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The British composer Tim Salter wrote Equipoise for Xuefei Yang when she performed in the Park Lane Group Young Artist Series at the Purcell Room in January. She premiered it here and received much success with the piece from the general music critics who attended the concert. The piece is virtuosic and gives her the opportunity to display her superior technique and her enormous dynamic range. The concept of expressing balance and counter-balance was her idea and then Salter has balanced delicacy of line with powerful explosions of notes.

英国作曲家添索特的〝平衡〞,是为杨雪霏的〝帕宁集团年青艺术家〞一月份的普赛音乐厅演奏会系列而委约创作,她的首演非常成功,获得主流音乐圈的高度赞誉,这是一首超技乐曲,提供了一个机会让杨雪霏展现她出类拔萃的超群技巧和异常巨大的动态,索特以优美旋律混合具爆炸力的音符,由杨表达出平衡与反平衡的概念。

From his new base there he established himself throughout Europe as a concert pianist, composer (he studied composition with the Russian Vladislav Zolotorev), arranger, conductor and organiser of music festivals.

从他的新基地,他确立了自己在整个欧洲作为一个音乐会钢琴家,作曲家(他研究的组成与俄罗斯弗拉季Zolotorev ),安排,指挥和组织者的音乐节。

I invoke your consideration of the scene--the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garcons, the music wisely catering to all with its raids upon the composers; the melange of talk and laughter--and, if you will, the Wurzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay.

我提到下面的情景定会引起你的思考——大理石桌面的桌子,一排排靠墙的皮革椅座,愉快的侣伴,稍加打扮的女士们正以微妙而又明显可见的情趣争相谈论着经济、繁盛和艺术,小心周到喜欢慷慨的侍者,使作曲家慌忙不迭的音乐机灵地满足一切人的口味,还有杂七杂八的谈话声、欢笑声——假如你乐意的话,高高的玻璃锥体维尔茨堡酒将躬身到你的唇边,就像那枝头上的熟樱桃摇晃进强盗樫鸟的嘴壳一样。

It begins with the theme of the song " Wanderer ", followed with the dramatically musical description in a way of dialogue. The beautiful melody of the second movement coming up immediately, it seems like a monolog of the composer's lonely heart.

此作品由激昂的和弦引出艺术歌曲《流浪者》的主题,开始了一段对话式的戏剧性音乐表述,紧接着出现第二乐章优美而宁静的旋律,似乎是作曲家内心孤独和凄凉的表白。

He is a composer and arranger who has created two albums of new sounds with his new group "UTTARA KURU".

他是一位和他的乐团&UTTARA KURU&创作过两张新音声唱片的作曲家和编曲家。

"Each of the three operas of this 'portrait' trilogy has its own distinctive sound world. Einstein on the Beach, an opera about a great mathematician who loved music, is for amplified ensemble and small chorus singing a text compromised of numbers (actually the beats of the music) and solfege syllables. Satyagraha, a work about one man leading his people to freedom, is a large choral opera with text taken directly from Gandhi's philosophical guidebook (the Bhagavad-Gita) in the actual language in which he read it. In Akhnaten, my emphasis is orchestral, with choral and solo voices sharing common ground with the orchestra."

20世纪最具开创性和影响力的后现代主义作曲家、'低极限主义'音乐的奠基人之一Philip Glass的歌剧《Einstein on the Beach》被称作20世纪音乐创作的里程碑,它和《Satyagraha》(甘地,非暴力不合作主义)、《Akhnaten》(阿赫那吞,公元前14世纪的古埃及王)构成了Philip Glass的歌剧三部曲——其中分别用Einstein、Gandhi和Akhnaten这三位曾经革新了他们时代科学、政治和宗教思想观念的人物隐喻地对人类真实世界中的意识形态进行了审视和深思。

Beyond being a singer/songwriter," he avows."I want to be a storyteller.

在舞台上他开始尝试表演别的风格的歌曲,作为作曲家的歌手之余,我很想成为一个作家。

Bestriding the two periods of classical music and romantic music, Beethoven's A Major Key Piano Sonata (Op.101) is a big fantasia, with the precise way of classical rural style and the mark of romanticism. It exceeds the epoch and fully reflects a great composer's creative bourn of high professional proficiency.

贝多芬的《A大调钢琴奏鸣曲》(Op.101)是一首大型的幻想曲,横跨古典音乐和浪漫主义音乐两个时期,它既有古典田园风格的严谨作风,又有浪漫主义的痕迹,超越了时代,达到了伟大作曲家炉火纯青的创作境界。

However, the cameos are not merely designed for you to remember the great composers, but to hang up clothes.

然而,这些浮雕不仅仅是专为你要记住伟大的作曲家,也可以挂衣服。

Running just under 13 minutes, Ruination is a nervous, dark voyage through the yearning psyche of the composer, scored for violin, two cellos, and computer.

运行不到13分钟,祸根是一个紧张,深航通过作曲家渴望心理,小提琴比赛,两个大提琴,和电脑。

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In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是,在否定句或疑问句里,这种带有"do"的方法表达的效果却没有什么强调的意思。

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