倒影

She looked at the inverted reflection in water first. in surprise, she saw she and the shepherdess was as like as two peas and she was among some sheep.

她先看了看自己在水中的倒影，令他极为惊讶的是她与牧羊女简直像极了，像是一个模子里刻出来的一样。

Moreover, on the free surface of the lake in Stephen's green amid inverted reflections of trees her uncommented spit, describing concentric circles of waterrings, indicated by the constancy of its permanence the locus of a somnolent prostrate fish.

而且，她连招呼也没打一声就朝着"斯蒂芬草地"那浩森的湖面上啐了一口，唾沫浮在一棵棵树的倒影之间，划下一圈圈同心圆的波纹，持久而凝然不动，以一条人睡般平卧着的鱼为记号。

I subvert the entire world, only in order to correctly your reflection.

我颠覆了整个世界，只为了摆正你的倒影！

I subvert the entire world, just to straighten out your reflection .

我颠覆了整个世界，只为了摆正你的倒影。

In the reflection of window, we found a world of surrealism.

在窗户的倒影中，发现了一个超现实的世界。

It's said she practised her swordplay on her own reflection because she could find no worthier opponent.

没人知道他的来历，只是听说，他喜欢对着自己的倒影练剑。他有一个特别的名叫独孤求败。

Dont look at the reflection inside toilet bowl at night,because that is the picture of your death.

晚上上厕所时千万不要看马桶里的倒影，因为那是你死的样子，如果是老人还可以，如果是你现在的样子的话，那说明你的生命。。。。。。

Maybe in another world, another time,my reflection is right side up, and I am upside-down

也许某个世界、某个时间，我和倒影颠倒了位置。

Some have referred this to the reflection of the verdure, but it is equally green there against the railroad sand-bank, and in the spring, before the leaves are expanded, and it may be simply the result of the prevailing blue mixed with the yellow of the sand.

有人认为这是由于草木的倒影，但在铁路沙岸边也有着同样的绿色，在春天之际，树叶还没有伸展开来之时，这种绿色可能仅仅是湖水的蓝色和沙子的黄色混在一起的结果。

And a wagtail sits on the mirror of a parked car gazing in fascination at its own reflection .

而一只鸟坐在一辆停着的车的镜子上，入迷地凝视着自己在镜子里的倒影。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。