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Every written work can be regarded as a prologue of a work never penned, and destined to remain so, because later works, which in turn will be the prologues or the moulds for other absent works, represent only sketches or death masks.

每部已写成的作品可视为一部从未动笔的作品的序言,而且注定保持为那个样子,因为后来的作品,相应地将是其他缺席作品的序言或胚子,只相当于草稿或死亡面罩。

Every written work can be regarded as a prologue of a work never penned and destined to remain so because later works which in turn will be the prologues or the moulds for other absent works represent only sketches or death masks.

每部已写成的作品可视为一部从未动笔的作品的序言,而且注定保持为那个样子,因为后来的作品,相应地将是其他缺席作品的序言或胚子,只相称于草稿或死亡面罩。

The series of seven polonaises published in his lifetime (another nine were published posthumously), beginning with the Op. 26 pair, set a whole new standard for composing and playing the music and were rooted in a passion by Chopin to write something to celebrate Polish culture — after the country had fallen back into the Russian grip. The A major polonaise Op. 40 No. 1,"Military," and the polonaise in A flat major Op. 53,"Heroic," are among Chopin's most beloved and played works.

他有生之年出版的7首波兰舞曲(另外9首是他死后出版的),从作品26的一组开始,为创作和演奏这类乐曲制定了全新的标准,这些乐曲的创作是出自肖邦在波兰再次落入俄国的掌控后想要赞美波兰文化的激情。A大调波兰舞曲作品40第1号&军队&,和降A大调作品53&英雄&是肖邦最钟爱也是最常弹奏的作品

"This revised and expanded fourth edition of Andy Warhol Prints: A Catalogue Raisonne 1962-1987, with 1700 illustrations and full documentation, presents the artist's complete graphic production, from his first unique works on paper in 1962 through his final published portfolio in 1987, including trial proof prints and unpublished prints."

&这是《沃霍尔版画作品全集》第四版修订增补本,按时间顺序收录了 Andy 自1962到1987年间的版画作品,有 1700张图片和满满的相关资料。该书展示了这位艺术家所有的版画作品,从1962年第一辑奇特的版画到1987年最后出版的画作,包括未完成的版画样张和其他未出版的作品。&

Chapter three analyzes one of his works—Good-bye Kinmen, whereas chapter four gives analysis on his other work Sunset red tile house.

本文章节安排分别为:第一章为绪论,叙述本文的研究动机、目的与方法;第二章为作者介绍,透过本章了解陈启淦在儿童文学创作上的想法与活动历程,并透过整理,了解陈启淦累计至目前的创作成就;第三章为《再见金门》作品分析、第四章为《日落红瓦厝》作品分析、第五章为短篇小说作品分析,各章分别就「题材选取与情节铺陈」、「主题探析」与「人物刻画」等各种面向,为作者的少年小说作品进行深入剖析,并透过第六章依据创作形式与内容两部份,分别整理、归纳陈启淦少年小说的创作特色,并提出笔者的个人评价;第七章则为本文结论,并提出笔者的意见,做为后进研究者的研究参考。

This paper studies the works of Vivaldi, Op.3 Lestro armonico.By the way musical form analysis of musical analytics, tries to analyze the structure, musical form, harmony, key relationship, stylistic evolvement of the works . It reveals the status of the works and the impact to the autumn period solo-concerto Four Seasons in the course from grand concerto to solo concerto . Vivaldi contributes the foundation of the solo concerto and his works get a further reference to learners.

本文以维瓦尔第的作品Op.3《和谐的灵感》为研究对象,运用音乐分析学中曲式分析的方法,试图通过对作品的结构形式、曲式、和声、调关系、风格演变等方面的分析,揭示出在从大协奏曲到独奏协奏曲的演变过程中,这套作品有着怎样的地位,对成熟时期的独奏协奏曲有着怎样的影响以及作曲家在独奏协奏曲的最终确立方面都有哪些探索,做出了怎样的贡献,对人们进一步了解维瓦尔第的其它优秀作品提出一些参考。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造,探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象,并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析,揭示两部作品之间的传承关系,特别是&妇女主义&思想在两部作品中的具体体现。

In light of the concept of inter-subjectivity from Philosophical Hermeneutics, in the fourth chapter, this thesis ventures to make a tentative exploration to the subjects in literary translation and view cultural mistranslations as inter-subjective dialogues among those subjects.

借鉴哲学阐释学的主体间性和理解对话性的概念,本文在第四章以文化误译为途径,对文学翻译的主体和主体间性作了初步探索,指出文学翻译作品是原文作者,作品人物,译者和读者交流对话的结果,交化误译是译者主体性的彰显,译者对作者的作品风格的呼应,对意向读者的迎合,以及和作品人物对话而产生的结果。

The piano...更多 divertimento "Xiangtu Jieling Shi (poems of rural seasonal phenomena)" was one of the most important representatives of his later musical creations. This thesis has come up with ths stylistic features embodied by combining the Chinese national styles with Western composing techniques. At the same time, by comparing with Jiang Wenye's former homogeneous works "Five pieces of sketch", this thesis has drawn the conclusion that Chinese style was rooted more deeply in his later works as well as that the "Xiangtu Jieling Shi(poems of rural seasonal phenomena)" has historically and realistically played an important role in his entire musical creation

钢琴套曲《乡土节令诗》是江文也后期音乐创作的重要代表作之一,本文通过对钢琴套曲《乡土节令诗》的创作技法的分析,总结出这部作品在中国民族风格与西方作曲技法结合时体现出来的风格手法的特点;同时通过对这部作品与江文也前期的同类作品《五首素描》等的比较研究,总结出江文也在创作后期作品的中国化风格的深入的特点,同时也充分说明了《乡土节令诗》在江文也音乐创作中的历史意义和现实价值。

The task was to photograph works by his father, Lyonel Feininger, who had painted the famous "Halle series" in the aforementioned Moritzburg.

尽管费宁格以刻画纽约作品之犀利而闻名,这名摄影师的拍摄生涯却真正起步于德国Halle——在完成魏玛鲍豪斯建筑流派以及手工木艺研习后,费宁格在1931年的Halle得到了首次正式完成摄影作品的机会:帮助他的父亲里昂耐尔·费宁格拍摄绘画作品(里昂耐尔·费宁格是当时德国的著名画家,著名作品包括&Halle&系列等)。

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让更多的消费者可以品尝到品质更为鲜美,工艺更为精湛的葡萄酒。

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