位子

Next morning I had the pleasure of encountering him; left a bullet in one of his poor etiolated arms, feeble as the wing of a chicken in the pip, and then thought I had done with the whole crew.

我打开落地窗，朝他们走去，解除了对塞莉纳的保护，通知她腾出房子，给了她一笔钱以备眼前急用，不去理睬她的大哭小叫、歇斯底里、恳求、抗议和痉挛，跟那位子爵约定在布洛尼树林决斗的时间，第二天早晨，我有幸与他相遇，在他一条如同瘟鸡翅膀那么弱不禁风的可怜的胳膊上，留下了一颗子弹，随后自认为我已了结同这伙人的关系，不幸的是，这位瓦伦在六个月之前给我留下了这个fillette阿黛勒，并咬定她是我女儿。

The antsy student could not sit still in his chair and constantly fidgeted.

那学生无法安静坐在位子上，一直表现得焦躁不安。

Susan : hey, uh, I waited for that spot while the guy made three phone calls and flossed his teeth.

我等那个人一边剔牙齿一边打了三个电话，才等到这个位子。

"I just think it takes the pressure off him to try to lead the scoring every night," Jackson said of Bryant. He's a guy who gravitates toward that position.

& &我觉得可以舒缓科比每晚上设法领先得分的压力，&杰克逊在谈到科比时说，&他是一个奔着那个位子去的人。

He would have growled at me for letting you take his place.

他会向我咆哮让你接替他的位子

She got where she did by honeying up to the boss.

她靠对老板甜言蜜语爬到了现在的位子。

I was much more liberal than he was, but the same could be said for all his potential successors.

我比他更具有自由主义的倾向，但未来可能坐他这个位子的候选人都是如此。

As soon as we boarded the bus, I just plopped down on a window seat and turned my back to my mum.

一上汽车，我就找了个靠窗的位子扑通一下坐下来，背向了她。

Since an eclipse portends something important and character-building in the works, it seems that you would have much to gain from taking on this position.

从日月食回让你变的举足轻重并且是这里的灵魂人物。这也就是说，你会在你的位子上获得更多的支持拥有更多的能量与资源去做更多的事情。

Since an eclipse portends something important and character-building in the works, it seems that you would have much to gain from taking on this position.

日食月食会让你变的举足轻重并且是这里的灵魂人物。也就是说，你会在你的位子上将能获得更多支持，拥有更丰富的能量与资源去做更多的事情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。