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His creed of determinism was such that it almost amounted to a vice, and quite amounted, on its negative side, to a renunciative philosophy which had cousinship with that of Schopenhauer and Leopardi.

他深深地信仰宿命论,以至于这种信仰都差不多成了一种毒害,在消极方面简直就和放弃哲学一样,和叔本华与雷奥巴狄的哲学同出一源。

All of them take to religionary belief in the course of taking deeply attention of being of people.All of them are also find the psychic belief in the road of looking for deity."distress- redeem" became their common spirit belief,all of them were the evangelicalism of literatures at the age of collapses of belief,In the face of distress,they strive to establish exceeding practical distress.

他们都是在对人的存在的深层关注中走向宗教信仰的,都是在自己的神性追寻之路上找回精神信仰的作家,"苦难——救赎"成了他们共同的精神信仰,他们都是对信仰坍塌时代的文学的布道和心灵的施洗,面对生存的苦难,都在真诚地为确立超越现实苦难、拷问生之意义的精神信仰而努力。

The Holy See leaves the decision to the individual Bishop who, having consulted his presbyterate, is better able to know the local situation and weigh up the consequences.

历史告诉我们,只有当迫切渴望维护自身信仰的完整性、不接受国家机构干涉教会切身生活时,牧者和信友们才这样做"(8.10);"在不违背不可放弃的信仰原则及教会共融的前提下"教会可以接受政权当局的认可:可是,"几乎经常地",有关人士被迫"要作出有违他们的天主教良知的表态、行为和承诺(7.8);圣座让个别主教来决定,因为主教在听取了其司铎们的意见后,能更好地了解当地的情况、衡量具体的选择。

In the teleology of history, the subject of faith changed from individual man to the human being. The object of highest good changes from the synthetic connection of virtue and happiness to the final end of history; the idea of freedom became the perfect stage of the world; the importance of immortality is lower than ever, and degenerated into "the faith of second rank"; the function of God lies in guaranteeing the possibility of final end of history.

在历史目的论中,道德信仰的主体从前两部批判中个体的人转变成了人类;作为信仰客体的至善变成了历史的最终目的,即自然与自由的综合统一,它不再属于一个超验的世界,而属于这个世界的一个完美阶段;相应地,自由概念也转变为这个完美阶段的基础;而不朽的地位不再重要,变成了"次一级的信仰";上帝存在的意义也变为保证历史的最终目的的可能性。

To sum up,the thesis has demonstrated from the altitude combined by theory andhistory that religious belief freedom policy be the only way in China.Besides,the PRChas respected and protected religious belief freedom sincerely and adherently.

总之,通过本文的考察,从理论与历史相结合的高度论证了在中国实行宗教信仰自由政策是唯一可能的选择,新中国真诚地、一贯地尊重与保护了宗教信仰自由。

According to Climacus, 'faith' essentially differs from the 'objective system of knowledge'.? Faith can not be confused with knowledge, but it is a special 'organ' of its own power.? Furthermore, gaining Christian faith means an individual shows personal, passionate, and infinite interest in his/her own eternal happiness.? For, after all, faith is subjective; it is the individual's spiritual pursuit and choice."色缘"DG!Sa Gk'Sz

而形成上述观点的根源在于他反对把基督教信仰等同于客观的知识体系,信仰不是知识,信仰是一种自身即具有强力的特殊的&器官&;信仰的达成依靠的是主体充满激情地对于&永恒福祉&的个体性的不懈追求,因为信仰最终只关乎主体个人,它是主体的一种精神追求和选择。

The development of "the Belief of Zheng Cheng Gong" in Taiwan society has surpassed the emotions of kindredness, has combined regional consciousness and ethnocentrism; it has become to one of the poplar beliefs in the emigrant society of Taiwan.

&郑成功信仰&在台湾汉人社会中的发展,超越了乡土的情感和地域的观念,统合宗族性、地线性、民族性等,而成为台湾此一移民社会的共同信仰,并因地区而异,尚且发展出相关之祭祀圈或信仰圈。

All of them take to religionary belief in the course of taking deeply attention of being of people.All of them are also find the psychic belief in the road of looking for deity."distress- redeem" became their common spirit belief,all of them were the evangelicalism of literatures at the age of collapses of belief,In the face of distress,they strive to establish exceeding practical distress.

他们都是在对人的存在的深层关注中走向宗教信仰的,都是在自己的神性追寻之路上找回精神信仰的作家,&苦难——救赎&成了他们共同的精神信仰,他们都是对信仰坍塌时代的文学的布道和心灵的施洗,面对生存的苦难,都在真诚地为确立超越现实苦难、拷问生之意义的精神信仰而努力。

Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage—or for that matter, in a homelier way, picking out the right fabric for the kitchen curtains, which is also a creative act.

信仰几乎是创造力的&底线&:任何时候进行创造性的努力时,都需要我们进行一次&信仰超越&或&信仰跳跃&)。不论活动是在画架或纸上进行,还是登台演出,或者以更简单地方式,如:给厨房窗帘选合适的布料,它也是一次创造性活动。

But displaying themes in Christianity and using bible language do not imply that the authors have religious thoughts or they are Christians. It is true that most authors select and approve Christian value rationally, but they can not give up traditional cultural factors in emotion. Thus, in hesitating and maundering they keep a distance from Christianity initiatively. A small portion of authors were intimate with Christianity emotionally and christianized once, but they were not solid enough to defense against outside political pressure and various allurements of historical philosophy. Therefore they estranged from, even gave up their believing.

但作家们表现基督教题材,使用圣经语言,并不表明他们已经拥有自己的宗教思想或者基督信仰,事实刚好相反,大部分作家在理智方面选择、认同基督教的价值理念,情感上却丢弃不了传统的文化因素,于犹疑、徘徊中自觉地与基督信仰保持距离;一小部分作家一度在情感上亲近并皈依基督信仰,却很难抵御外部政治环境的压力和各种历史思想的诱惑,自觉地疏远甚至放弃自己的信仰。

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