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The guanine plus cytosine content mol% of Pseudomonas cocovenenans subsp farinofermantans, Burkholderia gladioli and Burkholderia cocovenenans, which were similar in biochemical characteristics, were determined with Tm values method and HPLC method, and the comparative study of these two methods was discussed.

利用复性速率法和高效液相色谱法对生化性状比较相近的椰毒假单胞菌酵米面亚种、唐菖蒲伯克霍尔德氏菌和椰毒伯克霍尔德氏菌共7个菌株的鸟嘌呤和胞嘧啶摩尔百分含量%进行了测定,并对这2种方法做了对比研究。

Mr Lloyd Webber has frequently chosen to couple well-known works with comparative rarities: the Saint-Saens Concerto, with the English Chamber Orchestra under Yan Pascal Tortelier, is coupled with the Honegger Concerto and d'Indy's Lied; the Tchaikovsky Rococo Variations is paired with the Miaskovsky Concerto. A two CD set "Favourite Cello Concertos"– which also includes Jackie's Song, Julian Lloyd Webber's personal tribute to Jaqueline du Pre – was released in January 1999 on Philips.

劳埃德·韦伯先生还经常把一些著名作品和相对冷僻的作品搭配在一起,例如和伊安·帕斯卡尔·托特里埃指挥的英国室内乐团合作,他把圣-桑的协奏曲和奥涅格的协奏曲以及丹第的《歌》搭配在一起;还有把柴科夫斯基的《洛可可主题变奏曲》跟米亚科夫斯基的协奏曲搭配在一起。1999年1月Philips发行了一套双张CD ——《最受欢迎的大提琴协奏曲》,其中的一首《杰基之歌》是朱利安·劳埃德·韦伯对杰奎琳·杜普雷的怀念。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说,一方面,早期极少主义的发展是符合格林伯格主张的&形式简化&原则的;但另一方面,当斯特拉提出&你看见的是什么就是什么&,贾德主张&特殊客体&,以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后,极少主义开始脱离现代主义的发展轨迹,最终走向了反现代主义的道路。1967年,格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭,此后,形式主义批评走向衰落。

His other films include The Majestic (2001), Eternal Sunshine of the Spotless Mind (2004, with Kate Winslet) and A Series of Unfortunate Events (2004, based on the books by Lemony Snicket).

艾洛伊斯致亚伯拉德》是以女性的口吻写成的,叙述艾洛伊斯对亚伯拉德的爱以及对爱情的看法,片名来自这一段

The identification results by Biolog system and cellular fatty acid composition analysis were same in the studied strains.

1.3个菌种的菌株在Biolog底物利用试验和菌体脂肪酸成分上基本一致,而且根据Biolog和FAME自动鉴定系统的鉴定,椰酵假单胞菌属于唐菖蒲伯克霍尔德氏菌或椰毒伯克霍尔德氏菌。

Burnside had replaced General George McClellan, when McClellan kept refusing to obey President Lincoln's orders.

伯恩赛德将军,当时,伯恩赛德将军在维吉尼亚州的弗雷德里克斯堡遭到惨重的失败。

In addition to his novels, screenplays, and scripts for television, Bradbury has written two musicals, co-written two "space-age cantatas," collaborated on an Academy Award–nominated animation short called Icarus Montgolfier Wright , and started his own television series, The Ray Bradbury Theatre .

除了他的小说,电影剧本,剧本和电视,布雷德伯里写了两音乐剧,共写了两&太空时代的清唱剧,&协作奥斯卡奖提名的动画短期称为伊卡洛斯菲尔赖特,并开始自己的电视连续剧,射线布雷德伯里剧院举行。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

The main characters in Lightman's stories are the theoretical physicists Albert Einstein, Edward Teller, and Richard Feynman, and the observational astronomer Vera Rubin. Not only is Rutherford absent, but almost all experimental scientists are absent too. The only experimenter who makes an appearance on Lightman's stage is Joseph Weber, a brilliant and tragic figure whose experiments turned out to be wrong. The mainstream experimenters who explored the universe of particles and fields, continuing to play Rutherford's game, taking the watch to pieces to see how it works, do not appear at all.

莱特曼故事中的主角是理论物理学家阿尔伯特·爱因斯坦、爱德华·泰勒、理查德·费曼以及天文观测家维拉·鲁宾,不单卢瑟福缺席了,几乎所有实验科学家都缺席了,莱特曼书中唯一露面的实验科学家是约瑟夫·韦伯,一位才华横溢但悲剧性的角色,他的试验被证明是错的,沿着卢瑟福把物体拆散来研究这一方向对粒子和场世界进行探索的实验科学家的主流根本没有露面。

The Mishnah is extant in many editions, although only the earlier ones can be mentioned here: first edition, Naples, 1492, fol., with the Hebrew commentary of Maimonides; Venice, Justiniani, 1546-50, fol.; Venice, 1549, 4to, with the commentary of Obadiah Bertinoro; Riva di Trento, 1559, fol., with the commentaries of Maimonides and Obadiah; Sabbionetta and Mantua, 1559-63, 4to; Venice, 1606, fol., with the same two commentaries.

该米示拿是现存的许多版本,但只有以前的可以在这里提及:第一版,那不勒斯, 1492年,奥德耶克。与希伯来文评迈蒙尼德;威尼斯, Justiniani , 1546年至1550年,奥德耶克。;威尼斯, 1549年, 4to ,以评俄巴底亚Bertinoro ;里瓦娣特伦托, 1559奥德耶克。与评论迈蒙尼德和俄巴底亚; Sabbionetta和曼图亚, 1559年至1563年, 4to ;威尼斯, 1606年,奥德耶克。,同两评注。

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