偏执

There's something happening here What it is ain't exactly clear There's a man with a gun over there Telling me I got to beware I think it's time we stop, children, what's that sound Everybody look what's going down There's battle lines being drawn Nobody's right if everybody's wrong Young people speaking their minds Getting so much resistance from behind I think it's time we stop, hey, what's that sound Everybody look what's going down What a field-day for the heat A thousand people in the street Singing songs and carrying signs Mostly say, hooray for our side It's time we stop, hey, what's that sound Everybody look what's going down Paranoia strikes deep Into your life it will creep It starts when you're always afraid You step out of line, the man come and take you away We better stop, hey, what's that sound Everybody look what's going down Stop, hey, what's that sound Everybody look what's going down Stop, now, what's that sound Everybody look what's going down Stop, children, what's that sound Everybody look what's going down

There's 某事发生这里什么这确切地是ain't 清楚 There's 一个人与枪在那告诉我我得到当心我认为我们停止的it's 时间，孩子，听起来的what's 大家看what's 下来 There's 战线被画 Nobody's 纠正如果everybody's 错误青年人说出他们的想法非常得到抵抗从后面我认为我们停止的it's 时间，嘿，听起来的what's 大家看what's 下来领域天为热一千个人在街道唱歌歌曲和运载标志主要言， hooray 为我们的边 It's 时间我们停止，嘿，听起来的what's 大家看what's 下来偏执狂碰撞深深入您的生活它将爬行它开始当you're 总害怕您跨步在线外面，人来拿走您我们改善中止，嘿，听起来的what's 大家看what's 下来停止，嘿，听起来的what's 大家看what's 下来停止，现在，听起来的what's 大家看what's 下来中止，孩子，听起来的what's 大家看what's 下来

No doubt, China is paranoiacally sensitive to perceived infringements of sovereignty or affronts to its dignity.

勿庸置疑，中国对侵犯其主权或冒犯其尊严的事敏感得近乎偏执。

Chen juxtaposes his simple and clean color photographs with mono channel video works, pushing his extreme nostalgic old works to a distance that is more intimate, while the piece seems to have conglomerated through the process of deconstructing space inside the family dwelling.

陈顺筑透过风格简炼、利落的彩色照片，与交叉并置的单频道录像，把他过往作品沵漫的乡愁偏执，推移到另外一个触手可及的距离，凝聚在家宅的空间拆解里。

The influence which the bigotry of one female,[6] the petulance of another,[7] and the cabals of a third,[8] had in the contemporary policy, ferments, and pacifications, of a considerable part of Europe, are topics that have been too often descanted upon not to be generally known.

一个女人的偏执，另一个女人的易怒，第三个女人的阴谋影响了这个时期的策略，在欧洲广大的地区所导致的战乱与和解是人们经常评论的话题，只是不为一般人所知罢了。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

They view it as such strange eccentricities...

他们认为我是偏执而古怪的

So let it be known, the only reason that we do this Is so you can pick it up and just bang your head to it While emcees fight to see who can be the commonest Be floatin overhead like a space odyssey monolith Over seeing the game, over being part of the same ol' thing It's all gonna change in a hurricane of darkness and pain And acidic rain and promises that you won't do it again Meanwhile I just grip my mic And hope me and my team make it through alright Because say what you will, and say what you might But don't ignore who it's for at the end of the night Pulling me close, the shadow is warm inside This is where I feel at home, this is my place to hide Pulling me close, the shadow is warm inside This is where I feel at home, this is my place to hide This is dedicated to the kids Dedicated to wherever music lives Dedicated to those tired of the same ol' same And dedicated to the people advancin' the game What's real, everybody who doesn't feel safe What's real, everybody who knows they're out of place What's real, anybody with nowhere to run Who hides in the shadows waiting for the sun

专用 我有一个梦想的一个场景之间的绿色山丘云拉开了距离，并在阳光下的发现人们不谈论把它真正的它的理解是，他们实际上将和陶醉和刺激emcees 凝视中的树木，偏执，已经消失在微风中观察他们逃离，嘻哈安打散步与我和你会看到是一个土地上的沙子是由粉碎了蜡和天空以后你是蓝色krylon 大家都在讲方言韵和emcees已经离开唯物论背后同时我刚才握我的麦克风并希望我和我的团队使它通过好吗说什么，因为你会，说什么你可能但是，不要忽视谁是为年底的夜晚由于这是专门为孩子们致力于音乐生活的地方献给那些厌倦了相同的醇'同一和专门人民advancin '游戏什么是真正的孩子谁知道有错什么是真正的是谁的孩子认为他们不属于什么是真正的是谁的孩子无处可运行谁是隐藏在黑暗中等待阳光我已经看到了很多屎，我接触过的一个屁股在日落大道上，他问我，你将如何感觉如果大家都像你行事不存在您会失去您的抓地力，最终可能翻转。

I eulogized the man who had put aside his Republican convictions to work for me in 1974, and who, through a lifetime of learning from personal experience, had let go of all the bigotries he had grown up with.

我称颂了他，他在1974年搁置自己共和党人的信念为我工作。他毕生都在从个人的经验中不断学习，放弃了小时候养成的所有偏执的观点。在芝加哥与一位黑人共事时，他放弃了种族偏见。

After a whiles, it is the setting of man against man and creed against creed until we are marching backwards to the glorious age of the sixteenth century when bigots lighted fagots to burn the man who dared to bring any intelligence and enlightenment and culture to the human mind.

过不了多久就要搞人斗人，一种宗教斗另一种宗教，直到我们回到十六世纪那光辉年代。当时敢于给人带来智慧、知识和文化者要被偏执的宗教信徒绑在柴堆上烧死。

But by focusing, to the point of paranoia, on forestalling any dissident upstaging, authorities may have overlooked a strategic question of greater immediate importance to the Obama administration: the Chinese blogosphere.

但在关注达赖喇嘛问题，甚至走到偏执的程度，对任何不同政见者采取预防措施的同时，中国当局可能忽略了对于奥巴马政府更加直接重要性的战略问题：中国博客。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。