俄国的

The notion that Napoleon was aware of the danger of extending his line, and that the Russians had a scheme for drawing the enemy into the heart of Russia, obviously belong to the same category; and only historians with a great bias can ascribe such reflections to Napoleon and his marshals, or such plans to the Russian generals.

战争刚一开始打响时，我们的军队就被切断，而我们所力求达到的唯一目的，是要把军队会集起来，虽然军队的会师对退却和诱敌深入腹地并没有好处。皇帝御驾亲临部队，为的是鼓舞部队坚守俄国的每寸土地，而不是为了退却。按照普弗尔的计划，在德里萨部署庞大的兵营，从而不打算再后退。

The strains of the balalaika and snatches of a soft melancholy song drifted across the chilly night, probably from a young White Russian emigre girl, singing for her living.

一声二声清脆的歌音，带着哀调，从静寂的深夜的冷空气里传到我的耳膜上来。这大约是俄国的飘泊的少女，在那里卖钱的歌唱。

In 1892, D.Ivanowsky of Russia had first shown that the causal agent of tobacco mosaic disease was filterable, but Beijerinck went much further and provided strong evidence that although the causal agent was filterable, it had amny of the properties of a living organism.

在 1892年，俄国的 D.Ivanowsky 首先证明了烟草花叶病的病原体是具有可滤过性。但是荷兰的Beijerinck研究得更深入，不仅提供了充分的证据证明尽管病原体是可滤过的，但是它却具有了生命体的所有特征。

The series of seven polonaises published in his lifetime (another nine were published posthumously), beginning with the Op. 26 pair, set a whole new standard for composing and playing the music and were rooted in a passion by Chopin to write something to celebrate Polish culture — after the country had fallen back into the Russian grip. The A major polonaise Op. 40 No. 1,"Military," and the polonaise in A flat major Op. 53,"Heroic," are among Chopin's most beloved and played works.

他有生之年出版的7首波兰舞曲（另外9首是他死后出版的），从作品26的一组开始，为创作和演奏这类乐曲制定了全新的标准，这些乐曲的创作是出自肖邦在波兰再次落入俄国的掌控后想要赞美波兰文化的激情。A大调波兰舞曲作品40第1号"军队"，和降A大调作品53"英雄"是肖邦最钟爱也是最常弹奏的作品。

The intention of Marx and Engels'"span" theory doesn ' t refer to that the traditional village of Russia may enter socialism directly,b ut in the special international and domestic situation,village may be developed by a special noncapitalist road and practice socialist transform with the help of proletariat who had won in the West.

马克思恩格斯&跨越&理论不是指俄国的传统村社可以直接进入社会主义，而是指在特定的国际国内条件下，村社有可能走一条独特的非资本主义发展道路，并在西方胜利了的无产阶级帮助下实行社会主义变革。20世纪苏联、中国等一批落后国家率先进入社会主义，与马克思恩格斯当时的设想具有不同的国际国内条件，它不能验证&跨越&理论正确与否。

She loathed the warlords who had misruled Chechnya during its brief spells of semi-independence; the Islamic extremists who exploited the conflict; the Russian goons and generals, and their local collaborators.

她憎恨在车臣短暂的半独立期间施行暴政的军阀，她唾弃妄图从冲突中牟利的伊斯兰极端分子，她厌恶俄国的打手、将军和他们的走狗。

She was wearing a brown overcoat and a scarf on her head (the scarf is the reason for her name as she wore it in a similar style to Russian grandmothers - also called babushkas). The woman appeared to be holding something in front of her face which is believed to be a camera.

她身着棕色的大衣，头上裹着一根头巾（这就是为她如此命名的原因，她的着衣风格和俄国的祖母很像--也被称作巴布什卡），该妇女看上去手中拿着什么东西，放在了她的面前，后来被认为是相机。

The process of the Russian conquest of the three Central Asian khanates.

三汗国的对内对外战争，不但破坏了国内经济的发展，也削弱自身的实力，这为俄国的侵略提供了有利的条件。

Not like the theory of knowledge in the European symbolism, Russian symbolism especially its second generation represents like Blok, influenced by the philosophy of the Orthodox Eastern Church, has the character of ontology.

与欧洲象征派的认识论特征不同，俄国的象征主义尤其是第二代的代表人物勃洛克、别雷、维·伊万诺夫等深受索洛维约夫和东正教思想的影响，更具有本体论的性质。

Paris was the uncontested cultural capital of the world-the home not just of French intellectuals and artists such as Sartre and Matisse but of a foreign galaxy, too, from America's Man Ray to Romania's Brancusi and Russia's Stravinsky.

毋庸置疑，巴黎是世界文化之都。她不仅是像萨特、马蒂斯这样的法国知识分子和艺术家们的故乡，同时也是外国精英们的故乡，从美国的曼雷到罗马尼亚的布兰库什，还有俄国的斯特拉文斯基等，都汇聚巴黎。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。