作品

It is not something isolated from the reality but the authentic works of human practice; therefore, it is tinged with humanity, or rather as what the British aesthetician Bell termed "Meaningful Forms".

它不是脱离现实而独立的东西，而确实是人的"作品"，因而才会具有"人的意味"即英国美学家贝尔说的"有意味的形式"。

The second part is the key point, it promulgate deeply that emphasizing one's"feeling"is character of sketch paining, from introducing and anglicizing the generation of several sketch painters'(Paulo·Cezanne, Alber holds·Jia Kemei the peduncle, Lu Xi'an·Floyd, a Avey gram·Arica) work, viewpoint, scheme, promulgates deeply that is the character of sketch painting by emphasizing one's"feeling".

第二部分是本文的重点，从介绍分析现当代几位写生画家(保罗·塞尚、艾伯托·贾科梅蒂、鲁西安·弗洛伊德、阿维克多·阿里卡)作品、观点、图式入手，深层揭示个人"感觉"的强调是现下写生绘画的特点。

Pieces of works, the Asia-Pacific Museum of California. 1989 should be invited by the University, Ohio fen to conduct academic exchanges and organized individual exhibitions. In July 1990 in Nepal's capital Kathmandu, large-scale exhibition held at the Museum. October 1990 New Delhi, India Baha'i Museum exhibition,"Chenming," a collection. On three occasions since 1991 in Florida, where Bo and other three cities held personal exhibitions. 1992 work,"Spring Bamboo" is Queen of the Netherlands Beja Therese collection. In Sydney, Australia in 1993, organized by city, the first Asia-Pacific Chinese ink painting contest winners, work "snowy's Island," a collection. In October 1994 the National Museum of the Netherlands invited to organize large-scale solo exhibition in December 1994 in Rotterdam invited Chinese literary weeks personal exhibition was held. 1995 Chinese Culture Week was mayor of Amsterdam, the Netherlands named after a famous Chinese artist. 1996 has been Noto City, He Luolin root City,拉登维斯林City, is an ink-Wei City, Amstelveen invited to organize large-scale exhibition city.

1986年起多幅作品被美国加州亚太博物馆收藏。1989年应美国俄亥俄州芬来大学邀请进行学术交流并举办个人画展。1990年7月在尼泊尔首都加德满都博物馆举行大型个展。1990年10月在印度新德里巴哈伊博物馆举行个展，《晨鸣》被收藏。1991年起先后三次在佛罗里达州、里勃等三城市举办个人画展。1992年作品《春竹》被荷兰女王贝雅特丽丝收藏。1993年在澳洲雪梨市举办的，首届亚太地区中国水墨画大赛获奖，作品《雪原之洲》被收藏。1994年10月被邀于荷兰国家博物馆举办大型个人画展，1994年12月在鹿特丹中国文体周特邀举行个人画展。1995年阿姆斯特丹中国文化周被市长命名为荷兰著名中国艺术家。1996年先后曾被乃登市、荷罗林根市、拉登维斯林市、乃墨卫市、阿姆斯特芬市邀请举办大型个展。

They were demonstrated by the following three chapters: Chapter 1: Introduction of Ming Yuan Shi Hua, including the biobibliography of the author and the edition, content, embodied style, etc.

包括作者生卒年、生平经历、作品，《名媛诗话》的版本、内容、收录情况、体例。

The overlapping of block surface and the interlaced sense of space of the works, as well as the visual impact of simple but moving colors, constitute a lively cantilena with unique Chinese charm.

作品"块面的重叠与错动的空间感"，简洁而又灵动的的色彩冲击力，生动的形成了一首中国风韵的抒情曲。

Rondo a Capriccio for piano in G major ("Rage Over a Lost Penny"), Op.

1随想回旋曲钢琴在G大（"愤怒超过失去了竹篙"），作品。

The scale of the work and its siting by a very busy dual carriageway makes it the most visited sculpture on record-even if the visit is at 70 miles per hour.

作品 的规模和它所处的地点，使得它成为有记录可查的参观客流量最大的雕塑，即使参观是以每小时70英里的车速通过，也可以看到它。

There are 6 chapters inside of the thesis:(1) Interpretation of the motivation of research.(2) Analyzing of correlation documents and starting to construct a framework of criticize and analyze of "public art".(3) Discussing the forming of creation ideas.(4) Analyzing the influence results of public from the exposition of society.(5) Discussing the interactive relationship of artist, works, commonalty and art criticism from the installation process of works. Point out the meaning of society and the possibility of communication in the criticism of public art.(6) Reference, review and the propositions for further studies.

本论文共分六章，第一章说明本研究的动机、目的、范围、内容、方法与流程；第二章针对相关文献分析并初步建立公共艺术的评析架构；第三章则就公共艺术的创作意念生成进行探讨；第四章则就公共艺术的社会解读来分析影响大众观赏公共艺术的因素；第五章从公共艺术设置过程对社会的影响，探讨创作者、作品、大众与艺评的互动关系，并尝试提出公共艺术评论对社会的意义与沟通的可能；第六章为本研究的结论与检讨，并对后续研究提出建议。

Yellow Box" is a project initiated by the Visual Culture Research Centre of China Academy of Art, its purpose is to investigate issues about contemporary art, creativity and culture of connoisseurship in response to the modern "white cube.

美术馆的空间被规定为"白盒子"，它是一个可以替代教堂的建筑容器，不同类型的艺术实践皆可在这个圣殿般的空间中呈现为"作品"——个人观看主体膜拜、凝视的对象。

Or "Painting Bitten by a Man"(1961), which has a mouthful of wax encaustic gnawed out of its center, leaving a mark like a frozen scream or guffaw.

作品《被一个男人咬了》（1961）中间有一个用腊浇制的嘴行物体，看上去像是在啮咬的嘴，这不禁让人们想放声尖叫或者哄堂大笑。

The circulation, consumption and reproduction of the trilogy have not only testified to its historical significance and literariness, but also invested it with new meanings.

该三部曲的流通、消费与再生产不仅验证了其历史意义及文学性，而切还赋予它以新的意义。

If he thought that he could buy me off, he would be wrong.

如果他认为他可以收买我，那他就大错特错了。