作家

This kind of disesteem results in the indifference of research on Maugham in China. For instance, Chinese translators seldom translate his works with zest so that Chinese readers are not familiar with him.

在国外学者轻视毛姆的情形之下，中国对这位作家的接受显得相对冷淡，比如翻译界就不太热衷于毛姆作品的翻译，这又进一步导致了国人对毛姆的不甚了解。

D·H·Lawrence is one of the most important novelists in the earlier 20th century in Britain. He is also a controversial writer of both praise and dispraise for long.

劳伦斯是英国二十世纪初最重要的小说家之一，也是长期以来最富有争议、毁誉不一的极其独特的作家。

Disraeli was as wonderful a letter-writer as he was a novelist.

迪斯雷利是个极好的信中，作家，因为他是一个小说家。

Taking the "human" point of view to analyze the reason of the proliferation of Seventeen Year Literary Criticism, we known that Mao's consistent distrust to intellectuals and his dissatisfy with current literary and artistic work is one of the factor, the other factor can be the writers group their own of that period.

从"人"的角度分析十七年文艺批判泛滥的原因，这其中既有建国后毛泽东对知识分子的始终不信任和对现行文艺工作始终不满的一贯思维，同时也有这一时期作家群体自身的因素。

Their works compared with the surrounding appeared as a"dissident".

他们的创作与周围的作家相比都显得是个"异数"。

In the late Soviet era, aspirations for Ukrainian independence were confined to a group of dissident writers and intellectuals.

在苏联时代后期，乌克兰独立的意愿仅仅局限于一小群持不同意见的作家和知识分子。

In the ancient part, this article starts to illustrate the reason, social background and historical foundation of the Chinese distaff literature, then discussing the main characters, social essence and relevant literature criticism from the works concerning Chinese distaff, also pointing out the effect on the Chinese literature history and spirits; In modern part, we put emphasis on two pieces of works of Su Tong and Li Bihua , and tries to discover the development of Chinese distaff literature in their movies.

古代方面，文章首先阐明了中国女性文学的发生原因、社会背景、历史根据等相关问题，细致入微地分析了重要的女性文学作品中具有典型性的人物、社会本质，及相关文学批评等问题，并指出了其在中国文学史、精神心灵史上的影响；当代部分，文章选定苏童与香港作家李碧华的两部作品与它们各自的电影文本进行比较分析，探究当代女性文学的发展脉络。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

Dr. Lamberts, an Augusta, Ga., physician and writer of Musings of a Distractible Mind, notes that he has a few simple rules that help him get along better with his patients.

来自乔治亚州奥古斯塔，多才的医生和作家Lamberts博士提出：他有几个简单的规则，可以帮助他更好地与他的病人相处。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。