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使燃烧

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Phenol derived from two stage water gas gasification is produced in upward, and in downward, after tar, suspension and sediment removed, phenol, which has been filtrated, pressurized and atomized, is sprayed into regenerative chamber where phenol and high temperature lattice bricks exchange heat each other and phenol get into superheated vapor, then phenol come into gasifier with making up steam and in fire layer phenol is decomposed into H 2O and CO 2 which will go on reacting with blazing carbon and fo...

两段炉水煤气气化工艺在上吹制气阶段产生含酚冷却水,下吹制气阶段,将脱除焦油、悬浮物、沉淀物并进一步过滤后的酚水加压、雾化、喷入燃烧蓄热室内与高温格子砖进行热交换,使之汽化并过热,然后与补充过热下吹蒸汽一起进入气化炉火层,酚在高温作用下分解成H2O和CO2,并进一步与炽热的炭发生反应,形成H2和CO。

Safflower extract including precious herb essence red figured and plain and active material, is the steatolysis promoter, promotes the skin microcycle, the activation fatty cell movement, the combustion unnecessary fat, promotes the collogen net's synthesis and the activation effectively; the ivy extract including reorganization knots and so on ivy glucoside and multivitamins contracts the organization, prevents the fat excrescence to store up, causes the flesh exquisite smooth, but willowy.

红花提取物含珍贵草本植物精华红花素及其活性物质,是脂肪分解促进剂,促进皮肤微循环,激活脂肪细胞运动,燃烧多余脂肪,有效促进胶原蛋白网的合成及活化;常春藤提取物含常春藤甙和多种维生素等重组结缔组织,防止脂肪赘肉囤积,使肌肤细腻光滑而有弹性。

The difference is that the presence of additional oxygen will make combustible materials burn much faster and more violently or explosively.

区别是额外的氧的存在会使可燃材料燃烧的快得多和剧烈得多或更具爆炸性。

It's a holy war in the name of peace, suffused with melancholy regret, and fervid in its conviction that the very pursuit of absolute power corrupts absolutely.

这是一场以和平为名的圣战,充满了伤感的悔恨,和一种燃烧的信念:追求绝对权力的本身必定会使追求者被权力绝对的腐化。

You may set metal pot on the fire, but you cannot set it on fire.

你可以把金属制的锅放在火上烧,但是你不能使它着火燃烧。

The pastor made himself comfortable but said nothing.They kept lilence for a long time.Then the pastor took the fire tongs,carefully picked up a burning ember and placed it to one side of the hearth all alone.Then he sat back in his chair,still silent.

这个牧师使自己过的舒服,但什么也没说他们一直在很长一段时间lilence…然后牧师把火钳子,仔细地捡起一个燃烧恩伯,把它放在一边的灶台孤单然后他坐回他的椅子里,仍然保持沉默。

By the Song dynasty, people will be in the bamboo tube filled with gunpowder, the gunpowder behind the bar there is a small "directional stick", lit on fire tube Huoxiao

到了宋朝,人们将火药装填在竹筒里,火药背后扎有细小的"定向棒",点燃火管上的火硝,引起筒里的火药迅速燃烧,产生向前的推力,使之飞向敌阵爆炸,这是世界上第一种火药火箭。

Its main forms in the combustion process is caused due to high temperature flamer tempered, once this happened is not achieve ideal result, welding is easy to make flame back to burn the dangers.

其主要形式是在燃烧过程中由于火焰枪温度过高造成回火,一旦发生这种情况既不能达到焊接理想效果,也容易使火焰回燃造成危险。

Many people make the mistake of flaring their elbows out.

许多人使自己的手肘燃烧的错误。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅,巨大的石头几乎占满了整个画面,相比之下,画中的人经过了激烈的挣扎,松弛了下来,形将瘫软一般,渺小,无能,心有不甘而黯然神伤,俨然已经放弃了与石头的搏斗,在这个英雄主义调式的系列里,尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对,这幅画中的人甚至显出了一种酸楚的滑稽感——这里,我们确知反讽已经介入了他的绘画,并且,可以理解为一种自我反讽,它并非是纨绔式的慵懒,然而,确实不再绷紧他全身的肌肉,不再保持激昂而单一的斗姿,好像一切都已经难以为继,在画中的英雄卸下了石头的同时,艺术家自己也仿佛卸下了英雄梦,任凭那巨大的石头像烈火般燃烧和蔓延,包围我们,紧紧地挤压、烤炙我们,并且溢出整个画面,它以全部的沉重、坚硬和尖锐使我们窒息,反衬出我们脆薄如剪纸般的生命。

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