网站更大规模的目标迈进!

Prince Andrey listened carefully to Prince Bagration's colloquies with the commanding officers, and to the orders he gave them, and noticed, to his astonishment, that no orders were really given by him at all, but that Prince Bagration confined himself to trying to appear as though everything that was being done of necessity, by chance, or at the will of individual officers, was all done, if not by his order, at least in accordance with his intentions.

安德烈公爵仔细地倾听巴格拉季翁公爵和首长们的谈话,倾听他所颁布的命令,值得惊讶的是,他已经发现,没有颁布任何命令,巴格拉季翁公爵只是极力地装出,仿佛这一切事情的发生都是出于必然或偶然,或出于个别首长的意志,这种种事情的发生虽未遵照他的命令,却是符合他的意愿的。

After becoming bored with repeaters and HTs, I decided to make one last attempt to master the code. Fortunately, I stumbled on information about Koch's method, and found that it was the only thing that would work for me.

幸运的是,我偶然在对科克的方法的信息,发现这是唯一会为我工作。1993年,在我的电脑后,勤奋工作,我把我的第一个代码测试和通过了第一次尝试20每分钟考试。

One always discovers them voluntarily or involuntarily at the same task, namely at dragging the partie honteuse of our inner world into the foreground and seeking the truly effective and directing agent, that which has been decisive in its evolution, in just that place where the intellectual pride of man would least desire to find it (in the vis inertiae of habit, for example, or in forgetfulness, or in a blind and chance mechanistic hooking-together of ideas, or in something purely passive, automatic, reflexive, molecular, and thoroughly stupid)—what is it really that always drives these psychologists in just this direction?

人们发现他们总是在有意或无意地做着同一件事:就是把我们内心世界中的龌龊部分暴露出来,从中寻找积极的、先进的、于人类发展有决定作用的因素,而这是些人类智慧的尊严最不愿意看到的部位,他们就是在这些习惯势力中,在健忘中,在盲目和偶然的思想网络和思想机制中,在任何一种纯粹被动的、机械的、反射性的、微不足道的和本质上是愚蠢的部位找寻积极的因素。到底是什么东西使得这些心理学家总是朝着这一个方向努力?

By accident I saw this blogger activity "10-places-of-my-city". Thinking carefully, I didn't even know some of the places that I go very often. So I've decided to follow the trend and take my own note, to get to know even more clearly of where I am living - Vicenza, the city of Palladio.

偶然之间看到城市笔记的串联活动,稍作思考以后竟然发现,一些自己已经习以为常的地点,竟然还叫不出名字来…姑且就让我跟随著前人的脚步,做起属於我的城市笔记,更清楚地认识我目前的居住地–维琴察,帕拉底欧之城。

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However, as the name(read-only memory)implies, CD disks cannot be written onorchanged in any way.

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