作家

His short stories expose the nature of the existence of modern people's life, the absurdness of life and the absurdness of existence.

多甫拉托夫是一位有着"严肃的存在主义作家"称谓的当代俄罗斯后现代主义作家。

James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish writer and poet, widely considered to be one of the most influential writers of the 20th century.

自己的翻译，仅供参考詹姆斯·奥古斯汀·阿洛伊修斯·乔伊斯（1882年2月2日——1941年1月13日）爱尔兰作家和诗人，20世纪最具影响力的作家之一。

Some of my sources are: Mrs. Huang, an amah in my family who has all the ideas that go into the breeding of a good woman in China; a Soochow boat-woman with her profuse use of expletives; a Shanghai street car conductor; my cook's wife; a lion cub in the zoo; a squirrel in Central Park in New York; a deck steward who made one good remark; that writer of a column on astronomy; all news in boxes; and any writer who does not kill our sense of curiosity in life or who had not killed it in himself… how can I enumerate them all?

我的写作素材来源如下：我家保姆"黄阿妈"，一位恪守妇道的中国妇女；粗话连篇的苏州船娘；有轨电车售票员；我家厨子的夫人；动物园里的幼狮；纽约中央公园的松鼠；一度言之有物的甲板服务员；天文专栏作家；信箱里的各路新闻；任何作家，只要他不扼杀我们对生活的好奇心，或他本人的好奇心尚未泯灭……来源之广，何胜枚举？

Leave cling to of the city before today midday, amphitryon informs me suddenly, let me use midday postprandial to be become for nothing, visiting this locality the memorial hall of a writer, but the name that did not tell an author

离开巴城的前一天中午，东道主忽然通知我，让我利用午餐后的空当，参观本地一位作家的纪念馆，但没有告知作家的名

Pan Jun, from the angle ofrecovering self and preserving personal dignity, promotes human\'s desires to the high level of psychological experience and emotional communication which is so purely individualistic and spiritual as to transcend worldly ethics and morals. No matter themes of above writers: pursuing self, revealing personality, liberating spirit, or attacking servility, expressing true feelings, calling for dignity, they are all created on the foundation of constructing individual subjective consciousness of the Neo-Era Chinese nationals.

上述作家的创作主题，无论是追寻自我、张扬个性、解放精神，还是鞭挞奴性、表达真情、召唤尊严，都是以新时期中国国民的个人主体意识的建构作为基石的，因此，他们的创作实践和努力，代表了新时期作家对建构国人现代主体意识的孜孜以求的追索和探询，标志着中国新时期文学中一种新的人文精神的创立。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

This stipulation proves the political high pressure such as the literature norm is not the reason that "Non-mainstream Literature of Seventeen-Year "of China have politics tendency that writers pursue.

因而，本文试图从中国&十七年&非主流作家由文化传统积淀而成的政治伦理情结，以及在中国文学独立性传统和社会现实影响下作家自我意识的浮沉两方面问题着手，探寻中国&十七年&非主流作家政治追求倾向性的原因。

Alive, the author's sense of survival of the formation of two reasons: on the one hand, Yu Hua's because the small growth in the hospital environment, from the visual, touch, hearing on the death of a great feeling; On the other hand Yu Hua read a lot of Western literature, Western literature by writers of the impact, such as Kafka, writers found a unique way of real performance.

在《活着》中，作家的生存意识的形成有两个方面的原因：一方面余华因为从小就生长在医院的环境下，从视觉、触觉、听觉上对死亡有很大的感触；另一方面余华阅读大量西方文学作品，受西方文学作家的影响，如卡夫卡等，作家找到了表现现实的独特方式。

Many Gemini work as authors, columnists or copywriters, screenplay writers, editors, proofreaders, researchers, or as specialists in PR, sales, advertising, marketing, or software/ app development.

许多双子的工作是作家，专栏作家，编辑，剧本作家，广告人，校稿人，研究员，或是PR方面的专家，销售人员，营销，市场，或软件工程领域的。

The writer cultivates self discipline the question is ancientbut Chang Xin topic, this kind of tutelage the writer cultivated selfdiscipline the creation to us still to have the positive instructionsignificance today, moreover cultivated vital energy to say also willcontinue to the later generation writer to have the influence.

作家修养问题是一个古老而常新的话题，这种修养对我们今天的作家修养创作仍然具有积极的指导意义，而且养气说还将对后世作家继续产生影响。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐