似的

In the Grapes of Wrath Steinbeck has achieved an interesting contrapuntal effect by breaking the narrative at intervals with short, impressionistic passages recorded as though by a motion picture came

在《愤怒的葡萄》一书中，斯坦贝克不时打断故事的叙述，插进一些简练的、印象式的段落，取得有趣的对位衬托效果，仿佛是在用一架电影照相机作纪录似的，很快从一幕场景换为另一幕场景，从一个焦点转到另一个焦点。

The contumacious Titan, Prometheus, now announced to his Olympian tormentor that unless the latter promptly joined forces with him, his reign would be in supreme danger.

狂放而坦率的性灵哲学，以真理的毫不掩饰的态度，正视着那些飞舞而过的荷马神话；它们在哲学女神的闪电似的目光下惨然变色，悚然颤抖了，直至酒神祭的艺术家以巨灵之掌强迫它们为这位新神服务。

It can be concluded from the above analysis that at the beginning of language, simple linguistic signs, coming from sound imitation, natural exclamation and morphological stimulation, took a strong feature of iconicity, while arbitrariness still existed to a little extent. With time going by, the primitives had to create more linguistic signs to meet their needs of survival and development, so that they arbitrarily related the sound patterns and concepts to conventionalize them as linguistic signs adopted in the whole society. During this period of time, arbitrariness played a more important role, while iconicity still worked as phenomena of phonaesthesia designate. With society developing, human beings found that it was not enough to create new signs at will, so they began to make use of some principles like compound, derivation, etc. to form new linguistic signs, either simple or complex. The linguistic signs formed during this period of time always took a better disguise to be iconic, while no one until now could defuse the contributions of arbitrariness of their formation. From the above investigations, it can be seen that arbitrariness and iconicity interact in the whole process of language development at the level of lexicon. If there were no arbitrariness, human language could not expand at the very beginning.

因此可做如下推论：在语言产生之初，简单语言符号的产生常常都是有理据的、象似的，但是仍不排除任意性的作用；后来有理据的词无法满足人们生存和发展的要求，人们开始任意地连接声音形象和概念，并约定俗成获得语言符号，此时任意性起主导作用，但是象似性在音义关系中对语言符号的产生起着不可否认的作用；随着社会的发展，人们发现这些词已经不再能满足需要，而创造更多的词也不是很可能，所以人们开始采用一些构词法来创造新的语言符号，此时产生的语言符号往往更具象似性，但其核心仍然是任意的。

He appeared to have the convulsive strength of a man in an epilepticfit.

他似乎有着一股疯子似的蛮劲儿。

He remained cool-headed as if nothing had happened.

他保持冷静，就像没发生什么似的。

Elm of southern United States and Mexico having spreading pendulous corky branches.

生长于美国南部和墨西哥的榆树，有伸展的、摆动的、软木似的树枝。

His hands held onto the upper part of the platform, his legs huddled up and his corpulent

松似的，过了一会说，"我走了；到那边来信！"我望着他走出去。他走了几步，回

The room seemed like an oven to him. His corpulent frame was bathed in sweat and he was finding it difficult to breathe.

他觉得这房里特别热，一进来就像闷在蒸笼里似的，他那胖身体上只管发汗，他说话就更加费力。

Mathematics Having corresponding angles equal and corresponding line segments proportional. Used of geometric figures

相似的：对应角相等，对应线成比例用于形容几何图形

In June I dig out my shorts to discover my thighs resemble cottage cheese.

在六月份我就翻出了短裤，成果却创造我的大腿就像白软干酪似的。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。