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The nearby Moulin Rouge, with its shimmering cabaret, where Henri de Toulouse-Lautrec first painted the can-can dancers, reminds one that the hill was once covered with windmills.

附近就是红磨房及其闪亮夺目的卡巴莱酒馆,亨利·德·图卢兹-洛特雷克曾首次在那里为康康舞者作画,如今它提醒着我们这座小山还曾经布满了风车。

Woolf was famously undomesticated while the more home-oriented Bell needed someone to help look after her children while she carried on with her work as a painter—and her love affairs.

众所周知,伍尔夫是不善操持家务的;她的妹妹相对要顾家一些,然而她也需要有人帮她照顾孩子以便继续作画,还有谈情说爱。

Catering to Zhu's interest, Zhang steered clear of any depiction of ostentatious monuments, preferring simple and unembellished landscape as his choice of subject.

大千作画时非常注重受赠者的身份背景:省斋生长于江南,虽从政,实本质文人;故大千趋其性趣,画中不尚华庭杰阁之煌煌气派,反躬自求的恰是一片平淡天真之景致,这与北苑风格神韵类近,故施小青绿法成之。

Composed as it was with a high percentage of lead salts, white lead has become a beautiful black!

当时作画用上了大量含铅的颜料,但多个世纪以後,本来白色的铅却变成漂亮的黑色了。

The observation in the process of drawing is not the one in the common sense of biology,but the one based on the knowledge of clairvoyance,dissection and structure.This kind of observation should get rid of people's physical habits and be conscious ,selective,analyzable, comprehensible,complete and holistic.

作画过程中的&看&,决不是普通生物意义上的看,而是应该摆脱人的生理机能习惯,在具有透视、解剖、结构等知识的基础上,有意识、有选择、有分析理解的、全面而整体的看。

For example, infra-red imaging shows da Vinci moved the position of a finger on the left hand "to give a more relaxed position, consistent with the smile", Cotte said.

例如,从红外图像可以看出,达芬奇在作画时改动了蒙娜丽莎左手一根手指的位置。柯特说:&这个位置给人的感觉更放松,与她的微笑很相称。&

Pascal Cotte said da Vinci built the painting up in layers,the last being a special glaze whose optical properties increased the illusion of a three-dimensional face Above the glaze Da Vinci painted details such as the eyebrows.

他称达芬奇作画时一层层涂抹颜料,最外一层涂的是一种特殊的釉料,其光学效果能增加脸部的三维立体感。在这层釉料上,达芬奇描绘了眉毛等画作细节。

He insisted on combining symbols with Dadaism and Surealism. In addition, he painted with all kinds of skills like scraping,cutting and pasting, and dividing. His unique painting language makes him a international master.

他坚持象征符号加上达达主义/超现实主义风格,此外他还采用刮画﹑拼贴﹑切割等手法作画,其独特的绘画语言使他成为了国际知名的画家。

At the beginning,I painted my imaginational screen,below the icy moon-light, creates the spectral and empty coast. Suddenly there appears army seeing the incantation of the sea.

作画初始,我绘制了构想中画面,冰凌月色苍穹,缔造诡异空灵的苍茫海岸,及突见海咒的军队,作整体及部分细节的单色稿。

First,daubing a board with lacquer and dope as bottom layer and making the surface of this bottom layer smooth by grinding ,hen,drawing all sorts of ve-ins you liked by using colorful lacquer on the surface,by lacquering different thickness,bring changeful light andsh-ade surface with strong stereo,in the process of painting,in order to represe-nt the obgect more reality.we usually use some material such as precious st-one,eggshell,gold,silver,stannum,by enchasing process to make the printi-ng more rich and colorful,at last,grind-ing the surface and hooding it with tre-nsparent lacquer,just about thegrinding is embodiment of FUZHOU's painting skill,so we call it lacquer painting.

先以漆和瓦灰按脱胎工艺技法在木板上上漆打底、磨制光滑,然后用调好的色漆在底板上层层描绘出各种纹样,利用上漆的厚薄不均使画面产生富于变化的明暗调子,从而具有立体感。在作画的过程中,为了更好的表现物体,还根据画面内容的需要,采用宝石、螺钿、蛋壳、金、银、锡等材料进行镶嵌,使画面层次更加丰富。最后经打磨并罩上透明漆用细瓦灰与生油推光,正因为&磨&体现了福州漆画的独特工艺故称为&磨漆画&。

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