作诗

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

The connubiality that someone sees neighbour has an other people is very harmonious, the husband comes back from outside, as it happens sees the wife is blowing kitchen of baked wheaten cake, make one poem, send a wife to say: Blow fire bright red lip is moved, wrist of the jade that add firewood is inclined.

导读：某人看到邻居有户人家的夫妇关系很和谐，丈夫从外面回来，正好见妻子在吹火烧灶，就作一诗，赠给妻子说："吹火朱唇动，添薪玉腕斜。遥看烟里面，恰似雾中花。"某人看到邻居有户人家的夫妇关系很和谐，丈夫从外面回来，正好见妻子在吹火烧灶，就作一诗，赠给妻子说：吹火朱唇动，添薪玉腕斜。

Furthermore, the thesis takes the advantage of Chapter Three "The roles' multiple relationship in Ai-Lin Yan's poems" which embraces the three kinds of writing archetypes all above to present the poetic thoughts' orientations with multiple conflicts of individual consciousness by the struggle and the escapement the role "I" treat "you" on the individual consciousness and the performance of the gender in the text, the harmony and the separation "you" treat "I" in the spirit of thinking and on the physical passion, and the metamorphosis of "him" or "her" in accordance with or against subversion "I" treat "him" or "her" that way between the interpretive community and the Other, the imagined community and the alterity.

在当代的文学批评中，相较於对现代小说或现代散文之析论趋势，专文探讨而研究现代诗之论作仍非主流大宗，而居於现代诗中边缘书写的女诗创作，在向来以阳系体制为主导之诗域内，亦往往不易彰显其独特文学价值性。因此，本论文拟择定代表当代台湾女诗中创作思维既有别於他者，亦强烈建立女性意识书写风格之颜艾琳诗作，进行深度剖析，并藉由文本中特殊凸显出之角色个体意识冲突，作为论证台湾九0年代现代女诗突破既往父权文化藩篱，且开启新世代诗创定位之初探基点。

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分：&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念，并对其研究现状作一全面回顾；第一章&送别诗溯源&，在全面整理先秦两汉送别诗的基础上，对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说，辨明其源流；第二章&魏晋南北朝送别诗研究&，从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变，并探讨两晋时期四言送别诗的繁盛原因及其特点；第三章&对唐代送别诗影响&，从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响；&附录&部分列出魏晋南北朝送别诗系年一览表，分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处，以备查考。

Consorting with the mercurial fae, the Fellowship of Pan indulges in rites of sex, drinking, and Muse-inspired poetry and debate.

与墨丘利神般的仙灵混血的the Fellowship of Pan在典礼上纵酒、乱交、问缪斯要作诗的灵感、进行希腊式的辩论。

German poet who was influenced by Nietzsche and the French symbolists.

乔治，斯忒藩：(8'8-933)德国诗人，受尼采和法国象征主义作家影响，作诗风格新颖，出版了《心灵的岁月》（897年）及其它诗集

In his youth he loved to compose verses, and later on in life, orations.

年轻时代他喜欢作诗，后来喜欢演说。

The main content of cultural mentality in his poems is melancholy and fear.The image of tiger and wolf,dream and drunk,hometown and milk way signify the synthetic development of the cultural mentality of his poems.

忧惧心理是周作人杂诗文化心理的主要内容，而虎与狼、梦与醉、故园与天河几组意象则集中说明了周作人杂诗文化心理的复杂趋向。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

One night, Li Po fell from his boat and drowned in the Yangtze River while trying to embrace the reflection of the moon in the water.

某明月当空之夜，他坐船在扬子江上赏月饮酒作诗，因试图揽起水中月亮不慎溺水身亡。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失