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倒落

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In that manner Hareton, who should now be the first gentleman in the neighbourhood, was reduced to a state of complete dependence on his fathers inveterate enemy; and lives in his own house as a servant, deprived of the advantage of wages, and quite unable to right himself, because of his friendlessness, and his ignorance that he has been wronged.

于是,哈里顿原该是附近一带的第一流绅士,却落到完全靠他父亲的多年仇人来养活的地步。他在他自己的家里倒像个仆人一样,还被剥夺了领取工钱的权利;他是翻不了身了,这是由于他的无亲无故,而且自己还根本不知道他在受人欺侮了。

Yet such was the Fright I had taken at the Moors, and the dreadful Apprehensions I had of falling into their Hands, that I would not stop, or go on Shoar, or come to an Anchor; the Wind continuing fair,'till I had sail'd in that manner five Days: And then the Wind shifting to the southward, I concluded also that if any of our Vessels were in Chase of me, they also would now give over; so I ventur'd to make to the Coast, and came to an Anchor in the Mouth of a little River, I knew not what, or where; neither what Latitude, what Country, what Nations, or what River: I neither saw, or desir'd to see any People, the principal thing I wanted was fresh Water: We came into this Creek in the Evening, resolving to swim on shoar as soon as it was dark, and discover the Country; but as soon as it was quite dark, we heard such dreadful Noises of the Barking, Roaring, and Howling of Wild Creatures, of we knew not what Kinds, that the poor Boy was ready to die with Fear, and beg'd of me not to go on shoar till Day; well Xury said I, then I won't, but it may be we may see Men by Day, who will be as bad to us as those Lyons; then me give them the shoot Gun says Xury laughing, make them run wey; such English Xury spoke by conversing among us Slaves; however I was glad to see the Boy so cheerful, and I gave him a Dram (out of our Patroon's Case of Bottles) to chear him up: After all, Xury's Advice was good, and I took it, we dropt our little Anchor and lay still all Night; I say still, for we slept none!

但是,我已被摩尔人吓破了胆,生怕再落到他们的手里;同时风势又顺,于是也不靠岸,也不下锚,一口气竟走了五天。这时风势渐渐转为南风,我估计即使他们派船来追我。这时也该罢休了。于是我就大胆驶向海岸,在一条小河的河口下了锚。我不知道这儿是什么地方,在什么纬度,什么国家,什么民族,什么河流。四周看不到一个人,我也不希望看到任何人。我现在所需要的只是淡水。我们在傍晚驶进了小河口,决定一等天黑就游到岸上去,摸一下岸上的情况。但一到天黑,我们就听到各种野兽狂吠咆哮,怒吼呼啸,不知道那是些什么野兽,真是可怕极了!这可把那可怜的孩子吓得魂飞魄散,哀求我等天亮后再上岸。我说,"好吧,佐立,我不去就是了。不过,说不定白天会碰见人。他们对我们也许像狮子一样凶呢!"佐立笑着说,"那我们就开枪把他们打跑!"佐立在我们奴隶中能用英语交谈,虽然发音不太地道。见到佐立这样高兴,我心里也很快乐。于是我从主人的酒箱里拿出酒瓶,倒了一点酒给他喝,让他壮壮胆子。不管怎么说,佐立的提议是有道理的,我接受了他的意见。于是,我们就下了锚,静静地在船上躺了一整夜。我是说,只是"静静地躺着",我们事实上整夜都没合过眼。

Many a night she was missed from her home, and was always found on the sea-shore waiting for the spectre.

有声音歎息说,它渐渐地消失了,沉落到了海底;是的,这是滩魂!安妮·莉丝贝特瘫了,被甚么迷住,倒到了地上。她没有了思想,没有了知觉。

My mother was a poor old woman in Bei Jing, no any ways to arrange me; my big and bureaucratic and capitalist family, could not recover after being destroyed by Japanese shellfire, and after 8 years of chaos, just like what Hong Long Meng said, no food so birds go back to forests, so nothing left.

我母亲是北京街道上一个穷老婆子,毫无办法;我那官僚兼资本家的大家庭,被日本人的炮火摧毁后即一蹶不振,树倒猢狲散,经过八年离乱,正如《红楼梦》里写的,"好一似食尽鸟投林,落了片白茫茫大地真干净"了。

Have no burial; I say, that an untimely birth is better than he.

据我说,那不到期而落的胎比他倒好。

I soon found a way to convince him that I would do him no harm, and taking him up by the Hand laugh'd at him, and pointed to the Kid which I had kill'd, beckoned to him to run and fetch it, which he did; and while he was wondering and looking to see how the Creature was kill'd, I loaded my Gun again, and by and by I saw a great Fowl like a Hawk sit upon a Tree within Shot; so to let Friday understand a little what I would do, I call'd him to me again, pointed at the Fowl which was indeed a Parrot, tho' I thought it had been a Hawk, I say pointing to the Parrot, and to my Gun, and to the Ground under the Parrot, to let him see I would make it fall, I made him understand that I would shoot and kill that Bird; accordingly I fir'd and bad him look, and immediately he saw the Parrot fall, he stood like one frighted again, notwithstanding all I had said to him; and I found he was the more amaz'd, because he did not see me put any Thing into the Gun; but thought that there must be some wonderful Fund of Death and Destruction in that Thing, able to kill Man, Beast, Bird, or any Thing near, or far off; and the Astonishment this created in him was such, as could not wear off for a long Time; and I believe, if I would have let him, he would have worshipp'd me and my Gun: As for the Gun it self, he would not so much as touch it for several Days after; but would speak to it, and talk to it, as if it had answer'd him, when he was by himself; which, as I afterwards learn'd of him, was to desire it not to kill him.

可怜的星期五上次曾看到我用枪打死了他的敌人,但当时他站在远处,弄不清是怎么回事,也想象不出我是怎样把他的敌人打死的。可这一次他看到我开枪,着实吃惊不少;他浑身颤抖,简直吓呆了,差一点瘫倒在地上。他既没有去看我开枪射击的那只小羊,也没有看到我已把小羊打死了,只顾扯开他自己的背心,在身上摸来摸去,看看自己有没有受伤。原来他以为我要杀死他。他跑到我跟前,扑通一声跪下来抱住我的双腿,嘴里叽哩咕噜说了不少话,我都不懂。但我不难明白他的意思,那就是求我不要杀他。我马上想出办法使他相信,我决不会伤害他。我一面用手把他从地上扶起来,一面哈哈大笑,并用手指着那打死的小羊,叫他跑过去把它带回来。他马上跑过去了。他在那里查看小山羊是怎样被打死的,并感到百思不得其解。这时我趁此机会重新把枪装上了子弹。不久,我看见一只大鸟,样子像一只苍鹰,正落在我射程内的一棵树上。为了让星期五稍稍明白我是怎样开枪的,就叫他来到我跟前。我用手指了指那只鸟--现在我看清了,其实那是一只鹦鹉,而我原先把它当作苍鹰了。我刚才说了,我用手指了指那只鹦鹉,又指了指自己的枪和鹦鹉身子底下的地方,意思是说,我要开枪把那只鸟打下来。

A Zelkova (chest radius about 60cm) was blown down with rocks in the middle of one road.

一棵胸径约60cm的风倒榉木随土石崩落在路上,在抢修的过程中,部落居民将榉木移在路旁。

Leaves distichous, shortly petiolate; stipules ovate or elliptic, caducous, leaving small scars; leaf blade often oblanceolate, leathery, base cuneate, margin entire or nearly so, venation pinnate, sometimes with 3 basal veins, often glabrescent.

叶2列的,具短叶柄;托叶卵形或椭圆形,早落,留下小的伤痕;倒披针形,革质的叶片通常,基部楔形,有时,边缘全缘或近全缘,羽状脉3基出脉的具,通常。

The musical sensibility is apparent in the recurrence of certain locations, sounds, and camera setups; in the lightning-quick shot of the collapse of a tent, effected by Norbu's accomplice in the first horse theft that we see; in a remarkable sequence devoted to Norbu's extended praying and prostrations, which hypnotically combines camera movements and superimpositions with a use of other human figures that ambiguously alters our sense of his isolation; in the slow drip of water from melting snow that Norbu catches in a jug to bring to his ailing child; in the intricately structured sequence showing the clan's westward migration, as fine a piece of epic poetry as some of the grander collective movements in Ford; and above all, in the depictions of the Buddhist ceremonies and rituals, which are themselves patterned like musical structures.

在再现某些地点、声音和摄影机设置时,音乐感是显而易见的。快如闪电地拍摄一个帐篷的倒塌,这是我们所见 Norbu 参与到第一次盗马时所弄倒的; Norbu 长时间的祈祷和不断俯卧拜倒成就了一个标志性的场景,用了其他几个人物形象恍如催眠式地将摄影机运动和叠印一起使用,就这样含糊地改变了我们对他孤立的感受;Norbu用水壶接住融化的雪缓慢滴落下来的水,这是要带回去给他生病的小孩;复杂结构的场景展现了宗族的西迁,总之,佛教庆典和仪式的描写,其本身形式就很像音乐结构。

Stems simple or multibranched; leaf blade lanceolate or elliptic-lanceolate to ovate, 5-10 mm wide; racemes opposite to leaves or axillary; bracts ovate-lanceolate, caducous; inner sepals obovate-oblong.

茎单生或多分枝;叶片披针形的或椭圆形披针形到卵形,5-10毫米宽;总状花序与叶对生或腋生;苞片卵状披针形,早落;内部萼片倒卵状长圆形。

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