位场 - 网络例句 - 英语人，englisher

In chapter 4, for the first time, we studied the control role of the relative phase between the probe and driving fields on inversionless gain of the probe field in a closed and Doppler broadeningΛ-type three-level system with the spontaneously generated coherence.

结果发现：(1)不管探测场和驱动场是同向传播还是反向传播，驱动场是失谐还是共振，无反转增益总是随相对位相的改变而作周期性变化，周期为2π。

By using the CFD software FLUENT, the inner-flow field of centrifugal fans with ruled-surface impeller versus with enveloping surface impeller has been simulated. The static pressure distribution, the dynamic pressure distribution, the total pressure distribution, the turbulent intensity and the speed vector of the two kinds of centrifugal fans are then analyzed and compared. From the calculating results, we found that the pressure distribution, the speed vector and other parameters of the two kinds of centrifugal fans are basically same. This implies that the tool-path generating arithmetic for the machining of the impeller can meet the aerodynamic requirements of the centrifugal fan. Furthermore the method can provide proof for designing department to establish sound manufacturing tolerance for impeller.

最后采用CFD软件FLUENT，利用标准k-ε湍流模型，采用分离隐式求解器，分别对直纹面叶轮离心通风机和包络面叶轮离心通风机整体风机内部三维流场和单个通道流场进行了数值模拟计算，在计算结果的后处理中，对相同坐标值处的静压力、动压力、湍流强度和速度矢量等参数进行了分析与比较，结果表明：在相同的计算参数条件下所得到直纹面叶轮离心通风机和包络面叶轮离心通风机内部流场差别不大，从而揭示所采用的叶轮数控加工的刀位规划方法的规划误差对流体机械动力性能的影响不大，这也为设计部门制定合理的叶轮加工公差提供了依据。

The existence of potential 〓、Ω is proved in linear functional space theories.

用线性函数空间理论证明了位函数〓、Ω的存在性；指出了现有文献在退化矢量位〓的唯一性证明中所存在的问题，并重新给予了证明；证明了位函数〓、Ω在导体与导体、导体与非导体界面上自然满足分界面条件；针对汽轮发机端部的轴对称涡流场，讨论了位函数〓、Ω的泛函及有限元代数方程组的形成。

In his first full season as head coach, Van Gundy led the 1996-97 Knicks to a 57-25 record, marking a 10-game improvement over the previous season. New York's 57 wins matched the third-best total in franchise history and marked the best record ever posted by a Knicks coach in his first full season.

在他第一个全勤赛季，他率领96－97赛季的尼克斯队获得了57场比赛的胜利，比前一个赛季的胜利数整整多出了10场。57场胜利也可以排在历史上的第三位，也创造了主教练在第一个全勤赛季执教的最好记录。

High precision format, unstructured dynamic mesh with a large displacement and multi-species gas flows were computationally expensive, the problem of resourceless and inefficient of single computer appeared. Parallel arithmetic based on PC-Cluster system for the oblique detonation wave flow and the muzzle flow include high speed projectile were discussed. The results proved that the rationality of parallel arithmetic provided a new method to simulate the complex chemical reaction flows. The present code represents a validated, efficient and versatile tool developed for the simulation of hypersonic multi-species chemical non-equilibrium flows.

高精度计算格式、化学反应源项的刚性和大位移的运动边界处理都给计算和存储带来了沉重的负担，单机资源不足和计算时间长的问题凸现，利用PC机和局域网资源建立分布存储式并行计算系统，并基于非结构动网格和分区算法开发了复杂化学反应流场数值模拟的并行计算程序，对高速飞行实验弹丸诱导的斜爆轰波流场和含有大位移动边界的膛口燃气射流场进行了并行模拟，有效地缩短了计算时间，扩展了计算规模，为复杂化学反应流数值模拟研究提供了新的手段。

In the reduction cell, the field calculation for bath solution can be reduced to a potential boundary value problem with a given current while that for liquid aluminum is reduced to the second boundary value problem.

本文提出一种采用相对电参量计算铝电解槽电流场的方法，将铝电解槽中电解液电流场的计算归结为给定总电流的位场边值问题，铝液电流场归结为第二类边值问题。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Make a friend the envy of a woman; to do a husband's obsession with a woman; to do a sun-drenched woman; to do a love of their woman; Let us open this book, in the curl tea or a faint aroma of coffee, where both hands read, enjoy the first ray of sunshine and efficient workplace.

做一位朋友羡慕的女人；做一位丈夫迷恋的女人；做一位充满阳光的女人；做一位爱自己的女人；让我们打开这本书，在袅袅清茶或幽幽咖啡的香气里捧读，领略职场高效的第一缕阳光。

Jason Giambi, who missed the past two games with a bony spur on his left heel, visited a foot specialist and said he would play tonight in Seattle when the Yankees begin a nine-game trip.

G0 L 技安因为左脚跟上的骨刺连续错过两场比赛，他有去找一位足部专科医师看诊，他说今天晚上洋基展开9场客场比赛的第1场，也就是面对西雅图水手的比赛他将会上场。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。