使永恒

Owing, doubtless, to the ever growing popularity of the cults of Vishnu and Siva, Buddhism was so modified as to allow the worship of an eternal, supreme deity, Adi-Buddha, of whom the historic Buddha was declared to have been an incarnation, an avatar.

由於，无疑给日益普及，邪教的毗湿奴和湿婆，佛教是如此修改，使崇拜一个永恒的，最高神，阿迪，佛像，其中历史性的佛像被宣布为是一个化身，一个化身。

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近年来，达收益提高产品的研究和开发工作，产品外观设计和内部功能的改进工作已经完成，最新推出的奥运系列，玉琢系列，坤系列原有的面貌新的集体第十一届唐山陶博会会议，使与会者有国内外客商带来了一场视觉盛宴卫浴产品，电子智能卫浴产品博览会展品是由该行业的突出节，智能座便促红细胞生成素达福利和从高度肯定，是另一个沉重的打击消费者2008年，研究开发和智能匹配的智能厕所盆使用，他们将配合当前显示陶博会辉达领先的主导产品技术陶瓷电子技术相结合的魅力程度高；节水，环保产业浴室永恒的主题，座便节水，节水是世界一流展会上展出的重点，记者还从利益集团的利益达达据悉不如去年月初首次陶博将只是准备，福利预计到了6个不同的风格，包括卫生用品，陶瓷制品，模型，15个艺术内阁，8浴和各种浴室配件，充分体现了完善的配套产品达的好处。

Birth and death are always the cause of suffering and there are no Eternal, Bliss, Self, and the Pure, 8 it is not possible to segregate oneself from the eight inopportune situations, 9 one is always pursued by enmity, 10 there is not one dharma that can shake off all things that exist, 11 one is not emancipated from the three unfortunate realms, 12 various twisted views accompany one, 13 no boat is on hand to pass one across the waters of the five deadly sins, 14 birth and death go on endlessly and no limit to this is gained, 15 when no karma is performed, there is no result to follow, 16 no fruition comes about to others for what one has oneself done, 17 without the cause of bliss, there cannot be the result of bliss, 18 once the seed of karma is sown, the result will not be lost, 19 ignorance calls forth life and by it one dies, 20 what one has over the three times of past, present and future is indolence.

出生和死亡始终是痛苦的原因这里没有永恒，极乐，自我，以及纯净，8）要想把一个人从八个不合时宜的情景之中分离出来是不可能的，9 ，一个人总是追求敌意，10），没有佛法能摆脱一切事物的存在，11），人不能从三恶道解脱，12）一个人有着各种扭曲的观念，13）没有船能让人通过五个致命的罪恶，14 ）生与死不断的存在，没有积累的限制，15）没有业的产生就没有业的结果， 16）一个人自己造的业果不会出现在别人身上17），没有幸福的原因，就没有幸福的结果，18）业一旦播种，业果也不会丢失，19）愚昧引导的生命会使人死亡，20）懒惰的人占有了他过去，现在，未来的时间。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

When the sacred artifacts of Queen Nefertiti are robbed, her earth-bound spirit calls upon you to find them so her eternal spirit can rise.

当奈菲尔提蒂王后的神圣法宝被盗走后，她的地缚之灵会召唤你寻找那些宝物，使她永恒的意志不会消逝。

Well, return to the question,To be honest 2012 is really a pretty good movieBright side of humanity, the last stick, everything includedWe can not have the time on the future, but we absolutely can not do without spiritual futureOtherwise, even if the future really come, then what we have to go to a proud civilization identity of the person to face it and it brings all theEveryone has an equal right to surviveNo matter who are struggling to surviveWe are all looking forward to that probably will never come in the futureThere is no oppression, no suffering, no barriers, each country every nation stand together hand in hand laughter, a walk through the blood of each of the soil are verdant grass grow, we know that this may never be realized, but several billion people are bleeding fall in order to make the world towards this ultimate goal one small step, please bestowed famine of bread, please bestowed hotbed of cold to the name of love and peace, grant us the right to dream.

麻烦英语高手帮翻译以下内容，看详细。。。最好能解答我上个问题。谢谢了今天自己去看了《2012》看后的感想说实话我不能用语言来表达我看过许多的灾难片每一部都是震撼人心的经典但是每一部都有一个永恒的主题人性与爱在灾难面前，我们看到有自私的人，有贪婪的人，有为了利益泯灭良知的人，是的，那些人使我们感到从内心深处的厌恶但是，他们那样做真的有错么每个被咒骂被唾弃的人都真的有错么他们那样做，是不是也是因为有重要的东西，有珍贵的东西要守候，是不是也是因为有来不及表达的话语希望有机会可以说出，是不是也像我们一样，像我们一样希望可以看到明天的太阳迎着海风缓缓升起他们，真的有错么？

A young man is so strong,so mad,os certain,and so lost.he has every thing and he is able to use nothing.he hurls the great shoulder of his strength forever against phantantasmal barriers,he is a wave egose power explodes in lost mind-oceans under timeless skies,he reaches out to grip a fume of painted smoke , he wants nothing.in the end,he is destroyed by this own wealth.devoughtless of money or the accumulation of material possessions,he is none the less defeated in the end by his own gerrd a grees that makes the avarice.

年轻人是那么的强壮，那么的狂妄，那么的固执，又是那么的迷茫。他拥有一切，却不会利用。他永无休止地用他那强壮的臂膀撞击着一个个假想的壁垒；他是海中巨浪，在永恒的天空下无助地怒吼；他伸手欲接取一把斑斓的烟雾；他贪欲无穷，他心存对一切欲望的渴求，而最终一无所获。末了，他被自己的力量所毁灭，被自己的欲求所吞灭，而最终一无所获，由于自己的财富而变得贫困。从不考虑积累金钱与财富，最终被自己的贪欲所累，这种贪欲使贪婪迈达斯国王在其面前都相形见绌。

When facing a pool of open green water, one can forget the worries and nuisances completely and relax himself fully.

他 心目中的&高层次&，则是这样一种积极的人生戒律，即要使自己对自然界永恒之物的感悟臻于完美。

Painting carries out a static expression through describing objects and things in perceptual space. A kind of definite perceptual space gives up its dynamic state and converts a static state, starting to use a scene chosen by a painter in painstaking to do painting activity. That makes the eternal movement world in static, in the static state it lets people unfold infinite thinking space to understand and comprehend the worldly kaleidoscope.

绘画就是通过感性空间中所描绘的物体和事物来进行静止的表述，一种确定的感性空间，放弃了它的运动状态而转入静止，开始用一个画家苦心孤诣地做出了选择的场面来进行着绘画的活动，以至使本来永恒地运动着的世界静止了，这种静止的状态中，让人们去展开无限的思维空间，去理解和感悟这人间百态。

Chagall's work follows a timeless theme, applicable to any age or society and suggesting the continuity of life itself.

夏加尔的作品遵循一种永恒的可以适用于任何时代、任何社会的主题，而且这主题能使人联想到生活本身的持续性。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。