使英雄化

Boundless The Middle Ages is the age of God rule the whole shoot, God full of omniscience and almightiness made the heroes in the Hebrew myth wanting of independent consciousness and subjective spirit of Greece heroes trevolting and activity, therefore, The heroes in the Hebrew myth were the embodiment of the godship brilliance and reasonableness spirit of God , Their superhuman power and outstanding achievement is just for proving the greatness of God\' s divine nature.

漫漫中世纪是极端化了的上帝统治一切的时代，上帝的全知全能和至高无上使希伯来神话中的英雄们缺少了希腊英雄那种抗争与行动的独立意识与主体精神，因此，希伯来神话中的英雄是上帝神性光辉和理性精神的体现者，他们超人的神力和辉煌的英雄业绩不过是为了证明上帝神性之伟大。

These contemporary observations and descriptions present Tubman at once in her ordinariness and her extraordinariness, render her as both real and impossibly heroic, and offer us the best opportunity to begin to understand how and why Harriet Tubman ''rocked the world.

这些当代的评论和描述同时呈现了塔布曼的平凡和不凡，使她显得既真实又难以置信地英雄化，并为我们提供了最好的机会，让我们开始了解哈丽雅特·塔布曼是怎样去"震撼世界"的，以及她为何会"震撼世界"。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

So-called "localization" means totally discarding imitation of western realism, and through our own historical and cultural experience as well as our current practices, to reconstruct "modernness" and ensure that contemporary art remained tightly rooted in the soil beneath our feet; normalization, or a return to the everyday, means totally discarding the grand narrative of heroes saving the world and fighting against collectivism, bringing art back to daily life, making it a part of life.

所谓"本土化"就是彻底摆脱对西方现代主义的模仿，在自己的历史经验、文化经验与当下实践中重建"现代性"，使当代艺术牢牢地扎根于自己脚下的土地；而日常性就是抛弃宏大叙事的英雄救世情结和集体主义的反抗运动模式，使艺术回归于日常生活，成为生活的一部分。

Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

Women literature,as a part of literature,seems to be not mentioned at all.Some people think that female literature does not exist.With a broader view and taking the specific historical and realistic context into account,we may discover that literature at that time does reflect the social life and life of women,saliently or subtly incorporating gender consciousness and aesthetic experiences into the writing.

这一时期，文学给人的印象是英雄的文本、革命的文本、无性的文本，所以作为文学一翼的女性文学始终没有被另提别论，以至有人认为&十七年&不存在女性意义上的文学，其理由是：一方面，客观上五、六十年代政治的泛化使女性的主体意识普遍失落；另一方面，女作家创作上都趋向于无性化，因而失去女性文学存在的依据和特征。

These contemporary observations and descriptions present Tubman at once in her ordinariness and her extraordinariness, render her as both real and impossibly heroic, and offer us the best opportunity to begin to understand how and why Harriet Tubman ''rocked the world.

这些当代的评论和描述同时呈现了塔布曼的平凡和不凡，使她显得既真实又难以置信地英雄化，并为我们提供了最好的机会，让我们开始了解哈丽雅特·塔布曼是怎样去&震撼世界&的，以及她为何会&震撼世界&。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。