使适应文化

Still, there are benefits that balance the financial hardship: grandparents tutor young children while Mom and Dad work; they acculturate the youngest generation to the values of family and nation; they provide a sense of cultural continuity that helps bind a society.

这仍然有平衡财政困难的好处存在：当父母工作时，祖父母辅导小孩子；他们使年幼的一代适应家庭和国家的价值观；他们提供了一种文化连续性的体会，这种体会有助于社会更紧密。

The acculturation theory and accommodation theory help us realize the importance of culture in language learning.

文化认同论与社会适应论使我们认识到文化在语言学习中的重要作用。

However,the construction of modern civilization cannot be detached from the profound cultural background of the Chinese n...

现代文明建设不能脱离本民族深厚的文化背景，以科学求实的态度对传统的伦理道德思想进行价值选择，将其中蕴涵的积极、进步、合理成分进行新的转化，使之与当前急剧转型的社会现实相适应，是时代发展的需要，也是构建有中国特色的社会主义道德文明的重要内容。

As various countries and nationalities of the historical, geographical environment is different, thus creating their own different cultures, and in transportation, information is not yet developed, the era of poor communication between their respective development, so that those with high capacity to adapt to the times the ethical, behavioral norms and philosophy of the nation, the state gained faster development.

由于各民族、国家所处的历史、地理环境不同，因而产生了各自不同的文化，并在交通、信息尚不发达、互相沟通不畅的时代各自发展，从而使那些拥有适应时代发展的高容量的伦理道德、行为规范和哲学观念的民族、国家获得了更快的发展。

To adapt "global marketing", so as to sustain Zhejiang's export healthfully, we must take culture into or idea of enterprises and Products, and implement cultural marketing.

为了适应"全球营销"的需要，使浙江的出口持续、健康发展，必须在其企业上、产品上赋予文化内涵，实施文化营销。

Therefore this article briefly analyze our country traditional culture characteristic, family firm's origin and the management good and bad points, and managed to carry on the simple analysis of the family firm's present situation, as well as how to improve the family firm's management depending on the traditional culture, in order to make the family firm adapt the market shift to survive for a long time and to develop laster.

因此本文浅析了我国传统文化的特点、家族企业的由来及其管理的优缺点，并对家族企业管理的现状进行了简单的分析，着重讲述了如何以传统文化为依托去改善家族企业管理，使家族企业适应市场变化长期生存并发展下去。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expressions to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression_r, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expression_rs to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

Abstract］This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角，以动漫节为研究对象，对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后，可以发现：在审美经济的时代，以符号意义为主的符号产品不再是超验的表象，而是日常生活的实在；以文化创意内容为核心的动漫产业已经成为新兴产业；其中，作为符号生产与传统商品集中展示的动漫节，更侧重于深入开发动漫及其衍生产品的审美价值，使动漫节不仅仅流于纯粹的小商品集市，而在于创造更多的符号意义，丰富动漫节的多种内涵；动漫节举办地的地点重构适应了空间经济发展的内在要求，动漫赋予不少城镇以全新的符号内涵，创造了各种形态的地点神话，从而促进空间经济的城市发展。

Article 37 Cultural, sports and recreative activities for disabled persons should be oriented towards grassroots levels, integrated in public cultural life and geared to the different characteristics and needs of different categories of disabled persons with a view to bringing about extensive participation.

第三十七条残疾人文化、体育、娱乐活动应当面向基层，融于社会公共文化生活，适应各类残疾人的不同特点和需要，使残疾人广泛参与。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。