作者的

Author's aestheticism, Hemingway was managed a traceless writing skill under the rigid discipline, he meticulously described character's behavior in his book, such as prepared for sailing, how to set the bait, how to deal with fish after it fell in to the trap, and eventually how to kill the fish and bind it at shipside, and the plot of whole fighting with the shark was inseparably closed and traceless.

作者的唯美主义，海明威在严格的训练中练就了不落痕迹的写作手法，他在小说中细致的描写了人物行动，诸如出海前的准备，出海后如何下饵，鱼上钩后如何跟它周旋，最后如何把它杀死绑在船边以及和一条条鲨鱼搏斗的整个过程都写的丝丝入扣，不露修饰痕迹。

In SHEN Congwen and Turgenev's works, the thick atmosphere of sadness in their heart from their descriptions of the beauties of nature and the human nature can deeply be felt, which seems inconsistent with the pursuit of the arts but greatly related to the life experiences of two authors, as well as their characters.

在沈从文和屠格涅夫的笔下，我们可以看到其在描写大自然的美景以及表现美好的人性的同时，均渗透出他们内心深处浓重的悲伤情调，而这种看似相悖的艺术追求是与两位作者的生活经历以及思想性格分不开的。

In "theatre", a virtual space, there is a conflict between the logical of surrealistic and the awareness of the author: to contract with his awareness, the original piece of the "caves" became bizarre, and he has shown this quality ceaselessly in his "theaters", making the original uncanniness.

在"剧场"这样一个原本充满虚拟性的空间里面，超现实主义的顺理成章与作者的清醒状态形成了一种微妙冲突：张业兴的清醒使原本平静的"洞穴"变得怪异，他在他所描画的"剧场"中不停地展现这种怪异，使原本的"真实影像"具有了滑稽的成分。

It's an undefinable masterpiece which is the interpretation of dreams, autobiography of author, the theory of ideology and Vienna history at that time.

让弗洛伊德闻名遐迩的著作--虽然书卖得很糟糕--《梦的解析》（1900），一本让人无法定义的杰作--是梦的解释，是作者的自传，是思想理论，又是当时的维也纳的历史。

As regards the few passages of Wisdom which certain critics have treated as later Christian interpolations (ii, 24; iii, 13; iv, 1; xiv, 7), it is plain that were these passages such as they are claimed, their presence would not vitiate the substantial integrity of the work, and further, that closely examined, they yield a sense perfectly consistent with the author's Jewish frame of mind.

至於几段的智慧某些批评人士视为后来基督教插值（二24 ；三， 13人；四， 1 ；十四， 7 ），这是清楚地表明，这些通道如他们宣称，他们的存在会没有失效，大量完整的工作，而且，仔细检查，他们产量的意识完全符合作者的犹太人的心境。

Edward Lim's creative impulse allegorically treats spaces on his paintings as places to baste. His particular thoughts and consciousness are indicated by means of"sprinkled" colors and lines, revealing the entire process of the artist's creative energy.

林宏的创作冲动是具有寓意性的，他把画面上的空间当作是一个作者的涂抹之地，&挥洒&的色彩和线条不仅暗示了某种思想和意识的状态，而且也再现了其创作的整个过程与步骤。

As one part of literary dissemination, literature periodicals link editors, readers, and writers and play a part of transfer, pivot and alternateness, and also generate the first literary facts context. Meanwhile, literature periodicals are also one of the chains of social production of culture, and have powerful planning, organizing function.

作为文学传播的环节，文学期刊联系着编辑、读者、作者的多极，处于一种中转、枢纽、交互的地位，并生成了文学事实的第一语境；同时文学期刊又是文学社会化生产的一环，有较强的策划、组织的功能。

As one part of literary dissemination, literature periodicals link editors, readers, and writers and play a part of transfer, pivot and alternateness, and also generate the first literary facts context.

作为文学传播的环节，文学期刊联系着编辑、读者、作者的多极，处于一种中转、枢纽、交互的地位，并生成了文学事实的第一语境；同时文学期刊又是文学社会化生产的一环，有较强的策划、组织的功能。

The anfractuous characters, plots and space-time structure of "Master and Magaritte" reflect the author's thinking on religious philosophy. Its deconstruction upon biblical stories and mythological romantic plots are based on the background of western Christian culture. The mysticism and profound logical nexus give readers and researchers reasons to see the art essence from various aspects.

大师和玛格丽特》错综复杂的人物情节和时空结构体现出作者的宗教哲学探索精神；它对《圣经》故事的演义和神话式的浪漫情节建立在西方基督教文化背景之上；其中的神秘主义因素以及玄奥的逻辑关系又使阅读者和研究者有理由对作品的艺术内涵做多种角度的理解和领会。

We are now beginning to let ourselves be fooled no longer by the arrogant antiphrastical recriminations of good society in favour of the very thing it sets aside, ignores, smothers, or destroys; we know that to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author.

我们今天已经开始不再让自己被那些自以为是的对美好社会的控诉所愚弄。具有讽刺意味的是这些控诉所支持的正是它所不屑一顾、所忽略、所掩盖，或者所摧毁的；我们知道要给写作一个未来，就有必要推翻这个神话，因为读者的诞生是以作者的死亡为代价的。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。