做

You should be more open-minded and tolerate irregulation. It is like doing the parabola and hyperbola as the second and third cosmic speed mode.

做大事情，系统更复杂，能量更大，所以做大事情的指导思想要开放，容许&乱&，更像做抛物线、双曲线，是第二和第三宇宙速度的运动方式。

I love you, always, even more, we will be together after this, whole lif

这件事我必须去做，我愿意去做，我也准备好了去做。我爱你，一直都爱，现在更

He hid and slid and mooned about.

Simon 的个子长得象个男子汉了，在他这个年龄应该可以做成年人应该做的事了，但是，不，那些事他根本就不想去做。

By Error Correction Model and Granger Noncausality Test, we got the conclusions: the two-quote mechanism has the function of rapid error correction and information transmission; competitive market maker system promotes the efficiency of the market.

运用做市商报价调整的误差修正模型，并对报价与成交净价之间进行 Granger 非因果检验发现，做市商双边报价机制具有迅速纠错的功能和信息传导的功能，竞争性做市商制度具有更高市场效率。

When I am at school under speaking passingly, previously, some moment I am able to give lessons going to bed or compose other thing, I cut class even going over several time , I am not to think that I am a bad student , I am only the thing wanting to act as me liking to compose but.

顺便说下，我以前上学的时候，有些时候我会上课睡觉或则做其他的事情，甚至我还逃学过几次，但我不是认为我是个坏学生，我只是想做我喜欢做的事情。

Eat pearled barley as a side dish instead of rice, use it for a hearty casserole, or boil it to create a unique base for a stir-fry meal.

将去壳的大麦做为副菜，顶替大米；或者用其做一锅丰盛的砂锅菜；或者将其煮熟，做为炒菜的主料。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Aromatic constituents of Huangdan Oolong tea were analysed with GC and MS and were compared in different green-making humid conditions.The major aromatic constituents of Huangdan Oolong tea were nerolidol,α-farnesene, linalool and its oxide, geraniol, pheny lacetal dehyde, indole, cis-jasmine lactone β-ionone cis-jasmone, benzyl acetate and so on.At the same temperature,the content of aromatic constituents were different, the aromatic quality in the 75% humid condition was better,which was more fragrant and kept longer.

用GC/MS法分析了黄旦品种乌龙茶的香气组分，并对不同湿度做青环境条件下生产的乌龙茶香气组分进行比较分析表明：黄旦乌龙茶主要香气成分为橙花叔醇、α-法呢烯、芳樟醇及其氧化物、香叶醇、苯乙醛、吲哚、顺-茉莉内酯、β-紫罗酮＋顺-茉莉酮、乙酸苄酯等；在相同温度（23℃），不同湿度做青环境生产的黄旦乌龙茶香气主要特征成分含量和精油总量各不相同，且香气品质以做青环境相对湿度75％为好，香气高且持久。

Now hold on, after Clannad, they still have to do Planetarian (Toei does the Movie and Kyoto Animation the TV Series) and THEN comes Little Busters the Movie and TV Series.

等等，在CLANNAD之后，他们还必须做星之梦（东印做剧场版，京都动画做TV剧集），然后才是Little Busters的剧场和TV剧集。

Actors in the not done before, I am very happy I am happy, ever free, as long as the body with enough money can the oh, raptured out, no filtration and gloom, since the actors do this, a lot of things. Whether inside or outside of the matter, whether it is major or minor issues every day I sleep well, The most important thing is peer competition, I only just beginning to do good and not to think so much, and things were less willing to, a major event trivial forced me breathless, the former Before the funerals thing again, I really had no choice I am helpless, Who can help me, no,,,, no one can help me, only of their own, of their own, and society is a social, I will also follow the evil devil step into the stuffing Well, the devil's hand has a right I deeply launched an attack I am unable to, the more I struggled, the more deep-stuffing, and now sometimes I do not know myself, I strings, I myself have been to the devil to become straight, the invisible pressure of the pressure I am hard pressed, I will leave the devil's presence near the

在没做场子的以前，我很开心我也很快乐，天天可以自由自在，只要身上带够哦了钱就可以，出去欢天喜地，没有任何的过滤和忧愁，自从做了这个场子，出了好多的事，不管是场内的事还是场外的事，不管是大事还是小事我天天睡不好，最重要的是同行的竞争，我刚刚开始只是想好好的去做，并没有想的这么的多，事不如人愿，一件件大事小事逼的我喘不过气，前事未平后事又来，我很无奈真的我很无奈，谁能帮我，不，，，，谁都不能帮我，只有自己，自己，自己，自己，，社会这就是社会，我慢慢的也跟着罪恶的魔鬼一步一步走进了馅井，魔鬼之手已经深深的对我发起了进攻，我好无力，我越挣扎馅的越深，到现在有时我都不认识我自己了，我身不由己，一直到我自己变成魔鬼为直，无形的压力压的我喘不过气，我将离魔鬼的身影不远了

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。