使黑暗

Calm the dissensions of the Churches, and foil the plans of the powers of darkness, dispel the prejudice of the nations, and quickly ruin and root out the risings of heresy, and frustrate them by the power of the Holy Spirit.

请平息教会内的纷争，挫败黑暗势力的阴谋，停止国家的战乱；迅速地摧毁并根除异端的兴起，以你圣灵的能力打击它们，使之归于乌有。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

During the war, when the season of discouragement and impending danger was upon us, the verse,"He shall not be afraid of evil tidings; his heart is fixed, trusting in the Lord,"(Ps.112:7) was a staff to walk with many dark days.

在打仗的时候，紧急的风声使我们心慌意乱，神给我们的杖是：&他必不怕凶恶的信息；他心坚定，依靠耶和华&（诗一一二：7）。这杖扶持我们经过许多黑暗的日子。

Worn out with the mental conflict, the watchings, and the exertions of the day, Abraham fell into a deep sleep, and in that sleep his soul was oppressed with a dense and dreadful darkness, such as almost stifled him, and lay like a nightmare upon his heart.

亚伯拉罕经过整天的内心争斗和努力，全神贯注的守夜之后；已疲倦不堪，沉沉入睡了。就在那睡眠之中，他的灵魂被浓厚而可怖的黑暗所压迫，几乎使他窒息，像梦魇在他的心上。

Abraham fell into a deep sleep, and in that sleep his soul was oppressed with a dense and dreadful darkness, such as almost stifled him, and lay like a nightmare upon his heart.

亚伯拉罕经过整天内心的挣扎、努力、全神贯注的候之后﹔已疲倦不堪，沉沉入睡了。就在那睡眠之中，他的灵魂被浓厚而可怖的黑暗所压迫，几乎使他窒息，梦魇在他的心上。

Never fully convinced that natural selection was sufficient to explain development, Huxley did accept that The Origin of Species (1859), a lantern in the dark world, made the case for evolution sufficiently strong even for an agnostic.

从不完全相信自然选择足以解释进化，赫胥黎接受这个事实，《物种起源》犹如黑暗世界里的一盏明灯，使进化足够强有力即使是对不可知论者来说。

This reminds me of Asturias Guatemala writer of a famous saying: Only those who brave people calm in order to get through the darkness and usher in a bright.

这使我想起了危地马拉作家阿斯图里亚斯的一句名言：只有那些勇敢镇定的人，才能熬过黑暗，迎来光明。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。