作曲家

William Schimmel is good at using "Musical Reality" carrying out the work conception and creating practice,"Music reality " is one philosophy theory but does not create a technical skill. It requires that the composer gains new creation inspiration behind the external implication taking work seriously more much,but really not that the inherent implication basis in some volume work goes up carrying out treating and adapts. Therefore, guided by "real music" thought theory work all is new work, but be not arrangement. This work the main body of a book is analysed , the work it is a volume to have real thought of music.

威廉·史迈尔善用&音乐现实&的思想进行作品的构思与创作实践，&音乐现实&是一门哲学理论而并非创作技法，它要求作曲家在更多的重视作品的外在涵义之后获得新的创作灵感，并不是在某一部作品的内在涵义基础上去进行加工与改编，因此，在&音乐现实&思想理论指导下的作品都是新作，而非改编曲，本文分析的这部作品，就是一部具有音乐现实思想的作品。

In 1894 composer Vincent d'Indy founded the Schola Cantorum to promote French national music.

在1894作曲家文森 d'Indy建立Schola Cantorum促进法国全国音乐。

Die Schone MUllerin reflects the true emotion and artistic feature of the musician.

舒伯特的声乐套曲《美丽的磨坊女》是艺术歌曲史上的一块里程碑，对这一体裁的形成起了重要作用，它反映了作曲家的真实情感和艺术特色。

In the vocal music, had more composers, the singer has carried on the bold exploration and the innovation in the creation and the practice, on was objective has broken "sang the law" the bamboo fence, broke through the separatrix.

摘要在声乐界，1些作曲家、歌唱家在创作与实践中进行了大胆的探索与创新，客观上打破了&唱法&的藩篱，突破了分界线。

This is not wearing a fashionable three small cute into the human world, loitering to a poor expected that the cause of the failure of composer David Seville subglottic.

这不三只穿着时髦的小可爱闯入了人类的世界，游荡到了一个穷困料到、事业失败的作曲家大卫·塞维尔的门下。

This is not wearing a fashionable three small cute into the humanworld, loitering to a poor expected that the cause of the failure ofcomposer David Seville subglottic.

这不三只穿着时髦的小可爱闯入了人类的世界，游荡到了一个穷困料到、事业失败的作曲家大卫·塞维尔的门下。

The third part compares Liszt's Grandes Etudes Ee Paganini with other composer's adaptations Paganini 24 Caprices, and concludes that Liszt's adaptation on one hand respects Paganini's original intention to show off techniques and art performance, on the other hand shows Liszt's music style to symphonize the piano.

第三个部分将李斯特《帕格尼尼练习曲》与其他作曲家根据《帕格尼尼随想曲》改编的作品进行比较，得出以下结论：李斯特的改编一方面尊重了帕格尼尼原作追求炫技与艺术表现力的意图，另一方面体现了李斯特追求钢琴交响化的音乐风格。

The traditionalistic type of composer begins with a pattern rather than with a theme.

传统主义型作曲家始于某种格调而非某种主题。

"Certified 'masterpieces' by dead composers, manipulated by charismatic star performers for the delectation of an increasingly passive and uninquisitive audience".

&由已故作曲家所作的被证明的'杰作'，由具有超凡魅力的明星演奏家为迎合越来越消极及缺乏好奇心的观众的欢乐而演奏&

The thesis are divided into four parts: chapter 1 is telling the background of La Traviata and the composer"s mentality; chapter 2 is telling how to perform Violetta on the basis of the musical and dramatic factors; chapter 3 is telling the greatness and tragic of the character Violetta; chapter 4 is telling unitarily the artistic charm of the character Violetta,, and her artistic value to the opera La Traviata and even to Verdi"s other opera works.

全文共分为四大部分：第一章主要交待《茶花女》的创作背景和创作心理；第二章主要从音乐和戏剧两因素分析作曲家如何对薇奥莱塔人物形象进行塑造和演唱者如何进行二度创作；第三章，主要从美学角度分析薇奥莱塔形象的&崇高&和&悲剧性&审美价值；第四章，从&薇奥莱塔&歌剧形象看威尔第歌剧的独特艺术魅力。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷