位论

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Part i tries to track to the history of education trend of thought of anarchism in china . it includes 4 phases : introduction ( the end of 19 century - 1902 ), development ( 1902 ~ 1911 ), bloom ( 1912 ~ 1921 ), eclipse ( 1921 - 1927 ). part n analyses education ideas of the faction of china anarchism . lt includes tian yi faction , new century faction , min sheng faction , the faction of anarchical communism . part hi puts forward my evalution form there different angles . generally speaking , it had special significance in special time . even though it had many flaws , it is important for us to value education trend of thought of china anarchism

主要包括四个方面：无政府主义的产生与传入( 19世纪下半叶1902年)；无政府主义教育思潮的形成( 1902年1911年)；无政府主义教育思潮的全盛( 1912年1921年)；无政府主义教育思j兑回在a硕士字位论父wmaster ' sthesis潮的衰落92年1927年l通过对其历史的回眸，可以清晰地了解无政府主义教育思潮在中国各个时期的特点及发生变化的原因，揭示它的流变轨迹及其对中国教育思想影响的深度和广度，从而使国人充分地认识和了解无政府主义教育思潮在特定的历史时期所发挥的特殊的历史作用。

Influence of the concentration of Cr in the leachate and quantity of Pb(CH3COO)2 of Pb(NO3)2 on the reaction of synthesizing yellow chrome was also studied. Finally, according to the criterion and standard method in GB3184-82, some yellow chrome synthesized in the experiments was sampled and the concentration of PbCrO4 in these samples was determined. The following conclusion can be drawn from these experiments.

根据中华人民共和国国家标准GB3184-82中的规定铅铬黄颜料的技术质量指标和检测方法，测定了铬黄样品中铬酸铅含量的厂迄回【、矾士牢位论父泅仰yW盯皿'S川mS达标情况，结论如下：门）反应中重铬酸盐的浓度并不需要达到前人所提出的150～2509·L'的范围，在一定条件下低于此浓度时对铬黄生成反应并无不利影响。

We can not denial that Barth's pneumatological ecclesiology enriched the Reformed Church's ecclesiology. He regards mission to the world as an essential nature of the church, and witness the main purpose of church ministries. What we can confirm is that Barth was not only a dogmatical or biblical theologian, he was also a church theologian, a missionary theologian, who cared about "the Church and the churches" and was truly a secular theologian.

巴特圣灵论的教会论，丰富了改革宗的思想，将宣教视为是教会的本质之一，而见证也是教会事奉的核心，所以我们可以确认—巴特不只是一位教义学或圣经神学家，他也是教会神学家、宣教神学家、关心教会及世界之入世的神学家。

As for Titus, he is my partner and fellow worker among you; as for our brothers, they are representatives of the churches and an honor to Christ.

论到提多，他是我的同伴，一同为你们劳碌的。论到那两位兄弟，他们是教会的使者，是基督的荣耀。

The principal ideas behind this theory are: the monotheistic religion of Akhenaten being a possible predecessor to Moses' monotheism, and a contemporaneous collection of "Amarna Letters" written by nobles to Akhenaten (Amarna was Akhenaten's capital city) which describe raiding bands of "Habiru" attacking the Egyptian territories in Mesopotamia.

这个理论背后的主要想法就是：阿肯纳顿的一神论宗教很可能是摩西的一神论的前身，同时期收藏的"阿玛尔纳书信"是一位贵族写给阿肯纳顿的书信（阿玛尔纳是阿肯纳顿建立的首都城市），信上说一群"哈比鲁"的袭击队伍在袭击埃及在美索不达米亚的领土。

In Christianity, Sabellianism (also known as modalism, modalistic monarchianism, or modal monarchism) is the nontrinitarian belief that the Heavenly Father, Resurrected Son and Holy Spirit are different modes or aspects of one God, as perceived by the believer, rather than three distinct persons in God Himself.

这句最精要地说明「撒伯流主义」。在基督教中，「撒伯流主义」，也称「形态论」、「形态神格唯一论」、或「模态神格唯一论」，属非「三位一体」的信念，相信天父、复活之圣子、和圣灵，乃是同一个神，被信徒感知的三个不同的模式或方面，而不是上帝有三个独立的位格。

On Sundays, she goes to 33Unitarian Universalist churches along the way.

每逢星期天，她会去沿途的基督教一位论派的教堂。

This arguer claims that a recent study suggests that left-handed people are more likely to succeed in business than right-handed people.

这位论证者声称，最近的一项调查表明，习惯用左手的人比习惯用右手的人更有可能在企业里取得成功。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。