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"Randomize Taipei" has the honor of including artists like the famous composer Michael Nyman who presents an anti-war documentary he produced with movie director Peter Greenaway in the 1960s.

在国际参展艺术家中不乏著名艺术家,例如电影「钢琴师与她的情人」配乐作曲Micheal Nyman,他参展的作品为1960年代与著名电影演导Peter Greenway共同制作的反战纪录片。

Li has recorded several CDs and a DVD to his credit, including Prophetic Bird and Salut d'Amour on CDs with POLOARTS in 2002 and 2004 respectively, a DVD in 2005 entitled La Ronde Des Lutins performing on Stradivari BELLO 1687, Stradivari RIES 1693 and Guarneri BALOKOVIC 1729, and a SACD entitled The Soul of Violin recorded on four violins provided by Stradivari Society.

2007年4月8日下午3点半李氏将在三藩市Herbst Theatre举行首次个人独奏会,演译理察施特劳斯优美的小提琴奏鸣曲及由巴济尼、陈钢、萨拉沙蒂、秦咏城、衞斯曼作曲及米尔斯坦改编自李斯特和盖希文的经典小提琴精彩曲目,与李氏三重奏成员之一的钢琴家李天慧合作演出,门票分$50$28$18,现已在City Box Office及三藩市吴兴记等发售,订票及查询请致电1-415-392-4400 或 1-415-781-8330,喜爱音乐的朋友不容错过。

I went to high school in the USA which gave me an understanding of American culture and music. I moved to London, England to study classical guitar and composition at the Guildhall School of Music when I was 18 and have lived here ever since.

在美国威斯康星州上高中时我了解了美国文化和音乐。18岁时我搬到英格兰伦敦在市政学校学习古典吉他和作曲并从此住在那里。

Increasingly, polyphony and harmony were seen as two sides of the same idea, with harmonic progression entering the notion of composing, as well as the use of the tritone as a dissonance.

复调和和声逐渐被认为是同一个概念的两个方面,随着和声级数进入到作曲记谱的概念中,以及作为不和谐音的三全音的运用。

This article is based on the research of Mr. Li Yinghai"s monograph the modes of Music of the Han nationality and their harmony, his music composition and a series of his vocal music works, piano works. From the structure of the chord, the harmonic progression, the modes and tonality, texture composition style, the style of dealing with the skill and technique of national music sound simulation, etc. the author expounds Mr. Li Yinghai"s great achievement and his precious experience on academic research and application on national mode harmony in detail.1. Music composition should regard nationalitys traditional music as foundation, and at the same time use European traditional skill and technique of music composition for reference, seek the harmony of traditional skill and technique, modern idea and national style. Only in this way could we promote research of the national music theory and creation of the national music.2. Theory stems from practice, guides practice again at the same time. And theory is developing, perfecting constantly in practice.

文章以黎英海先生的理论专著《汉族调式及其和声》以及他创作、改编的一系列声乐作品、钢琴作品为研究对象,从和弦结构、和声进行、调式调性、织体写法、间音处理手法、民族音乐音色模拟技法等方面详细论述了黎英海先生在民族调式和声理论的研究与应用上取得的丰硕成果与宝贵经验及其给我们的两点启示:1、音乐创作应以民族传统音乐为根基,以欧洲传统作曲技法为借鉴,努力探求音乐创作中传统技法、现代理念与民族风格的和谐统一,以此推动民族音乐理论的研究与民族音乐的创作。2、理论来源于实践,同时又指导实践,并在实践中不断发展、完善。

She is a composer for the harp??

她是位写竖琴曲的作曲??

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962)and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯(Richard Strauss,1864-1949)正是欧洲人文发展空前灿烂的年代,无论在哲学思想、文学、美术以及音乐方面,都有辉煌的成就。在他音乐学习历程中,结合了古典时期及浪漫时期两种音乐风格,发展出独特的作曲风格。本论文分成五章:第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨;第二章则从对理查史特劳斯生平的详实记载中,了解他创作作品的时代背景和心情;第三章则就浪漫时期艺术歌曲作家舒伯特(Franz Schubert1797-1828)、舒曼(Robert Schumann1810-1856)、布拉姆斯(Johannes Brahms1833-1897)、沃尔夫(Hugo Wolf1860-1903)及马勒(Gustav Mahler1860-1911)等,以诗人、旋律、伴奏型态及曲式和声,稍加整理并说明,以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整,藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析,则探讨此部作品诗人赫塞(Hermann Hesse 1877 - 1962)及艾辛朵夫(Joseph von Eichendorff﹐1788-1857)的生平和作品特色,以及诗的结构与格式,和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法,创作出一组宁静感人又深刻的终曲。

If you can read music , you will find yourself humming aloud to see what he means.

如果你识乐谱的话,你会发现大声地哼出便能理解作曲者的意味所在。

Mr. Albarns haunting and dynamic score blends genuine Chinese sounds with electronica and even hurdy-gurdy.

阿尔本富有活力的作曲将中国歌手优美的声线与电子配乐,甚至与手风琴演奏融合在一起,令人听后萦绕于心。

It's a night of theatre without script, it's IMPROV! Improvisers create scenes and songs based on audience suggestions. Live music played by a musical improviser. It's a show filled with laughs and excitement, completely improvised and no two shows are alike.

勇气即兴演出无剧本的即兴剧IMPROV,演员请观众丢出建议现场参与,用你的建议为灵感,现场无中生出难以预料完全即兴的短剧及音乐剧,即兴乐手现场作曲配乐,你会大笑你会感动,每晚的演出都是独一无二绝不重覆。

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And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47:5 法老对约瑟说,你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法,同时,采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。

Hey Big Raven, The individual lies dont matter anymore - its ALL a tissue of lies in support of...

嘿大乌鸦,个别谎言的事不要再-其所有的组织的谎言,在支持。