作曲家

He does not deny that music has gone on to be sexually selected (indeed, one of his students, Konstantinos Kaskatis, has shown that Dr Miller's observation about jazz musicians also applies to 19th-century classical composers and contemporary pop singers).

他不否认音乐受到性别选择的影响因为事实确实如此，他的一位学生Konstantinos Kaskatis 已经在米勒博士对爵士乐音乐家进行观察的基础上，又证实了这一点在19世纪的古典作曲家和当代的流行乐歌手身上同样得到了体现。

He does not deny that music has gone on to be sexually selected (indeed, one of his students, Konstantinos Kaskatis, has shown that Dr Miller's observation about jazz musicians also applies to 19th-century classical composers and contemporary pop singers). But he does not think it started that way.

他并不否认音乐已经成进而处于受到性选择下（事实上，他的一名学生Konstantinos Kaskatis展现出Miller博士对爵士乐音乐家的发现对于19世纪古典作曲家、现代流行歌手也符合）但是，他并不认为音乐是因为这原因而产生。

Krzysztof Penderecki 's first public appearance on an international level was in 1959 at the Warsaw Autumn Festival.

CCTV.com消息：潘德列茨基是当代最伟大的作曲家之一。他1933年11月23日出生在波兰的德比札，曾在弗朗西塞克。

In September 1997 Krzysztof Penderecki became the musical director of the Sinfonia Varsovia orchestra.

穆特所作的《第二小提琴协奏曲》获得两项格莱美大奖。2000年他在法国戛纳被授予&最优秀的当代作曲家&称号。

The maister composer, and six other musicians, including two castrati and one woman (probably Albrici's half-sister, Leonora).

&作曲家的主人，&等六个音乐家，其中包括两名伶及一名女子（可能Albrici的同母异父的姐姐，莱奥诺拉）。

Greenhorns write of syncopation now as if it were a new way of giving the utmost impetus to a musical measure; but the rowdiest jazz sounds like the Maiden's Prayer after Beethoven's third Leonora overture; and certainly no negro corobbery that I ever heard could inspire the blackest dancer with such diable au corps as the last movement of the Seventh Symphony. And no other composer has ever melted his hearers into complete sentimentality by the tender beauty of his music, and then suddenly turned on them and mocked them with derisive trumpet blasts for being such fools.

毛头小伙子们现在一提起切分音就好象是一种使音乐节奏成为最强而有力的新方法；但是在听过第三里昂诺拉前奏曲之后，最狂热的爵士乐听起来也象&少女的祈祷&那样温和了，可以肯定地说我听过的任何黑人的集体狂欢都不会象贝多芬的第七交响乐最后的乐章那样可以引起最黑最黑的舞蹈家拼了命地跳下去，而也没有另外哪一个作曲家可以先以他的乐曲的阴柔之美使得听众完全溶化在缠绵悱恻的境界里，而后突然以铜号的猛烈声音吹向他们；带着嘲讽似地使他们觉得自己是真傻。

They are lullingly musical—indeed, one entire sequence is a kind of loose interpretation of a quartet by the composer, Anton Webern.

诗行如催人安息的乐曲，更具体来说类似作曲家Anton Webern的四重奏。

Composers of the period alternated florid and discant organum (more note-against-note, as opposed to the succession of many-note melismas against long-held notes found in the florid type), and created several new musical forms: clausulate, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration: which was a song for more voices to be sung rhythmically, most likely in a procession of some sort; and trops, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant: that is ,one of the voice,(usually three, though sometime four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voice sang organum.

这个时期作曲家的作品中华丽的奥尔加农和迪斯康特交替出现note-against-note(应该是自由奥尔加农，与由许多连续的装饰音组成的旋律对抗，这些装饰音对应在华丽部分中出现的长音，他们还开创了几个新的音乐形式：clausulae，来自于奥尔加农的拖腔片段，并配以新的词和更富悦耳的细节；conductus，孔杜克图斯，一种基于圣咏之上的有节奏性的单声或者多声歌曲，很有可能是用于礼拜的行列。

Joseph Kerman has written that the English madrigal composers demonstrate a"preoccupation with purely musical devices,a reluctance to follow the Italians in splitting up compositions mercurially at the whim of the text."

约瑟夫·科尔曼写道英国牧歌创作者显示了一种&对于纯正的音乐节奏的全神贯注，不情愿像意大利作曲家那样在一时兴起的奇想下灵活地分割曲子&。

"GloomySunday" from Hungarian "Szomorú Vasárnap", is a song written in 1933,by Hungarian pianist and composer Rezs Seress. We may listened to theEnglish version which the end was edited. Due to the crazy freedom oninternet these day, I finally got this version by Diamanda Gallas whichis the most scary version I've ever heard and it might sounds the mostlike the original Hungary one ...

&GloomySunday&《忧郁的星期天》（匈牙利语：SzomorúVasárnap），也译作《黑色的星期天》是匈牙利自学成才的作曲家赖热·谢赖什（RezsSeress，1899－1968年）谱写於1933年的一支歌曲因为internet方便，我找到了这个Diamanda Gallas的版本，可说是我听过最可怕和绝望的声音，多半真的像原文的匈牙利语版本。。。。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷