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俄狄浦斯

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As soon as Polynices reached Argos, the attempts on Oedipus' life began.

尽快波吕尼刻达到阿哥斯,企图对俄狄浦斯的生活开始了。

Oedipus, Antigone and Ismene's father, also had two sons, Eteocles and Polynices.

俄狄浦斯,安提戈涅和伊斯美妮的父亲,也有两个儿子, Eteocles和波吕尼刻。

Oedipus, Antigone and Ismene's father, had two sons, Eteocles and Polynices.

俄狄浦斯,安提戈涅和伊斯美妮的父亲,有两个儿子, Eteocles和波吕尼刻。

There should be nothing improbable among the actual incidents. If it be unavoidable, however, it should be outside the tragedy, like the improbability in the _Oedipus_ of Sophocles.

在现实的事件中没有什么是不可能的,但如果是不可避免的,那也不能写入悲剧,就像索福克勒斯《俄狄浦斯》中的不可能一样。

The best of all Discoveries, however, is that arising from the incidents themselves, when the great surprise comes about through a probable incident, like that in the _Oedipus_ of Sophocles; and also in _Iphigenia_; for it was not improbable that she should wish to have a letter taken home.

最好的发现是当一个可能的事件产生了巨大的震惊时由事件自身引发的,比如索福克勒斯的《俄狄浦斯》,《依菲琴尼亚》也一样;因为她想带一封信回家并非不可能。

A son of Laius and Jocasta, who was abandoned at birth and unwittingly killed his father and then married his mother.

俄狄浦斯:莱厄斯和乔卡斯塔之子,在出生时即被抛弃,后在无意中杀害了他父亲尔后娶了他母亲。

In this respect, it offers a postwar American reading of personal tragedy in the tradition of Sophocles' Oedipus Cycle .

在这方面,它提供了一个战后美国的个人悲剧阅读的传统索福克勒斯'俄狄浦斯周期。

There remains, then, the intermediate kind of personage, a man not preeminently virtuous and just, whose misfortune, however, is brought upon him not by vice and depravity but by some error of judgement, of the number of those in the enjoyment of great reputation and prosperity; e.g. Oedipus, Thyestes, and the men of note of similar families.

那剩下的就是中间类型的角色,一个并非极为善良公正的人,他的不幸并非由罪恶或者堕落带来,而是由一些判断上的错误招致,这样的人中有一些具有巨大的荣耀和财富,比如俄狄浦斯、泰伊斯特斯以及其他来自同样显赫家族的人。

The greatness of the prize induced Oedipus, a man of wisdom and penetration, but lame from wounds in his feet, to accept the condition and make the trial: who presenting himself full of confidence and alacrity before the Sphinx, and being asked what kind of animal it was which was born four-footed, afterwards became two-footed, then three-footed, and at last four-footed again , answered readily that it was man; who at his birth and during his infancy sprawls on all fours, hardly attempting to creep; in a little while walks upright on two feet; in later years leans on a walking stick and so goes as it were on three; and at last in extreme age and decrepitude, his sinews all failing, sinks into a quadruped again, and keeps his bed.

这丰厚的彩头引得俄狄浦斯,这位富于智慧和洞察力,却因受伤而瘸腿的人,接受了条件,前去一试:他信心十足,心情放松的出现在斯芬克斯面前,被问到哪种动物生下来四条腿,后来只有两条腿,又后来变成三条腿,最后又回到四条腿。他马上就回答说这是人,人在刚刚出生和婴儿阶段时以四肢着地,艰难的试着爬行;不久之后就两脚直立行走;到了晚年要着拐棍走路所以是三条腿;最后风烛残年了,腿骨无力,又回到四足状态,呆在床上。

Supported by Freud"s psychological analyses and archetypal criticism of Frye and C. C. Jung, the main body of the thesis firstly analyzes the deep reason for the phantom battle. Charles"s jealousy for James and the phantom pursuit of Hartley take their initial in his transferred "Oedipus complex" towards his aunt. Secondly it presents the artistic means Murdoch employs in the novel, dealing with the language confrontation, and such archetypal images as sea serpent and seals. Lastly, the study reveals how Charles fulfills his spiritual maturity through "down-up experience","the last baptism" and "meditations on stars".

论文主体以弗洛伊德的精神分析理论,弗莱和荣格的原型批评为支点从三个方面着手,首先分析导致查尔斯虚幻之争的深层缘由,阐述查尔斯对詹姆斯的嫉妒和对哈特莉梦的追寻源自对婶婶的&俄狄浦斯&情结;进而重点分析默多克呈现兄弟虚幻之争所运用的艺术手段,其中包括言语对抗,&海怪&,&海豹&等原型意象分析;最终揭示查尔斯如何通过&坠落经历&,&最后的洗礼&,&对星星的冥想&等完成自身的精神成长。

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